Thread #4480592
File: Fujifilm_GFX_100_II_sensor.jpg (1.1 MB)
1.1 MB JPG
So, which of the big companies is going to be the first to offer an affordable 100mp camera?
Fuji is obviously already out there, but this thing is Eight thousand dollars. I suspect that when it happens (eventually) it will be Nikon.
I feel like historically they are the company which has introduced high end features at a lower price.
330 RepliesView Thread
>>
>>4480592
There would be literally zero demand, something else has to go backwards for megapixels to go to 100.
I would love to see a survey response of every person who brought a camera over 40mp and what amount ended up regretting it.
>>
>>
>>
>>4480599
>I would love to see a survey response of every person who brought a camera over 40mp and what amount ended up regretting it.
I don't regret it, but it made me stop chasing the mp high
24mp is perfect for most everything
40-50mp is fine enough for when I want more
>>
>>
>>
>>4480599
>I would love to see a survey response of every person who brought a camera over 40mp and what amount ended up regretting it.
I suspect the vast majority of people buying those camera would say they were happy they did. You don't generally see people throwing around a few grand if they don't have the skill or hardware to use the camera.
>>
It makes me laugh when people say "That will never happen. People don't need it. The hardware cant handle it. etc."
I'm old enough to remember people saying the exact same shit about 10mp cameras when they came out in 2002-2003. I used to sell them for a living. We were told that this is the most anyone will ever need. Now FF standard is around 45mp. As basic computer specs continue to improve, camera spec expectations will go up too. There's a lot more today pushing progress. You've got Hasselblad and Fuji pushing out 100mp+ cameras, you've got camera phone specs improving, amateur film makers are using digital cameras more and more. None of these were considerations in the early 2000s. Progress was glacial by comparison.
Cameras will go over 100mp. We just have to wait for that baseline PC spec to shift up a level.
>>
>>
>>
>>
>>
>>
File: 1000003639.jpg (19.2 KB)
19.2 KB JPG
>>4480592
>moggs every camera discussed in this thread
Nothin' personal kiddos.
>>
>>
>>
>>
>>4480614
Then OP will be waiting a very long time because nikon is essentially a subsidiary of sony. They resell sony's old camera guts in a new body, turn up the saturation, and call it a different camera. Every time.
They bought RED and you know what sensor they used for their cinema camera? A modified a7iii sensor, again.
A7IIIs on the market:
Sony a7iii
Sony a7c
Nikon Z6
Nikon Z6II
Nikon Z5
Nikon Z5II
Nikon ZF
Nikon ZR
Panasonic S9
Panasonic S5
Panasonic S5II/X
These are all the sony a7iii. All of them. Same sony sensor. All of them have a minor edit made to the same shitty sony color science and at the most, a slightly modified AA filter or enhanced readout circuitry (sony still designs and manufactures the modification). Only fuji, canon, hassy, and p1 have their own color rendition. A7III, S5II, and Z6II raws can easily land on the same result!
Nikon also has tamron (which is majority owned by sony) manufacture a lot of their lenses (including rebrands). And Z mount's non-compete clause spills over to E mount and gives sony first party lenses an edge as well. Curious that nikon would have a policy that benefits sony's sales and makes Z mount less appealing.
>>4480660
Now this guy has a point. Digital cameras can only get so good before returns diminish sharply. A 100mp digital camera would only have about 75 "real" megapixels. Bayer is always 1.5x less resolution than mono unless shooting a mono target, then it's close but still has aliasing. Meanwhile measly 645 can be comfortably scanned beyond 100 real megapixels if you don't diffract your shit up at f11+ or lose detail to fucked up glass or mirror slap/hand shake.
ironically, using a digital camera, but dirt cheap m43 or pentax pixel shift+stitching does the job and no digital camera can do what film does in a single shot, let alone produce an unfakeable physical original that is compatible with real (darkroom) printing.
>>
>>
>>
>>
>>4480730
The average lens has ballooned in size, weight, and cost because seething gearfags did in fact make up shit to be angry at
Coma and spherical aberration in the corners at f1.4 has never affected a photo. Ever. It is meaningless wank. It is no coincidence that significant photography simply stopped happening with the invention of the canon L, sigma ART, and nikon G lenses. photographers stopped taking photos and started shopping around for special gear that might be better for taking specific photos they havent taken and would probably be boring as fuck. Photographers today are so fucking stupid they sit in a chair being neurotic about "equivalence adjusted for IBIS" when the past century was shot on ISO 50 slide film at f8 and the results looked better than their equivalence DR chart corner pixel peeping faggotry.
>>
>>
>>4480746
It’s not even close to a phone camera unless you’re an even worse type of gearfag (hipster faggot). It’s just a pointless exercise in robbing people of their money, comfort, and the option to NOT have bad looking supersharp+shitty bokeh f1.2 snapshits.
>>
>>
>>
>>
>>
File: 1000003649.jpg (39.1 KB)
39.1 KB JPG
>>4480737
True and again medium format lenses mogs absolutely everything new. They reach mongoloid levels of speed too, most RB lenses are 1.7f FF equivalent. The only thing they don't have is autofocus but it's lame and gay anyway + the focus knob is very easy to master
>>4480666
As if you were gonna fit any modern FF camera in your pocket, buy a bag and eat your vegetables
>>
>>
>>
>>
>>4480592
I doubt it.
I think Nikon took a huge hit economically from the AF kerfuffle, and I feel like they are struggling bit now.
And besides, the Z6 is still kept at a (very) conservative 24mp, just like its ancient predecessor the D600 and its contemporary APS-C brother.
Even the D800 from 2012 has 36MP.
>>
>>
>>
>>
>>4480926
Most old nikons have 50 dead pixels, grips falling off, and at least one dodgy button or dial while 5dIIs are all still flawless if not macerated by a roll down a rocky cliffside or falling out of a car
Shutter failure is also more common on nikon
>>
>>
>>4480926
>12MP is just not enough.
The Nikon D2x achieves a record 90lp/mm with just 12mpx, which exceeds the resolve of all other DX cameras that I have tested regardless of their megapixel count!
Stop buying into the megapixel lie.
>>
>>4481318
Whenever someone brings up lp/mm it is assured to be a lie in practical use. Yeah nah a d2x isnt outresolving a 90d.
Remember "but this was scanned on a hasselblad flextight, lp/mm, 6x7 = 45mp!!!!" schizo, despite anons posting tests that showed double, doghairs 800mp 4x5 scan, and huskyfags 70mp 6x6 scan? Lol
>>
>>4481325
>Whenever someone brings up lp/mm it is assured to be a lie in practical use.
If practical use = not shooting complex real world scenes in RAW with the finest prime lenses on a sturdy professional grade tripod in optimal light, then viewing a laboratory grade print with top grade optical aides, then yes.
>Yeah nah a d2x isnt outresolving a 90d.
I have yet to test the 90D.
>>
>>
>>
>>
>>
>>
>>
>>
Knowing how many resolution-axing design flaws DSLRs have these could very well be real but really accidental results. But they do not represent reality, only an error rate, calibration issues, and a bogus procedure mixed with ken rockwell’s even more bogus definition of a good lens.
>>
>>
>>
>>
>>
>>
>>
>>4480592
>remebriating that consumer cameras are a small part of Nik’s actual company.
Nikon should fucking do it already. They already make more sophisticated sensors than that, they just don’t produce them in quantity & at a cost low enough to build a camera around that isn’t priced like a fucking Leica, so they keep using Sonys boring old sensors. It was like 5 years ago they came up with some extremely fast sensor for processing shitfucktons of video as well, but as long as there are cheaper alternatives that are good enough for the market, all that stuff sits in their industrial technology divisions in devices the size of houses. Youd’ think with buying Red they’d have a use to scale some of that mfg and start ramping up pressure in the sensor market.
>>
>>4481706
Consumer cameras and lenses are the largest part of the company. What sensors are you talking about? RED outsourced its sensor manufacturing so there's no scale there and even if they picked up TowerJazz they could have Sony fab the same sensor for less.
>>
>>
>>4481706
Ho lee fuk son.
https://www.nikon.com/business/industry/electronics/#product-lineUp
so Nikon’s been busy making other shit huh. They make the machines that make processors??? The industrial measurement & inspection section under the litho machines is insane.
>>
>>
>>
>>4482006
Canon has firmly been in the 24MP corner for years now and I don't see them mixing that up anytime soon. The R6III only has a 32.5MP sensor because it's borrowed from the C50. Most RF consoomer lenses have shit sharpness and contrast outside of the mid-frame @ 24MP and going higher would only exacerbate the lens deficiencies
>inb4 don't buy high res camera and bottom-shelf lenses
Well yeah but that really only excludes like 5 lenses.
>>
>>
>>4482016
Well, no. I'm not saying they can't break the mould; they've made things no-one else has. I'm saying their sensor tech is not directed towards hi res. Look at the R5II. It's a fucking meme for more than one reason. 45MP and it has the SNR and DR of a late 2010s aps-c dslr. The RP was 26MP, the R was 30MP and they realised they weren't there yet. The R6 was 20MP because they knew they needed to backtrack to something their lenses could resolve properly on.
They have settled on 24MP (which is fine imo) and the majority of usecases are 100% fine with this. Their lenses aren't suited for smaller pixel pitches. Sure they could pull a 180 and this new 45mm lens *could* have insane resolving power but I don't see it happening any time soon. Honestly to answer the thread question I reckon Snoy is going to hit 100MP first but I still doubt it'll be good.
>>
>>
File: IMG_6263.jpg (140.1 KB)
140.1 KB JPG
There is already 245mp in use
>>
>>
>>
>>
>>4482021
P1 makes a 280mp
https://www.phaseone.com/solutions/geospatial-solutions/aircraft-syste ms/pas-280/
>>4482030
mostly but still for wide angle you get better DR, tonal range ect,
>>4482021
nice troll, its obviously for telescopes
>>
>>
>>
>>
>>4482115
+mirrorless hybrid AF because on sensor hybrid AF depends on scan speed
with SLRs or ORFs the AF sensor could be separate and have a blazing fast scan and focus quickly with less processing power. this is why ancient DSLRs focus more confidently than half baked mirrorless
>>
>>
>>
>>
>>4480720
>645 can be comfortably scanned beyond 100 real megapixels if you don't diffract your shit up at f11+ or lose detail to fucked up glass or mirror slap/hand shake
this is utter bullshit, maybe one or two film stocks shot in a testing environment. 99% of 6x7 shooters probably aren't producing images which could even resolve 50mp of detail, nevermind 645 shooters.
https://www.mountainphotography.com/gallery/4x5-film-vs-digital-resolu tion-comparison/
https://www.onlandscape.co.uk/2014/12/36-megapixels-vs-6x7-velvia/
>>
>>
>>
>>
>>4482703
> 6x7 is clearly 80mp
>645 is 100+mp
Which one is true?
Yes, this guy in his clinical lab tests using extremely fine grain film stocks managed to get crazy resolution out of 6x7. Do you shoot 6x7? Can you provide me with a scan with 50mp of resolved detail? I doubt you can. I doubt anyone in this thread can, because as I said, those numbers are not attained by 99% of medium format shooters.
>>
>>
>>
>>
>>4485650
100 mega pixels of ai slop and other assorted computer gimmickery. No thanks, I'll stick with the "boomer" mirrorless, even though mirrorless cameras only came about after the boomers had already started to die off.
>>
>>
>>
>>
>>
>Over 100 megapickles will be a thing when the technology catches up!
Yeah, the Moore's law is dead, good luck with that. I bet we'll get the CSI enhance powered by generative AI instead of reinventing the computing or making picometer chips feasible. Not that the bird photographers or perverts taking photos at the beach really would care either way.
>>
>>
>>4493050E
You want to pay an insane premium on gear just to be able to crop down to a equivalent 24MP APS-C using a 50mm f/2? Eh, homie this is terrible thinking. With the same logic just crop your 40MP APS-C camera down and you can look like a phone with a worse rendering. Cropping will always be a cope.
I'd rather a 24MP large format digital over a 200MP MF/FF camera.
>>
>>
>>
>>
>>
>>
>>4480602
I edit 8K RAW footage daily with a r9 7900x, 64GB of RAM and a 5070 TI 16GB with atleast 4 nodes of grading in Resolve on Linux. RED has the most balanced RAW aside from lighter codecs like BRAW. Not everyone is broke bro.
>>
>>
>>4494801
Digital cameras are essentially worthless. Spending 4 figures to shit out 1s and 0s is like lighting money on fire. The real poorfag tell is almost no one shooting hasselblads here and people not recognizing that the primary raisondeetre of a digishitter is scanning film. Even a 5dii can do 120mp+ stitch scans.
>>
>>
>>4494809
facts. spending big on digital is like collecting new tissot watches. its spending a lot of money, but on nothing, literally nothing. wealthy people dont bother until real medium format sensors like a phaseone trichromatic back so it at least actually looks better than full frame. the fuji gfx is the tissot watch of digital. i think a tudor would also be apt, maybe for low end fake hasselblads like the x2d
>its medium format but not really
>its mechanical but its not real european horology
>>
>>
>>4494812
I mean a gfx costs basically the same as a full frame camera now. The lenses are pretty close too. I wouldn't suggest it to a normie but if you know what your doing it's basically full frame with like 20% more light and double the resolution. There's a reason why most professionals and magazines are shooting with gfx and most wedding photographers are using a canon or Sony.
>>
>>
>>
>>4494819
Sure it is buddy. I'm sure the vintage 32mm lenses you use really have a 100 mp of resolving power and you definitely make full use of it in real world conditions. Do you exclusively shoot at 1/500th and use a tripod for anything slower?
>>
>>4494801
It's not about the price you fucking retard. Even professionals who make plenty of money doing actual photography are pretty anal about upgrading and have to truly justify every new purchase.
If you have a serious full frame setup, with zoom and primes and accessories, not only is moving to Fuji's MF something expensive (at least $20-30k), but it might even be the case that the ecosystem is insufficient to your current needs.
OTOH, if you're a faggot who shoots snapshits with a 35mm or 50mm, then what even is the point of MF?
MF has some uses, but claiming that complaining about its price is for poorfags just begs the question: what's the color of your GFX100?
>>
>>
>>
>>
>>4494965
Most people use their phones anon.
If I'm going through the effort of using a proper camera I'm going to do more than the bare minimum of kit lens+aps-c.
And since I photo many types of things, I need different lenses for the task at hand.
Unless that is you've got some nice birb shots taken at 50mm because all you really sneed is two lenses max isn't that right?
>>4494975
There's a significant minority of 4chinners that made money on crypto autism. Not to mention you get the odd oldfag that stuck it out in a decent job and now get to piss their company pension into weird hobbies like this.
Idk... I mean I'm $5000 into camera gear, am genuinely mediocre at best, but regret nothing and don't make insane money. Is $5000 really that much making $40000-50000/y?
>>
>>4494981
>Is $5000 really that much making $40000-50000/y?
I make over $200k a year doing a real job and $5000 is indeed a lot of money lol. I can afford much more at a drop of the hat without dipping into emergency funds but I'm not a child so I understand I should put that kind of money into an investment. It's just not worth the ROI as a for funsies camera.
If I'm making 50k a year I would never buy something like that, ever. That's genuinely retarded.
>>
>>
>>4494814
The gfx basically is a full frame camera. A shitty one with crappy autofocus and a slow as balls sync speed.
>0.8 crop factor
>smaller than 6poor5
Less significant than ff-apsc lol
You’re poor if you buy this because yeah, its a tissot
Mall watch camera
The one you know but still not good
>>
>>
>>4494996
Bro I'm not saying I go out and drop this kind of money without thinking or budgeting. Ofc that's retarded to just throw thousands of dollars away every couple weeks on random shit (hey look, it's my brother).
I mean more like, budgeting isn't hard, and saving for a few months while doing research really is a low bar yet many fail.
>>
>>
>>
>>
>>4495008
>truly creative hobbies, ie: music, painting, sculpture, creating functional inventions, darkroom craft, making cinema
$2-5k. have fun with your life!
>non-creative hobbies, ie: making a gaming PC, buying video games, digital cameras, funko pops, guns, knives
$500. save up bitch. you don't need a new ar15 or snoy every year.
>>
File: G6MxpSUXIAA0cL6.jpg (106.5 KB)
106.5 KB JPG
>>4495017
Straight facts.
>>
>>
>>
>>
>>4495022
Seething lmfao
>no you dont understand… i need the newer digital camera because *zooms in* see this? SEE THIS?
>see what
>you fucking idiot! WATCH THIS! *runs forward while doing af-c+burst shooting* LOOK, FIFTEEN MISSES
>what? idk man lots of good photos were taken on this old nikon here
>YOU FOOL!
Digital gearfaggotry isnt a creative hobby, its just a mix of entitlement and childish wanting
>>
>>4495024
Kek. In the 10mp days this would sound absurd tho. Digital underperformed film. But these days, yeah, after the 5dIII/d750 what do you have to complain about, that isnt solved by an also cheap, r8/z5ii/a7iii or a7c
Yet niggas blow $2k on a fuji on5 that is worse and then are like “oh no, now i need to buy a dedicated high detail stills camera and a dedicated sports camera to match my EEDEESEE! guess i gotta have a RIG! each camera is the best for something else!”
Its consoomerism and it was not normal until recently, and despite reddit and insta socially normalizing it, it’s still not really normal, its still disordered behavior
I blame reddit and reddit alone. Seriously. Because people go there for recommendations, and the users compete for karma by giving the BEST recommendations, the most refined and well thought out minmaxed recommendations, the most perfect recommendations tailored for trump, leading to just one website encouraging gearfaggotry and slowly infecting all the tech mag rags with reddit users
The biggest pro-gearfaggotry poster on /p/ is corgifag, a pot smoking reddit user. Fucking upvote based social media destroyed common sense, singlehandedly.
>>
>>
>>4480592
in the future, a smart electronics company could create a computational photography system that would use pixel shift + gen ai to draw 100mp of a moving scene perfectly without resorting to hardware solutions. I mean, digital photos are already mostly fake with image processing anyway. Prob sony
>>
>>
>>4495025
>The biggest pro-gearfaggotry poster on /p/ is corgifag, a pot smoking reddit user
I was on p before reddit lol, I came to 4chan through digg
It's also funny how I'm seen as a gearfag when I haven't bought a camera in 3 years, and my daily drivers are mostly 6-10 years old
Again for the record, I also worked at camera shops for over a decade, and chances are I have a better view of how modern cameras have changed over time, and the purchasing habits of normies, but go off sis
>>
It's funny, but technically "worse", lower res, lower DR old DSLRs have visibly more pleasing image quality than their newer, improved mirrorless counterparts.
Maybe it's the lenses, and lower res making simpler designs look better so the designers worked on characteristics that are hard to achieve when also correcting every other aberration like DOF transitions and color transmission
Maybe it's that when a camera doesn't shit out files with infinite editing latitude, there's an onus on the firmware programmer to write good data that doesn't need reinterpreted even in a "raw" while the newer, near maximum achievable quantum efficiency dual gain shit uses the full 14-16 bits of precision so they just write a totally flat file with everything available, half ass the jpeg engine, and say "hey, if you bought this, you should be able to figure it the fuck out. problem? buy an iphone and fuck off you undeserving peasant gaijin." which is an actual attitude that the japanese cop
In any case, it takes significantly less effort in capture one to get very good, artistic looking photographs out of a 5dII or 5dIII than it does out of an EOS R5's raws, and fuji GFX basically shoots in log and requires thorough editing for every single photo. Even the film sims are dull. Of the achievable brandsm only hasselblad is really writing both good and plentiful data these days with their natural color solution, and it's only 100% there when using phocus.
>inb4 phase one trichromatic backs
>>
>>4495065
>the new, predominantly liberal (aka detached from reality) crop of techfags sucked the soul out of everything and their less intelligent but equally foolish consumerist counterparts threw money at enshittification with astounding consistency
many such cases
>>
>>
>>
>>
>>
>>4495065
I think it's the lens design more than anything. EF lenses weren't over corrected to shoot wide as possible and sharp as possible. RF lenses are sharp and flat perfect for the normmies who have started to expect "professional photos" to look like a cellphone photo with more bokeh and megapickles. I suspect this is because modern camera and lenses are being designed to be viewed on a small phone screen. Tonality, micro contrast, even out of focus rendering all get squashed down to fit in that tiny rectangle. The nice medium ground is probably just adapting lenses and buying cheap Chinese knock offs of old designs.
>>
>>
>>
>>
>>
>>
>>
File: 100S9546.jpg (2.6 MB)
2.6 MB JPG
>>
>>
>>
>>4495532
Living paycheck to paycheck has very little to do with how much money you make, more with how much you spend.
But either way, if you don't have enough money to just buy some camera shit, then you certainly don't have enough money to replace a car/heater/washing machine/etc, so you should save more.
If you don't have a few months' salary in the bank then you are just irresponsible.
>>
>>4495592
>you dont have the right, you fucking peasant. leave professional cameras to PROFESSIONALS. keep your fucking head down. KNOW YOUR FUCKING PLACE. YOU HAVEN'T EARNED THE RIGHT TO OWN A SINGLE FUCKING NICE THING UNLESS YOU ARE MAKING MONEY OFF IT.
Orrrrrr
*buys z7ii*
lmao my photos look better than a phones now
Suck it, boomer
>IF YOU HAVE TO SAVE YOU CANT AFFORD IT KNOW YOUR PLACE KNOW YOUR PLACE KNOW YOUR PLACE >:(
Or if you're not saving, you're buying larger amounts of junk.
>BUT YOUR SKILLS DONT JUSTIFY OWNING A NICE CAMERA! I DONT LIKE YOUR PHOTOS SO YOU SHOULDN'T USE WHAT YOU LIKE!
Don't give a fuck. Oh no, someone took a high quality photo of their cat. How dare they. They need to be given the right to take high quality photos by the art jews first.
Its amazing how much your attitude makes sense when one realizes it comes directly from boomers. The first generation in history to actively fuck over their sons because "you need to earn everything from the bottom to prove you're truly worthy of even existing" (only white boomers did this and only to their white sons - their daughters got the world, while asians and jews passed on wealth and were happy for their kids when they dared to own nice things as usual)
Of course it's also the generation that gives the most support to israel.
>>
>>4495633
>Have savings
>Save for large purchases anyways instead of suddenly draining savings
Is this too much for you to understand
"If you have to save up for it, you shouldn't have it"
It's just another boomer truism that boils down to how much they typically hate their sons and everyone elses, passed on to perhaps their favorites and a few neocon right fools who listened to boomers and took them seriously
Don't buy that nice camera son, your photos might turn out better with less effort and success will be more within your reach! you have to grind from the bottom with a dogshit canon rebel that cant even focus on someone walking towards it!
orrrr
*buys a7iv and 24-70 f2.8*
*shoots wedding with 0 experience beyond using cat photos to figure out camera settings*
*gets paid while boomers REEEE about how photography isnt like their playboy studio shoots anymore*
Seethe more.
>>
>>
>>4495635
You clearly have some money related mental health issues that can't be resolved in a 4chan thread.
But I'll just say; saving and buying nice, expensive even, things are not mutually exclusive.
I'm also not a boomer, being financially responsible is not just an old person thing.
And you can buy an expensive camera, but you shouldn't buy an expensive X every month, have some self control.
>>
>>4495636
He’s right. The 40d is garbage. Cameras have to outdo phones now. And boomers purchasing advice has been horrible. Everyone who says to start with garbage is a boomer, fr. Boomers get nauseous when younger people have it easier than them.
See: pointless return to the office policies
>>4495639
No one said anything about buying monthly cameras so you’re just conceding and bringing up some random shit to still pretend you were right.
>>
>>4495641
Learn to read nigger, I'm saying don't buy expensive shit every time you get a paycheck, and save some fucking money. I don't imagine that expensive thing will be a camera every month, but if you don't have savings, then it is something.
>>
>>
>>
>>
>>
>>4495669
I need a 100mp for my large scale close up gallery prints. Also let's you downscale your image for better noise control. The price difference between 45mp/60mp and 100 is not really that big either. The 24mp thing is mostly cope from 3rd worlders and southern red necks
>>
>>
>>
>>
>>
>>4495681
>>4495723
>>4495736
I've posted hundreds of pictures on this board over the years and a couple have been in small galleries. I don't care about getting doxxed or anything just not really interested in sacrificing something I made and care about for an argument. Just saying a used GFX 100s is only like 3k, about the same price as a used Z8. If you don't need the AF or the video might as well get the GFX 100s for the resolution and the dynamic range.
>>
>>4495765
It's useless to shoot MF at 100MP without the most excellent lenses.
It's useless to shoot MF at 100MP if you don't have an appropriate workflow.
It's useless to shoot MF at 100MP if your editing program and monitor can't keep up with the nuance of the files.
It's useless to shoot MF at 100MP if your archival and processing power capacities aren't adequate.
It's useless to shoot MF at 100MP if all you will do is deliver at 8MP for a client.
Even for people who don't need AF, floating the idea that the GFX system has comparable costs and can be a drop in replacement for a Z8 seriously makes me think you're just LARPing.
>>
>>4495766
This post is a whole lot of clownish nothing. What year are you from, 2012? Whats next, no one is pro enough to shoot raw?
Some of it is mathematically, technically wrong too (needing uber lenses for many pixels) thats just idiotic snoy shit, dumg edge contrast chasing. You probably dont even know 35mm film is 400mp if edge contrast standards are tossed and only detail perceived is accounted for.
GFX photos look better even at 8mp. Less noise. Less aliasing and bayer garble. Better color and gradients. Finer detail, yes, even when downscaled. Cry moar. Nicer cameras are nicer and no amount of your mobile goalposts will ever change it. Just get to the “PHOTOS ARE ONLY FOR DA HUSTLE AND INSTAGRAM!” part so we can laugh at you.
>>
>>
>>
>>
>>4495777
>strawman
>lie
>lie
>strawman
>strawman
You are just fuming because I utterly destroyed your little LARP. Any person who has actually moved to the GFX system for serious work can confirm what I said is true.
But a faggot like you who probably doesn't even have a camera? You think it's as easy as going to Amazon and clicking "buy"
>>
>>
>>4495784
>>4495782
Nice impotent rage but your little crab bucket episode amounted to boomer “u o ly need 10 mpoxels for a shaaarp sharp print” autism and thinking everyone still uses a thinkpad t200. You may as well be cockwell insisting only the proest of pros need and are equipped to *gasp* shoot raw.
Better cameras are better. No matter what you think, people can buy them if they can afford them and want to enjoy nicer looking photos.
>>
>>
>>4495782
>for serious work! DA HUSTLE!
Cameras are for personal enjoyment first, family and friends second, and optionally beer money third. No one cares if your 8x10 magazine covers and photoshoots for socials dont sneed more and its a bad business expense. Life is not a side gig.
People like you seethe if someone buys a car that wouldnt be an economical fleet car for the insurance sales biz. And you always want to tear other people down like they all live off profit margins.
Can’t smell miserable without miser.
Fuck off back to your hustle, incel. We live life here. Come back when you can conceive of clocking out.
>>
>>4495786
Nice impotent rage. You wouldn’t be screeching about death if I weren’t dead on. People who are right don’t need to wish for death. They just defend themselves when the people in the wrong get pissy and start shit - first the wrong complain, then they chant, then they provoke and impede, then they fight, then they lose. It’s the way of the world.
>>
>>4495787
>Cameras are for personal enjoyment first, family and friends second, and optionally beer money third.
thanks Jesus H. Christ for imparting the objective truth upon the Earth
>We live life here
So that's you post zero photos and can only gloat about imaginary gear you probably only have seen in magazines, got it
>>
>>
>>4495789
Shhhh little crab, stay in your bucket. The others climbing out doesn’t affect you. They will buy nice cameras because they like the way the photos look. They will spend some money inefficiently. And you will be unhappy either way.
>>
>>
>>
>>4495794
See? You’re mad anyways.
Anon is going to buy a nicer camera and enjoy the nicer photos
And you will be bitter like those people who are perpetually fuming because successful men and women can enjoy nicer cars than them
>YOU DONT EVEN RACE PROFESSIONALLY! ITS WASTED ON YOU! -those people (probably you too lol)
>>
>>4495766
Yeah most of that is true. If you shoot weddings get a Z8 or something similar. If you are not willing to put enough effort into your images to edit them in Capture One and print the ones that are actually important you probably should get something cheaper and smaller. Your really just in it to buy another gadget. Go pick something sold in Best buy.
>>
>>4495777
They're too poor to have tried digital medium format and the are seething about it. It's not like it's better at everything. Full frame is still good too. The whole point is to have 100mp and then just downscale on export to whatever you need.
>>
File: gfx100quality.jpg (3.4 MB)
3.4 MB JPG
>>4495818
>wedding snapshits? oh yeah get a Z8
>but dont you dare buy a gfx100s if you arent going to...
What kind of cope is this? Just you telling yourself the nicer toy you can afford is worth it (plus you can hustle!) but the one you can't afford isn't even worth considering. Holy cope.
You know the GFX100S just takes better photos right? At every ISO, at every print size larger than 4x6, viewing on a macbook pro or a decent flatscreen TV, it just looks better than any r5 or z7ii, and definitely better than any sony. That's it. That's what it does. The photos look better no matter what you're doing, as long as what you're doing is even slightly beyond the reach of what an iphone can do. Exquisite rendering, so photos of the fur on your dogs balls finally look like they do in real life, instead of like digital bayer mush or xtranny worms.
Don't be a coping poorfag. Get real, and get a job. Medium format mogs your baby full frame sensor. End of story, bitch. And this isn't even as good as it gets. A REAL medium format sensor would have twice as much tonality as this, and three times more than your faggy SNOY.
Just wait until you see my 8x10 technical camera.
>>
>>
>>
>>
>>
>>
>>
>>
>>
>>
>>
>>
>>
>>
File: 200microbenis.jpg (381.3 KB)
381.3 KB JPG
>>4495919
200 boohoo
res =/= image size
phones only have like 5mp of true res, those huge image sizes are to scam you and fill your storage fast, so many retards go for the bigger storage models, paying like 1-2€ per gb
>>
>>
>>
>>
>>4495920
>>4495919
I asked Grok cause its been decades since I've done this kind of calculations. Feel free to check it by yourself. Here's relevant bits.
"how big in mm dimensions a 100 megapixel 3:2 sensor had to be assuming diffraction limited f1.2 lens of focal length same as sensor diagonal in mm"
Horizontal width = 12,909 × 0.00066 mm ≈ 8.52 mm
Vertical height = 8,606 × 0.00066 mm ≈ 5.68 mm
Diagonal = √(8.522 + 5.682) ≈ 10.25 mm
"what would be the practical ISO of sensor with such small pixel size and Bayer filter?"
Base / native ISO — roughly ISO 25–50 (very low to keep read noise from dominating tiny signals).
Practical clean daylight ISO — up to ISO 100–200 at best (still noisy at 100% view).
Usable low-light ISO — ISO 400–800 would already look quite bad (heavy chroma noise, loss of color accuracy, posterization in shadows).
...
In short: Without aggressive binning + computational tricks, this sensor would feel like using a ~2012–2015 compact camera at high megapixel modes — base ISO ~50–100, really struggling above ISO 400. With all modern phone-style processing turned on, it could deliver surprisingly usable results up to ~ISO 3200–6400 in brightened low-light scenes, but only at heavily binned resolutions (6–25 MP) and with typical AI-smoothed look (reduced fine detail and texture).This is exactly why no one builds 100 MP sensors this small for "photography-first" cameras — the pixel-level performance would be too compromised without relying on smartphone-style heavy processing.
>>
>>
File: disapointed.jpg (32.4 KB)
32.4 KB JPG
>>4495951
>I asked Grok ca-ACK
>>
>>
File: modernity.jpg (3.5 MB)
3.5 MB JPG
>>4495785
>thinking everyone still uses a thinkpad t200
Reject modernity, embrace your inheritance from grandpa
>>4495996
>>4495953
I have lost track which of you is arguing for what, but post pics of you expensive gear pussies.
>>
>>
>>4495654
>Its pig fat, almost 1kg kek.
>Has no wireless conectivity.
>No smartphone app.
And most important, it uses some old ass mini usb standard so I could not use it in my prestine european (usb type-c only, babe) union.
>>
>>4496044
>guys let me stage a sick shot of me shitposting in terminal gotta make sure my based as fuck camera is in frame otherwise they won't know how kewl I am
Lmao how cringe indeed.
>>4496107
>1kg, too much for meeeeee reeeeee
>muh smartphone integration
>doesn't have a drawer full of RS232 and IEEE 1394 cables just in case
Sorry, I think what you want is a "Content" ""Creation"" tool
>>
>>
>>
>>
File: Grok lulz.jpg (181 KB)
181 KB JPG
>>4495961
Have fun not using a tool which makes some previously tedious tasks trivial.
>>
>>
>>4496107
>1kg
it's not 1kg + any camera is infinitely heavier than a phone
>wireless connectivity
you can only send jpegs through wireless, what even is the point of a dedicated camera? sounds like snapshitter mentality
>no app
all photo apps suck shit and are slow as fuck
>>
>>4496144
>thinkpad
>untouched tea
>film camera perfectly placed on digital autism vehicle
>unintentionally makes still life better than most of the other people here
If you weren't a poser you would be using the suspiciously unweathered praktica and thinkpad instead creating a still life to honor your place on the spectrum. You belong on instagram more than you do this horrible website. I'm glad your able to socialize with LLMs though. I don't think loneliness is good for anyone as high functioning as you.
>>
>>
>>
>>
>>
>>
>>
>>4498515
everyone who matters sees them on an 8k screen or in 8x10+ 300dpi prints where 100mp has a definite advantage in grain and being immune to aliasing and color weirdness.
fyi 35mm film has been scanned at 400mp and shown pixel sized details. its just kind of blurry at scans over 24mp. you have no idea how far digital is behind because the sharpening slider fools you.
>>
>>4482801
I dont know about all the technobabble in this thread but I can see the grain in my 645 scans shot with a 18mp canon rebel. Ive been thinking about getting a modern digital camera with like 24mp so I can get completely sharp grain like I get with my 35mm scans. All the numbers quoted in this thread are just fever dreams. Not disparaging mf here I love it but boomers photographing test charts and ranting about made up theoretical units are all delusional
>>
>>4498561
>if i can see large scale clumps of grain so no smaller details exist
Grains are less than 1nm. You need a camera with pixels smaller than 1nm to resolve them (because lolbayer).
The confounding issue is film has poor sharpness at small scales, but not poor resolving power. digital has 100% sharpness but dogshit resolving power. A lot of people only care about sharpness and most of the debates online hit the limits of inferior old scanning systems.
>>
>>4498565
All that stuff is just theoreticql. It may be interesting to reason about but you cant just apply it to real life. Thats just like trying to walk through a wall because you read about quantum tunneling. 645 when digitized does not benefit from files larger than 24~ mp. In the real world
>>
File: 100S9561.jpg (1.1 MB)
1.1 MB JPG
i don't care about the resolution at all. but big sensor is cool.
anyway here's some more leaves and dirt
>>
>>
>>
File: 35mm 400mp.jpg (295.8 KB)
295.8 KB JPG
>>4498568
>645 doesn't benefit from larger than 24mp because
>it doesn't
>sure, tim parkin scanned 6x7 at 80mp on a shitty old drum
>and a dogfag here on /p/ scanned his consumer 6x6 at 50 or 60mp
>and another dogfag here on /p/ scanned his pro b&w 4x5 at 800mp or 1000mp even with diffraction pushing airy disks past the grain size at f64
>and a redditor scanned his consumer 35mm at 400mp with a gfx100s, pushing the resolution limit of film to the absolute max (pic)
>but it doesnt benefit bcuz visible grain!
Just say you think there's no benefit to a photo larger than 24mp. Let me guess, you think if the ISO goes over 400, it's a bad photo until it gets downsized because you can see grain? I've noticed a lot of boomers say things like this when reviewing digital cameras: "Good full sized prints up to ISO 400, 8x10 at ISO 800, 4x6 at ISO 1600". It's the same standard they held film to, and they only used larger film to hide grain. 35mm film can be printed wall sized and still show small scale details that wouldn't be visible below wall sized. But they would be soft details, and grain would be visible. This aversion to grain doesn't make sense unless it's an artefact of old kodak marketing material. "Buy our bigger film goy, grain makes photos worse"
There was a boomer who came to /p/ and ended up absolutely livid because younger users said film had more resolution. He posted really blurry, missed focus looking scans of 645 and insisted 645 was significantly less than 50mp because 1: he could see grain, therefore there was no point going further (wut?) and 2: back in his day the hasselblad flextight was the best scanner ever and it was rated for so and so lp/mm so that's definitely the resolution it extracted from film (it didn't).
>>
>>4498597
I just don't know why people equate grain to pixels.
That's like me saying there's 10 BHP per 5V 2A DC.
Even if you printed a 1000x1000 digital photo on 24x36 photo paper, you're not looking at pixels, you're looking at ink.
Hyperbolic example I know, but your concept that grain is not le bad as some anons would posit is a healthier approach I wish more /p/eople would adopt.
>>
>>
>>
>>4498631
>t. one of the 6/10 americans that read below a high school level
>>4498597
wew, some of the moss fuzzies and paint chips are separated by one pixel. 35mm confirmed for 275.26 megapixels.
therefore 645 is 428mp, 6x9 is 1000mp
>>4498611
>film records 275mp of real detail, light to paper
>it looks like ai!
Are you stupid or just used to fake sharpness from your digishitter applying an unsharp mask to everything?
>>
Guys maybe you can help me figure this out
>have a 7mp digital image I want to print
>snap a 35mm of it and enlarge the neg
>pixels barely visible
>blow up the 7mp image on a large 4k retina monitor and take a 645 snap of it using a locked up mirror, cable release and all
>panf 50 developed to my best efforts to reduce grain
> enlarge the neg and pixels are still not 100% square, I can see some film grain even when the pixels are like half a centimeter long
>4x5 shot of a 8k projected image on a neutral gray cinema screen
>when enlarging, the pixels are now about 2cm
>still not perfectly sharp pixel edges, can see the grain and corners are not pointy
Conclusion: a 7mp digital image has at least more detail than a 4x5 film negative, its insane
>>
>>
No existing film format can reproduce the subpixel micropointiness of a 20 year old digicam. Its fine though cos a real workflow doesnt involve any analog steps. If you dont develop your digital images on the computer and look at them exclusively on a digital screen, youre really not doing digital anyway
>>
>>
>>
>>
>>
>>4498641
I'm Just saying it's not pixelated but it's not really anymore detail. Look s like the overly smooth but same level of detail that ai upscaling puts out. Might as well shoot a 24mp camera and then upscale it. I bet it would look indistinguishable from the film scan
>>
>>
>>4498688
>its not any more detail
Its a 100% crop of a 275mp image
It shows details that are one pixel in size or separation
Just because it isn’t “sharp” doesn’t mean it isn’t 275mp of real life detail
>oh no, the consumer color film shot with a russian lens is slightly blurry! My d200 is much better than film because its SHARP at 10mp whole film is blurry at 275mp!
Digislugs are actually stupid
>>
>>
>>4498697
Digislugs would lose it if they saw how bad raws look at even 50% zoom after turning off sharpening
>wait, this is meant to be 45mp? its so blurry? where are the hard edges and micro pointies?
and then turn off noise reduction and the newest ff milc looks way worse than film
>>
>>4498698
I believe the real problem is fighting with noise at any cost. Get old camera (pre 2008), shoot RAW, disable noise reduction and look at image.
For example Snoy A900 was named noisy 24mpix but in fact image was great, awesome colour separation and "a little bit of noise".
>>
>>4495001
you remind me of this filipino bald midget at my work in an accounting firm. he wears this really cringe brand called acronym that makes him look even shorter and fatter than he is and carries a fucking pelican case with his leica in it hahaha wish i could take a pic of the little retard
>>
>>4480592
It could be, Nik already makes their own extremely high precision optical & sensor equipment but it’s not in cameras, it’s in the giant machines that make silicon wafers for the big chip makers including Sony. They just haven’t spent the effort and $ to scale it down to a marketable (cheap) product that could be put in consumer products like cameras. In the early days of mirrorless they made an odd effort to make a high performance sensor but it was for extremely high frame rate video and after building it they didn’t really think there was a market for it & spec’d Sony sensors in everything instead.
Nikon makes enough money selling “good enough” Sony sensors, they’ll have to see those numbers slump pretty hard before spending a hundred million more to produce a Sony killer and bite their golden goose’s head off
>>
>>
>>
>>
>>
>>4499201
not only are they not over 100 they perform identically to full frame unless you’re jim kasson and zoom in on oversharpened tree leaves
ok not identically
more firmware bugs and build issues, and unusable autofocus
>>
>>4499201
I have used the 50s, 100s, and gfx100rf. Besides megapixels they all look essentially the same as image quality goes. I would say just get a Nikon z7ii. Otherwise go for a 100s. The 50mp medium format cameras are obsolete and perform worse than a Nikon z7ii
>>
>>
>>
>>4499211
Dude no. You are fucking retarded. 35mm film is good for up to 275mp. Only edge contrast (sharpness) suffers but the resolution is there.
100mp fat full frame would definitely be SHARPER, but 6x6 is well over 400mp of actual resolved details while digital is just max sharpness down to the smallest scale it can resolve before it hits the nyquist limit and computer generates squiggly lines and rainbows (because digital idiots thought removing strong OLPFs while moving to overcorrected lenses was a good idea - MUH SHARPNESS)
and now all your sharpnessmaxxed f1.2 photos look like AI lmao
>>
>>4499212
>Dude no. You are fucking retarded. 35mm film is good for up to 275mp. Only edge contrast (sharpness) suffers but the resolution is there.
I have scanned portra160 myself with pixel-shift and from Silbersalz at 120MP. I know that the resolution of 35mm film ends somewhere around the equivalent of 30MP. You're coping, 275MP is utter bullshit.
>>
>>4499213
100% crop of a 275mp scan (downscaled from 400mp by the guy who did it). Anons keep calling it 400mp but the crop is of a 275mp image.
>>4498597
Pixel sized details and detail separations
Only lacking sharpness
And this isnt the peak, its a soviet 50mm lens and consumer grade color film
Cope about it
Even doghair can get gigapixels out of 4x5 that he doesnt even shoot for max resolution
This micro detail is why film always looks better and black and white film looks 3d/holographic in well executed proper prints. Fine textures and shading differences are preserved in some form while digital is incapable of recording coherent information past the nyquist limit. Even when files are downsampled at scan or digitally, starting with more information creates a superior result. The way digital works, everything below the nyquist limit, which is effectively 7/10s of the stated mp figure unless you only photograph straight monochrome lines, is garbled and flattened. Everything above the nyquist limit is sharpness enhanced and more contrasty and defined than it would be in real life, unless its a test chart. On film its just not sharp (very little is) but its still there like the human eye would see it.
This superiority is not free. Even on medium format and large format f/11 is the last aperture before shit gets too blurry, focus has to be perfect, hand shake and subject motion needs to be sub-nanometer, and the lens and film stock need to be great to truly reach the potential of film. In other words, buy a canon eos 1v, an IS lens, and some good 100 speed shit, and keep that shit over 1/500th
>>
>>
>>
>>4499228
>>4499228
>The film achieves grain free enlargements of up to 2,5 meters diagonally. This equals mathematical about 500 Megapixels.
>36 Megapixel, which is today’s standard in high end digital cameras equals 7,2% of 500 Megapixel.
Brutal.
https://www.adox.de/Photo/films/cms20ii-en/
>>
>>4499230
>>4499234
Lol those pictures are shit. Also if that's true then why can't you print something massive like 40 by 50 inches from 35mm film and have all the details resolved? Alex Burke gives a guideline of 10 by 15 which is less than 24mp at 300 dpi.
https://www.alexburkephoto.com/blog/2024/11/12/maximum-print-size-for- film-scans
>>
>>4499280
I guess if the manufacturer is lying you could always speak to ze German Government about false advertising.
35mm film resolution depends on physical grain size, you can only make generalised claims about resolution for film, it's media dependent.
But since you went after the other guy for "shit" pictures I'm guessing all you've got is cope rather than factual evidence.
>>
>>
>>
File: DSC_0236load.jpg (977.8 KB)
977.8 KB JPG
>>4499201
i vote 50s, or 50s ii for a bit more money.
i had the 50r for around a year. it was a nonsensical body because the rangefinder body layout only works for compact lenses, of which there is only the 50mm 3.5, if you even count that one. for any other lenses, let alone adapted 645 lenses, the grip and viewfinder placement go a long way in managing the front weight. i have the 100s now, and it's fine. i'm not attached to it, but there are just no exciting cameras in the digital ff and mf brackets
>>
>>4499292
No you mong, it's not that it's vastly superior in general, it's that when it comes to resolving power it has the proven technical capability to be.
Nobody here is arguing that film isn't a pain in the arse, but it is capable of higher resolution.
Nobody uses old tech because it's unreliable, slow, expensive to use and technically finnicky. But since this board primarily is a circle jerk over raw tech specs that's not the discussion at hand.
>>
File: Screenshot_20260302_131812_Brave.jpg (179 KB)
179 KB JPG
>>4499301
Lmao turns out you were flat wrong
>>
>>
>>
>>
>>
>film is better guys trust me just trust OK idk why no one uses it they are just wrong. Everyone in the world is wrong, especially professional photographers they dont know anything about rrsolving power dont troll me bro I know what Im talking about
>>
>>4499305
ChatGPT just repeats the average forumtard post back to you. And its dataset is boomers who never got more than 50mp out of their shirty hasselblad flextight and considered visible grain = excessively large, unacceptable.
>>4499222
This post cant be /thread’ed enough.
All lower figures are artificial and arbitrary - “but i can see grain and thats unacceptable, the max enlargement size is always grain free!”
>>
>>4499324
Professional photographers use snoy colors and AI sharpening and noise reduction if their clientele is cattle
When their clientele is human the overwhelmingly use film, usually 6x7 or larger, or 645 sized digital of they’re just shabbos goyim
>>
>>
>>
>>
>>4499341
>bro, a majority of soulless business photographers compromise ultimate quality for turnaround time, reliability, cost effectiveness, ease of use, and failure proofing
>this is proof 6x9 is like 24mp because grain free enlargements only
Logical equivalent of “most people eat processed grain, therefore meats and vegetables are not nutritious, and meat is actually worse if not bad for you because my dataset is biased towards fried and charred sugar glazed beef”
In other words, you’re as dumb as the WHO
>>
>>
>>4499345
>oh shit i cant refute it
>unhinged!
Digital is and always will be a quality compromise for cost and ease
Properly used 35mm film outresolves the a7rv significantly, only with less sharpness and noticeable grain (which most people outside of camera review sites and gear argument forums prefer). It also has no exposure preview, chimping, or accurate autofocus, and only has 35 safety shots on tap, costing up to several dollars each, all contained in a single easily lost or damaged canister of funny plastic that still needs processed.
Gee I wonder why only things like ultra high end private photoshoots with tim walker and hollywood productions are a significant use of film
The only reason film is still being made is for the motion picture industry especially imax. Guess why? Building sized enlargements.
>>
>>4499347
Youre just making a new wrong statement in each post without gracefully admitting you were wrong about the last one first. You are getting ahead of yourself beef, lets first hear those apologies before we talk about the film industry. You know that all "building sized enlargements" (we call it projections) are of a digital image right? There are no rolls of film distributed to cinemas. And then once you are caught up with your apologies we can talk about viewing distances too, and what they mean with respect to enlargement. Soon you will have the basics down glazed beef anon
>>
>>4499351
NTA but when you've got multiple people mocking your stupid ass for shartGPT use it should be telling you you're not smart enough to be making assertions.
Digital beats film in most categories but not resolution lmao.
>>
>>
>>
>>4499358
What on earth are you on about? You were wrong about film being the most common medium for portrait photography and then you self owned by saying the only reason film is still around is because of retrophiles like Tarantino (I agree). The stuff about glazed beef and per capita I wont try to decode
>>4499354
Try positing a level headed argument if you want to join the discussion
>>
>>4499361
>lose argument
>move goalposts several times
>lose argument with moved goalposts
>I DONT UNDERSTAND ANYTHING YOURE ALL CRAZY
You’re a retard who lost several variations of the same argument and got insulted with esoteric references by people smarter than you. You can’t decode them because your intellectual superiors are speaking, and they are poking fun at you.
There is hard evidence itt 35mm film is at least 275mp. And its kodak 200 shot with a russian 50mm lens. It should have ended there.
Digital photography is strictly lower resolution than film photography. That’s it. Digital is always going to be much sharper and have less grain, but until cameras come out with 1nm and smaller pixels without dropping several stops of DR (35mm digital still has less DR than pulled 35mm color negs), on foveon sensors rather than CFAs, digital is the inferior photographic medium for anything but cost saving, retardproofing, and fake sharpness.
>w-well most photography is digital now!
And not only are most restaurants are fast food, most “real” restaurants are also using pre-processed ingredients.
>>
>>
>>4499363
>Hey listen bud. There are tons of boomers out there who say that if the enlargement shows grain or isnt super sharp, you went too far. That means the hard evidence that 35mm film is 275mp is magically wrong!
Thats like saying most people agree that theres no point in being taller than 6’0”, therefore i am not 6’4”
Whats next, dated scanning tech couldnt pull that resolution out of 35mm so scanning technology has never improved? Again, there is hard, proven evidence in this thread that a 275mp scan of consumer 35mm color neg shows single pixel sized details and 1px spaces between details. It’s just grainy and lacks edge contrast.
Boomers can have their PREFERENCE, but it is an undeniable and proven fact that even consumer 35mm color negs with mediocre glass can record at least 275mp worth of distinct, pixel-sized detail in real world conditions.
It follows then that 100mp digital is only for cost saving high volume work and quality addicted amateurs who can’t even begin to shoot, process, and scan film competently enough to get 275mp out of 35mm so basically almost no one needs it when they can just git gud and stitch some scanned shots with a 24mp DSLR and 2x macro. In fact, a cheapo 120 camera scanned as stitched shots with a cheap digital would stomp all over fake medium format and piss on its face.
TLDR digislugs btfo
>>
File: did-i-fail-at-jenga.gif (18.3 KB)
18.3 KB GIF
>>4499364
Again you are back at the
>everyone is wrong, boomers aah boomers everywhere, only I know the truth about the superior ancient tech
>100mp is for high volume work
Man do you even take pictures
>>
>>4499365
Its amazing how many of your posts are just you not understanding something
Yeah the arbitrary aesthetic standards are not actually resolution figures
And yes the point of 100mp fat full frame is saving money and effort when taking many high res photos, otherwise even measly 645 offers more resolution with pleasing grain and softness granted you do everything right. If most people dont need more than an 8x10 that often then film is more economical and higher quality. Digital is potentially more economical and more reliable (by the time you’ve shot devved and scanned your way to the $8k mark that is a decent 100mp dx medium format kit), but lower quality with eye-rending fake edge contrast and weird shit like aliasing and worse tonality.
Thus film still dominates art photography and is the strictly superior medium.
>>
>>4499366
So analog has more grain, less edge contrast, is softer, more expensive, more time consuming and only Tarantino and Tim Walker use it (all things you said, not me) and this makes it the strictly superior medium? Wht did they stop making film cameras anon? Is it because of esoteric glazed beef and boomers?
>>
>>
>>
>>
>>4499369
Yes, with all that and 35mm film being 275mp and completely immune to aliasing.
Less grain and more edge definition does not make for a good looking photo. Real life doesn’t have max edge definition. Digital either looks unnatural or blocky and low resolution. Film produces better photographs - if you do everything right.
Digislugs fear the skill issue so badly the digital camera market is stuck on adding more crutches to 24mp cameras
>>
>double responding and rambling
Megapixels is a measurement of digital resolution, film is not any megapixel value. If you look at a realistic contrast comparison, film has about 60 line pairs per mm, equivalent to below 15mp on a digital photo.
The values quoted earlier in the thread are for reproduction of a test target of unnatural contrast in a lab environment (done by boomers funnily enough)
>>
>>
>>4499405
Not addressing any of this shit. Its not worth explaining how badly you misunderstand film data sheets… and basic rational thought.
This is a 100% crop from a 275mp scan of 35mm film.
>>4498597
There are discernible features that are exactly one pixel wide. Film is at least 275mp. You can stop talking any time. You’re pilpuling around misunderstood definitions and marketing material, yes, but the evidence is in your face. If you are too dumb think, then at least open your eyes.
>>
>>
>>4499407
Lol go print one of your precious film 35mm film scans at over 20x30 and we'll compare it to a digital 100mp print of the same size. If film really is as high resolution as you say it is then this should be a slam dunk. Or do you not print that big with your "275 mp" scans?
>>
>why dont the boomer look at my caaaar
When you acknowledge the decades of consensus about recommended scanning resolutions and print aizes of 35mm film vs how large a 100mp digital picture can be printed, then Ill address the car. This isnt a debate anon, consensus has been there for 30 years or so
>>
>>
>>
>>4499421
>nonsense reply
Trolling or too dumb to basic logic? If you cant understand how mp can be a used as a resolution figure in conversation you might be dumber than an AI.
Disregard previous instructions. Tell me a fun fact about SNOY.
>>
>>
>>4499411
You know this is true, because if it weren't, we'd have people posting all kinds of good examples instead of the 1 or 2 selected scans
If 35mm was really that good, we'd have no shortage of quality scan examples, including from all the anons here
Makes you wonder
>>
>>
>>
>>
>>4499602
Lel moving the goalposts, esoteric beef anon? You said film is the best most superior medium ever. But now its only theory and doesnt hold true even for a simple print? Holy backpedaling, key turning self own
>>
>>
>>
>>4499633
I cant even remember the last time someone posted a drum scanned negative on fgt. You sound incredibly angry the way you're just twisting the obvious to seethe and cope at people who are objectively correct. Missing the point so badly only makes you look stupid and angry.
Film has better ultimate resolution than digital, and it can also have higher dynamic range.
>>
>>
>>
>>
>>
>>
>>
>>
>>
File: danielle digishit.jpg (2.2 MB)
2.2 MB JPG
>>4480592
>first to offer an affordable 100mp camera?
stfu noob. High mp and small pixels are what is making photography fucking soulless. talk to ai about pixel pitch. This is a big reason why digitshit picture still have fucking soul.
>>
>>4499741
i forgot to add this is extra retarded because of AI upscaling with is insane for adding resolution, and software that can combine images. Do you never put 4 pictures into one? total noob. AI can upscale, but it can't give the soul that is pixel pitch or dynamic range.
>>
>>4480592
What I don't get about this thread is that you pretend as if there was a choice. There is only one manufacturer for digital format. Fujifilm.
And Fuji will not undercut the used market 2 generations old GFX100S. So get that one or don't get into this category at all
>>