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What's the secret to digital b&w photography?
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Protect your highlights.
Because you're limited to tones of grey, black and white, you need to find subjects where this is beneficial and not a hindrance.
Soft gradients. Shadows. Chiaroscuro and tenebrism. The contrast between light and dark. Black and white photography works well with architecture because it's serves to define structures and features. With models you have to think about it as if you are working with charcoal and paper. Where do you want highlights to be? What are you focusing on? And what do you want to be hidden.
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>>4491118
The secret is that colours are incredibly important because they dictate how much contrast each object gets. Doubly so if using colour filters (you should be) and even MORE so if you're using special film stocks that can be more or less sensitive to certain colours. It's a decietfuly simple concept since at first glance you go "it must be simple there's only black grey and white hue hue", but balancing the contrast in your overall composition, your foreground and background, and your subject are all important and easily fucked up.
And then there's black and white snapshits that are simple and throw all that theory out the window because muh nostalgic and muh filmic vibes. They still tend to look "nice" because it's much easier to view a black and white photograph as removed from reality since, well, reality is in colour.
There's also the plain fact that removing colour from a photo forces you to focus on the other elements that do or don't make the photograph good. This is why selective-colour chuds are dunked on so hard here: you're forcing an easy way to highlight your subject via software instead of actually putting thought into it.
This becomes a bit of a moot point if you scan though because then you can just chuck up some post-processing.
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>>4491166
Thing is, human eyes can adjust lacking dark areas with imagination but can't do it on highlights well...
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Older lenses with less control for flaring, fringing, and other color aberrations may have some pleasantly unexpected effects when it comes to how they handle high-contrast lighting (ie. garish colors become smooth light rolloff instead). Picrel.
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>>4496146
Kind of true.
Most people just obsess about BnW genre rather than it's functionality which does real job actually.
One has to focus on expressing his intentions. It's simple as that.
Thankfully, Ansel Adams made a system that we can approximate our prevision with so we can be more precise.