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>camera error edition
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The switch to mirrorless has seen build quality crater across all major brands
DSLR = reliable camera
Mirrorless = big disposable pns
Companies did not even give mirrorless new battery packs for more power hungry cameras, why wouldnt they make shutter blades and shutter drives and basically everything out of cheap plastic?
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>>4492338
yeah but the lens sharpness and 6 stop shadow push and AI autofocus and autochimp and megapixels
must crop my cropped crop for reach and miss exposure -6 stops for max highlight protection
must shoot one handed while looking at the back screen and crop and rotate later
must consoom
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>>4492342
>I shouldn't need a backup just in case because I buy reliable products like [BRAND]
Snoy IS shit, but if you aren't employing redundancies into a professional workflow then you're going to get a problem one day and it's going to cost you more than simply having a backup at hand.
If I could swap my lenses between different brands (in a fake world where mounts are all the same) then I'd have a mix of Canon, Nikon and Pentax.
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>>4492338
SP
BP!
>>4492348
Yes yes backups are needed, but backups with canon DSLRs collect dust and get sold to lucky hobbyists on ebay, and backups with mirrorless get used up quick, and then replaced with more backups a year later
Welcome to the enshittified world. Corporations are not your friends. They do not do make what they love, they cut costs aggressively and leverage a small department of psychologists to brainwash people into buying overall downgrades. Sometimes they dont invest into new products at all and just repackage old products under new marketing slogans.
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>>4492407
Or because they are actually built better than mirrorless
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>>4492407
>illusion
>magnesium alloy monobody vs. multiple thin parts
nigga the zf z6iii z8 and probably the z5ii flex
literally
not nigga flex
creaky and freaky, dont drop it flex
people used to complain about lens mounts screwing into a big chunk of plastic because it would get fucked if they used their 100-400 as a club
today entire camera bodies are liable to explode into their component parts and the lens and mount still get fucked
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>>4492410
lol
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>>4492457
DSLRs are on the whole, more robust.
That does not mean they are immune to standard 0.5-2% failure rates, or dumbassery usage conditions.
Early MILCs absolutely suffered higher than standard failure of critical components AND random incovenient bullshit. Hypermodern mirrorless is about the same reliabilitiy of manufacture as DSLRs, but still don't really hold the same field-resilience as moderately-modern to late-modern DSLRs.
It also goes to say that constantly smashing your shutter at 10FPS+ is not the default nor good for longevity. Yes, I expect my $4000 brick to withstand the conditions of a wedding or a sports event or whatever, but remember that the people actually shooting these events on the regular are insured with service contracts; failures still happen they're just hedged against feeling the full weight of a total equipment failure. You and I are not.
Even doing some brief real estate photography, I found out from the old guy working there that they had a camera failure outright every 6 months or so at an average of 1000-2000 photos per day of shooting.
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>>4492461
Because I don't give a shit on a personal level. Honesty is a feature of humanity and nobody on this godforsaken site has any. Using 4chan is heathier if you pretend everyone else is a chatbot with a slightly higher IQ.
>>4492462
Okay. Why exactly did you bring this up? The point of saying this was to show the vast majority of people using a camera do not have a service contract. Here's your (You) I guess.
>>4492463
I wasn't under the impression shutters lasted longer than that, It was more a statement of the volume of photos the place went through daily. If anything I was mildly surprised there wasn't more failures. We were using a mix of 7D's and 200D's and was originally under the impression that the consumer-grade cameras wouldn't stand up to the use as well as they did.
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I want to digitalize all the negatives I found in my granmas apartment. Instead of spending a lot for a real scanner I was thinking of just using my Nikon zf and build my own setup to scan and convert them.
Is it best to have a macro lens for it? I do have an old one smc Pentax-M Macro 1:4 100mm. But are those old analog lenses sharp enough to capture much details of the negative? Or is it better to have a modern macro lens? I also have the 40mmf2 and 50mm1.8s.
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>>4492469
Pentax-M Macro F4 100mm is supposed to be very sharp. Depends of your setup but the results should be good enough. and work may take a lot less time than than doing it with a film scanner.
(Also depending where you live you might check if your can get access to a film scanner via local library, community college, photography club or whatever.)
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>>4492469
Nikon makes a film adapter for the 50mm macro (es2) and jjc makes a multi lens one (JJC FDA-K1)
Keep it simple. You dont need 400mp flawless scans of 40 year old 35mm negatives shot on dogshit consumer cameras from last century. One shot scans and negative lab pro will outdo any 1hr photo.
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S O U L
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>>4492622
Pentaxfags are ewaste funko pop collectors who are blissfully ignorant of how crusty, clunky, unreliable, and low quality their shit is
Ken Rockwell should have been a pentaxian since he calls every lens, including blurry kit zooms, super sharp
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>>4492639
nothing more pathetic than fujislugs punching down at pentaxians when they paid $2000 for a apsc shitter with worse iq than a 10 year old $300 pentax apsc dslr at least pentaxians know their cameras are shit and ricoh is a joke of a company fujislugs are in denial about it the whole time
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As everything I'm late to the party, but damn those Helios 44-2 lenses look like fun. Only now do I notice how much the look that type of lens gives has been used in movies and stuff the last couple of years.
I'd like to get one for fun even though the look has been overused, but where would one go about buying one in Europe? and are there any z mount adapters that are better than others?
I've been completely out of the photo/video world for years and don't know where to look.
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>>4492778
>buying one in Europe
its unironically pretty cheap/easy there, i'd imagine ebay or whatever from warsaw pact countries.
glad you made this post because i was gonna ask what's the best/most fun $50 m42 lens you could buy (helios 44-2, carl zeiss jena 50mm 2.8 tessar, or takumar 55mm 1.8)
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>>4492780
I've just never looked into anything like this before, and the prices could be insane since it's vintage stuff and it's been very popular the last couple of years.
You never know which way the prices will go with stuff like that.
Asked a friend about lens recommendations and he mentioned Helios and Takumar to me. Looked them up and really liked the Helios stuff. I found one on my country's version of craiglist, but I think it's one of "the bad ones" or something.
I also saw a video of a guy talking about buying a really cheap z mount adapter that was so cheap he couldn't use focus assist stuff on the camera? Can you get some better ones that allow you to use that function where the stuff in focus has that red pixelated outline? I reckon that would be a must have for an old manual lens like this if you want to have some sort of normal workflow speed.
I was just curious if the photography/video world had something similar to the musical instrument world has in reverb.com
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>>4492780
I own all three of these lenses (for the Helios 44, both an M4 and the original 44-2)
The Takumar can have issues with some M42 mounts, but probably not an issue with adaptors (I exclusively use film so wouldn't know 100% though). I prefer my Tessar to the original Helios 44-2 but not the M4.
>>4492787
Afaik there are no "Bad ones" for Helios 44. Just the original 44-2 tends to cost more because of retards overpaying due to influencer hype. Simons Utak has a full review of all the Helios 44 series lenses: https://youtu.be/7hJUyKs8Z08?si=eUR8Ey8pCk0XuZnR
Prices for Helios 44-2 are extremely exaggerated because of influencer hype nonsense. I paid £5 for mine on Ebay with a Prinzflex 500 body simply because it was listed as "prinzflex 500 with lens" which shitfluencer watchers don't know because they're not autistic about Soviet photo gear.
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>>4492789
Other than price, wouldn't buying a new Voigtländer be better? You can get a native z mount and the ones they have that open up to 1,2 get swirly backgrounds too.
I checked their website for dealers in my country. They have four listed, but they don't really have any available. They're not on amazon.de either
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>>4492800
I don't have much familiarity with modern glass but I would assume all modern glass is far better than any vintage.
I've heard it touted that SMC Takumar lenses can be visually as good as modern glass (owning several I can attest that they're very good, but my base point is stuff like Industar 50 or Helios 44 not modern lenses). The only gripe i have with Takumar lenses is they are fussy about mounts (which is effectively irrelevant for this thread of digital users).
tl;dr not really the right person to ask but my best guess would be yes, voigtlander better.
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>>4492807
Thanks anon, I'm glad for your honest and normal response and not the usual shit flinging you see everywhere else here.
It'll be a couple of months before I can buy another lens, but I'll keep researching until then.
The more sensible choice for me though would be getting the Tamron 35-150 2-2,8 for work related stuff (great concert lens), but I've become very interested in those swirly lenses after my mate recommended those brands.
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>>4492807
>>4492800
for reference, 2 on right and 3 on left are modern voigt (f1.5 II and f2 apo), both wide open
rest is mix of cheap 7artisans/ttartisan and fuji xf glass
their 35 f1.2 III is my favorite glass out of everything I own I think, and the 50 f1.5 II is top 5 for sure
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>>4492808
Tbh if you watch ebay (or local equivalent) for a bit you can usually find Helios 44 of some kind for a pretty much throw away amount (obviously I don't know your circumstances, so maybe this doesn't align for you) so you might be able to find one earlier without impacting saving up for the nicer lenses. Can't hurt to look.
Look for Zenit B/Zenit E or Prinzflex 500 auction listings which don't mention the lens, the body is effectively worthless and people tend to skip over it but often they come with either Helios 44-2 or Industar 50. The industar is a bit underappreciated so much cheaper but it gives an interesting soft look (no bokeh tho) and might be a cheaper route if you want to play about with Soviet glass just for experimentation. Obviously the Tamron is far more practical, so don't make it "one or the other", be an opportunist about it.
I am probably more normal about it because I'm not somebody who has spent thousands on gear desperately trying to justify my purchase. I buy cheap gear from dead countries and don't pretend it's anything better than that.
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>>4492839
Looking into it a bit more, a lot of those older lenses are actually really cheap. I just come from the guitar/music world where prices almost automatically hike up like crazy just because it's old, so I figured it'd be the same in the camera world.
But some stuff like old Nikon f mount stuff is really cheap too. Those Helios lenses are generally quite cheap too. It's honestly in the exact price range I hoped they were. I don't want to spend tons of money on a "fun character" lens that I'll only use occasionally. These are generally so cheap that I can just get an adapter, two or three fun old lenses and the Tamron (along with my two other modern prime lenses I already have) for work related stuff.
I used to do a lot of portraits, concert photos and shot a lot of music videos, for me I think both having stuff like an old Nikon 105 mm f/2.5 Ai-S or Helios 44-2 for portraits with a lot of vibe along with the Tamron 35-150 will be a great to have in my camera bag.
Some pro modern gear to get the job done and then some fun stuff to play around with if there's time for more fiddly gear.
Although the subject detection + back button zoom combo looks like it will make manual a lot easier.
My new Nikon has really got me excited about photography again.
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I'm on an a6600. Without a camera stand and just doing point and shoots, what's the best way to make photos less blurry? I swear like half the time I take pics, I check raws later and it's like my hands have tremors or something.
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>>4492883
Make your shutter speed higher or use flash
How low you can go depends on how stable you are and what you're shooting, but 1/250 is a good ballpark for general shooting
Being still, with good IBIS, and a static subject, and a normal to wide lens, can get you down closer to a second (being practical, I find my lower limit with good IBIS ends up being more like 1/10th)
If you can't achieve a fast enough shutter speed because it's too dark, you need to raise ISO or aperture more to compensate
Or just use flash which both adds light and the flash itself can freeze the subject
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>>4492883
Try shooting manual and setting your shutter speed to 1/100 for a start. Then increase it until you no longer notice the blur. Crank the ISO as much as you need and deal with the noise in post, it's better than a blurry shot.
An ancient shooting trick to longer handheld exposures is to steady your arms or entire body by leaning against things such as walls, poles, guardrails and such. Anything that will help reduce the body's sway.
You can also use flash, a lens that has optical stabilization or go with a wider focal length as those are more forgiving to shake.
I'm also guessing that's with IBIS on? Just in case you're shooting with a manual lens that doesn't have electric contacts, you need to manually input its focal length in the menu, otherwise IBIS might make things worse.
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After over 10 years and thousands of pictures my beloved sekonic l608 finally kicked the bucket. Weirdly sad about losing it. One of the few pieces of gear that has been a constant throughout all the different cameras Ive used in that time. Hopefully this new one will serve me just as well.
Post your light meter so we can have a based gear thread.
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>>4492332
/p/ es finito
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>>4493025
Not much, mostly ergonomics. The rest are just nitpicks:
ISO noise isn't great. Would be nice to have a camera where I can rely on Auto ISO a bit more.
I think newer sony cameras have more options in picture profiles.
Most custom functions are just toggles for menus, instead of toggles for said functions (eg. I would like to toggle between steadyshot on or off, but it's showing me a menu, fuck off menu, just show that it's on or off when I hit the button)
More than once I found myself wanting one of those flippy screens. Maybe I should have thought of that before buying this shit.
I bought this over the a6400 because of IBIS and I don't know if that was a good choice, considering it doesn't seem to be doing much of fucking anything.
This is a me issue, but the wheel on the back is too sensitive. Not when turning, when pushing it. I want to turn it and accidentally open up a menu. Maybe it's my butter fingers.
I don't know if any better cameras fix most of these.
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>>4493038
Mostly cheap Viltrox air lenses, because they're light and small and they get the job done
Honestly I "had" a cheap canon DLSR before and while being bulkier it was more comfortable to handle (and lighter). With the a6500 I'm using one of these things.
I'll be honest the a6700 does seem like a definitive upgrade.
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>>4493040
Oh, also another thing I noticed is that the internal battery seems to drain fast or not work correctly. In the last 3 months I had the camera ask me for language and time and date settings twice again. Not sure if I should replace that or if I'm just not using my camera enough.
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Is this Viltrox good? I can only find influencer reviews and they all say it's on paar with lenses three times the price.
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>>4493131
I have the Air 15mm and 25mm f1.7 and they're both pretty decent lenses in most aspects except autofocus where I struggle sometimes.
I've been looking at that 50mm one as well but I've been looking for alternatives.
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>>4493045
Do many or all crop only lenses? If so an A7R III would get you 18mp in crop mode so not a massive downgrade a.nd still more than enough for most uses. Also gets you a higher res EVF and screen than the III and your A6500. It's is a bit of a downgrade in AF tracking performance though, but still pretty good and probably better than the A6500. If you're considering an A6700 though that will be leagues ahead of any of those other options and the logical choice if you do anything like sports.
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>>4493167
>makes photography content for instagram
so staged lol
there isnt even a framed photo on the rear screen. they’re not even trying to take a photo.
theyre not using the viewfinder
its faketography
god only knows what retarded shit they subjected that camera to
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>>4493159
>why is there a phone attached to the camera
i was in a big city a there was this blonde boomer doing this to a couple crossing the street, a prewedding shootout i guess, they use the phone to take video and the cam for stills
>>4493169
its a basedny, its normal for them to get bricked for no reason xD
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>>4492332
I want to sell my K-5 IIs, Sigma Art 18-35mm f/1.8, Pentax DA* 50-135mm f/2.8 and DA* 300mm f/4. Should I sell them separately or bundle them together? I’ll be selling them on eBay. I’m not sure if I should bundle them since I’ll probably get less money than I would selling them separately, but maybe it’ll move faster? I also have a Pentax 28mm f/3.5 and a K10D. Again, bundle or separately? Hell, I could even bundle the whole lot as a mega kit with two bodies. Anyways, thoughts?
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Which type of filter pouch for my vND + CPL + 1/4 & 1/8 black mist filters + step up ring?
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Just bought a newly serviced 1975 Helios 44-2 as my first vintage lens. Am I cool now??
I'm also buying an anamorphic modded 44-2 and Nikon 105mm 2.5 AiS when I get my next paycheck.
I've never had a vintage lens before, but you can get some incredible stuff for almost no money. Especially compared with their modern day equivalents. They're priced exactly how I was hoping fun vintage stuff you don't use all the time would be priced.
Subject detection + zoom in + focus peaking (and lots of experience manual focusing video) should make the manual focusing aspect pretty easy on my Nikon.
Can't fucking wait. It's the first time I've been excited about photography itself and not just using it as a tool in years.
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I consider it a plus when I can adjust the aperture on the lens itself because it disables the oversensitive wheel on the back of my camera so I don't have to worry about changing any adjustments when pressing the wheel buttons
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>>4493379
Just try and disable whatever bullshit processing and use the manual or "pro" modes and you're good to go
I'd say if you can't take good pictures with your phone camera don't even bother with a normal one. The shittiest sensor is enough.
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>>4493379
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Is this a good lens?
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>>4493452
No more or less vunlerable than any other device with a WiFi radio chip set to disabled.
Speaking as someone who has done some grey-hat shit in the past, there's very little to be gained from something like a standalone camera. Targeting a phone or laptop is infinitely more sensible. Even as an ingress to a compromised network, the fact that camera software is propietary and not widely exploited means even if you get in it's going to be a clusterfuck to do anything with it.
If you're paranoid strip it down and yoink the internal antennas so it has a broadcast range of fuck and all. The chip itself is likely soldered.
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>>4493452
>mfw they hacked my smart fridge
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>Nikon bodies
>like 1 for every 20 Canon, probably 70 if we go off of only 24mp bodies.
>Nikon super telephoto lenses
>like 10 for every Canon
>every single listing of a camera more modern camera than 2015 is a scam, if it isn't it's as much as a new one is
I am going fucking INSANE.
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Recommended cameras:
>Nikon
D200
D300s
D500
D700
D750
D780
D810
D850
>Canon
5DII
5DIII
6DII
5DIV
5DS
90D
>Fujifilm
S5 pro
If your camera wasn’t mentioned its either very specialized or very shit
And remember kids, mirrorless will steal your soul, empty your wallet, and give you nothing in return if you do not shoot professionally or do a lot of video.
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I'm thinking of getting a 35mm EOS SLR to be able to shoot with some my DSLR glass on film. Which models are good? At least they're mostly cheap. I already have a lot of manual focus film gear but would like to try some 90's plastic fantastics too.
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>fixes your color science
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>>4493625
So lumix, like snoy, depends on zeiss lenses to look half as good as canon? Typical
Imagine being dumb enough to buy lumix. The only cameras worse than SNOY and fujiworms. Less than 1% of the sales with a crazy number of broken cameras. The epitome of mirrorless ewaste.
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>>4493653
The Z5 is unironically worse than the D750 at everything but pixel peeping the lenses and video codecs. The autofocus in particular is incompetent and somewhere around the level of the canon 5d classic and 5d mark ii. That is, the OVF on a 5DIII would blow the z5 (and z6/ii and z7/ii) out of the water at everything put sometimes, maybe, putting the focus box over the eyeball for you (which even the z6ii doesnt actually do that well).
Bear in mind the second cheapest ff canon MILC, the R8, has better autofocus than the $3000 nikon Z8 and nikon is just a 4chan/reddit/forum meme because they market heavily to birdwatchers and people who pixel peep their images for lens sharpness.
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>>4493660
Ah that's too bad. They have some crazy discounts right now.
Z5II is what I'd go for then. I just shoot a lot of video too and the extra options you get in the Z6III is more than worth the extra dosh for me. But get the best camera your budget can stand
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>>4493664
nikons bird autofocus is excellent. their everything else does suck.
>1000% of r&d budget into bird lenses
>canon: hey you’re going to put IS on a standard range prime right?
>nikon, sony: NO ONLY BIRD LENS! MUST MAKE GLASS SHARPER!
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Can you tell which of these 2 were taken with a dedicated camera?
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>>4493716
I mean neither are spectacular quality but that's probably just down to file compression. Though left looks like a SOOC RAW from an APSC camera like a a6000 or something, right looks like it's been through some AI sharpening/denoising to me, as it has some of those edge artefacts. I would say right is from a modern phone.
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>>4493719
If they're both unedited I would go with left. Less processed, will give you more to work with if you wanna edit. It definitely looks like the kind of flat, sterile look you get from a RAW file, though I suspect if you uploaded a full quality image from that phone it probably wouldn't get confused for something taken with a large sensor camera.
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>>4493729
>>4493723
In good light and when looking at a small resolution downsized image, sure. Which for most people is fine because we've all gotten used to the Facebook/Instagram/etc. look of max 2048px per side photos taken in good lighting conditions.
We've become condition to low res, good lighting photos because that's most of what we see online. No one expects great low-light pictures from phone cameras, but only because they suck, and so they're never posted on the internet, thus we don't think about them.
No one cares about high res photos you can zoom/crop into while retaining good quality, because we're all conditioned to seeing standard-sized pictures on a phone screen, and just looking at them as they are.
So if that's all you're going to be taking - photos in good lighting conditions to be posted on the web then yeah, no reason to spend money on a dedicated camera.
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>>4493731
Literally took a group photo with a real camera the other day and blew the dicks off of everyone by how much you could zoom in and still see clear well defined faces, vs the guy who whipped out his phone tripod and prayed to whatever god the Chinese believe in.
Just because a bunch of rando web surfing normies don't give a shit doesn't mean the people I care about in my life don't. Where are your priorities anon?
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>>4493733
That's exactly what I'm saying. My entire post was saying that if you have shitty priorities (tiny photos for shit sites) then you can do with a shitty camera (on your phone). I.e. if you actually want to do anything better than that very limited scope, you'll need a better camera.
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>>4493706
It's hard to explain something for you that isn't true to begin with
Do you have sources and receipts that flagships mirrorless are more prone to breaking than DSLRs?
My source is myself working in cameras shops for a decade and taking in thousands of repairs
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Ricoh GRIV Monochrome
>1800€
I want one so much but I already have a Leica Q2 and recently bought the Nikon ZR. Life is difficult as a gearfag. I probably wait for GRIVx Monochrome as I'm getting bored of 28mm
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Just ordered a LN- X100VI from KEH and it should be here Friday. Excited to try and get back into photography when I havent really shot much in almost 10 years.
Still have all my development and scanning stuff as well so we'll see how that goes.
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>>4493788
enjoy being frustrated when all the megapixels just make high iso and colors look paradoxically worse and the IBIS isnt much better than just puckering your asshole
gear sucks now. even the newest snoy is just the same one from last decade. the newest canon is the last one but worse. the newest nikon is a sony a7iii with an extra video mode in firmware. its very sad. and true, which triggers some people because they buy cameras for fun. the x100v was the peak.
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>>4493733
>Literally took a group photo with a real camera the other day and blew the dicks off of everyone by how much you could zoom in and still see clear well defined faces, vs the guy who whipped out his phone tripod and prayed to whatever god the Chinese believe in.
>And then everyone stood up and clapped!
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>>4493806
If you've never impressed normies with the fact that a decent camera is miles better than a phone, you're either a nophoto or have no normie friends. I'm guessing the former and I'm wondering why you're even on here.
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>>4493806
My family tells me I’m not allowed to sell my camera until phones have 800mp because it mogs all their phones
They’re in for a surprise
When phones have 800mp their photos will still look like shit for anything but worthless garbage like flowers posted on 4chan and my 20mp FF DSLR will STILL mog them
ONLY sensor size matters
Nothing else.
Buy a 5DII and call it a day until you can afford a hassy.
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>>4493817
oh my fucking god please dont tell me you think women care about your hobbies
virgin shit
women only care if you’re paying attention to them and if you have a ricoh gr she’ll still cheat on you. they basically arent people. they’re more like dogs.
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>>4493804
It's hard to go wrong with most brands these days when you get to the mid range priced cameras and up. But the eternal contrarians here will fight over any and everything for no reason.
Truth is we're totally spoiled for choice in every regard
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>>4493806
Lol you virgin. Nothing ever happens amirite?
Nobody clapped, nobody was like 'wow good job spending all that money anon'. But every friend there was like huh, that's very detailed and looks good. Everyone understood why you go through the effort and cost of buying a proper camera. Especially since we had a comparison shot with a phone at the ready as well.
>>4493817
As long as you're not being a hyperautist and keeping the camera stowed for a reasonable amount of time, nobody cares. None of my friends give me shit because they understand it's a hobby and I'm not fagging on about specs or something constantly. It's a camera. You take photos of moments you care about with it, and my friends understand that I want to have nice photos around for when I'm old and my memory is fading. If your friends aren't understanding then that's your loss, not mine.
One friend of mine attended a drift show with me not long ago and now they want advice on a real camera purchase. If you keep the hobby feeling organic and don't force it down everyone's throats it all feels normal.
>>4493820
>women don't care about your hobbies
Mostly correct. My long-term partner will occasionally pretend to give a shit when she wants me to buy her something kek.
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Bought the Pentax SF7, which goes really well with my vintage lenses, from ebay. It cost $60 but came with a telephoto lens and a broken Canon EOS 100 (with a kit zoom). It's pretty gud considering that my local camera shop wanted $220 for a tested SF7 with a worse lens. I will be posting my shots in /fgt/ but hope I can use this setup for a series of photographs for an exhibit.
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>>4493849
Honestly there's a lot of deals out there right now on AF SLRs. I picked up a F80 for $30 USD cus I wanted something 'professional grade' but still with a popup flash. It had that thing where the rubber grip pads get sticky, but you can clean that stuff off really easily with citrus cleaner. It's basically perfect now and I really like it. Feels really well made for a polycarb cam.
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I'm super noob in gear and I'm thinking to buy a good full frame cam.
I've been trying astro with a telescope my phone and also taking photos of birbs with binoculars.
So I was thinking into something that can do video fairly well.
So was thinking on:
- Sony a7 IV (although you guys hate sony IDK )
- Canon EOS R5 I
- EOS R6 III (although its even more expensive right now than R5 I)
- Nikon Z6 III
Seems like the Nikon Z6 has a lot of good reviews and recommendations but it's sensor is just 24.5MP
Also I have 0 idea on lenses. Probably I'll try to get something like 50-100mm but they are expensive as fuck
Also the other cam that I have is an olympus e-420
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>>4493860
AF SLRs are honestly cheating. Extra cheating for Canon because you can slap modern stabilised lenses with excellent abberation control onto a 30 year old camera and get results you couldnt dream of at the time. Excellent/10.
>>4493870
All the cameras you have listed are basically top tier and generally overkill unless money is no object. The only incorrect choice is the Snoy.
24MP is absolutely fine for full frame cameras. As you go higher in MP your lenses need to have even more resolution and corrections to avoid showing the stronger abberations that lower MP cameras don't need. Extra MP is absolutely great, but just keep in mind there's limited gain to be had unless you're buying top shelf lenses as well.
I recommend saving a couple grand and getting something used. Used R6IIs are going for like $1500 now because of the III release.
Use the extra money you save for better lenses and accessories. A $1000 star tracker is going to make much greater improvements to your astrophotography than spending another grand on the fanciest camera body.
With RF Canon bodies you can also buy the EF adapter and slap some very very nice EF primes on your camera with zero downsides. The EF 200mm f/2.8 can be had for like $400-500 and will destroy your dick and balls with how good it can be paired with a star tracker.
https://www.absolutelynothing.co.uk/blog/canon-200mm-28-astrophotograp hy-review
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>>4493874
Thanks, I guess now I want my dick and balls to be destroyed by an EF adapter.
Also I was thinking to buy some day a good telescope tracking mount like a EQ-5 /EQ-6 pro.
But I guess I'll try to look for an used startracker instead.
But also, I don't know If I should go for a 70-200 f/4. Just for versatility and because they are reaaaally expensive. I'll keep looking because I can't tell which lenses are for full frames and which aren't
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>>4493881
>But also, I don't know If I should go for a 70-200 f/4
I personally own an EF 70-200 f/4 IS USM (version I) and it's easily a TOP MINT lens worth getting. The IS is a tiny bit loud (as in you can hear it as opposed to being silent) but it's far cheaper than the version II.
I recall using it for some astro tests to see how viable it is on the long end and it was a fair performer but certainly not what I would call ideal. It's a king of versatility, but for astro you get decent gains from going all-in on the top performers.
I have an EF 100mm f/2.8L IS Macro that I've had good performance with but I think something longer like the 135mm f/2 or 200mm f/2.8 would be better if I was buying all over again. The 100mm is just versatile.
The 300mm f/4 is there if you want to go even longer, but if you were going to go that far I'd say just buy the EF 100-400 f/4.5-5.6 because it'll get used far more often outside of astro.
A few more points:
Be aware that with longer lenses you need better star trackers. The cheap ones are only rated up to like 100mm focal lengths and even pricey ones will normally advise against going above 200mm. The issue isn't that they don't work, it's that they lose accuracy too quickly and you have to take more and shorter exposures instead of a couple longer ones.
Lastly, driving out to a low light pollution area will improve your shots greatly. If you're lucky enough to be close to a proper dark site, you will see a big difference.
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>>4493874
>Extra cheating for Canon because you can slap modern stabilised lenses with excellent abberation control onto a 30 year old camera and get results you couldnt dream of at the time.
Yeah lol I have a bunch of Canon lenses but at the top of the pile that I wanna use is my 20mm f/2.8 USM. Currently looking for a decent deal on the small configuration of the EOS-1n. I found you can get really cheap rechargeable 2CR5 and CR123a's on AliExpress. Currently using the latter in my F80 and it's working fine so far. I think for UWA Nikon screw drive AF does the job, but it's just not on the same level of speed and accuracy as Canon's USM's.
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>>4493886
>I found you can get really cheap rechargeable 2CR5 and CR123a's on AliExpress.
Holy shit. What a find. Thanks anon.
>I think for UWA Nikon screw drive AF does the job, but it's just not on the same level of speed and accuracy as Canon's USM's.
I have the EF 16-35 f/4 IS and use it on my ELAN 55. It's a dream, if a bit chunky. I've leaned into the blobmera look.
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>>4493887
>I've leaned into the blobmera look.
Honestly I think they look and feel really good. I usually use a 5D2 and even though it is objectively a hideous camera to look at, I have learned to love its shape as it's form following function in what could be described as the perfect rugged package. Most EOS cameras look pretty similar, I haven't used a 1n yet, but I've used other polycarbonate cameras and I like them. If I don't get a 1n I'll probably go for an Elan 7n/7e whatever it's called, as its mostly metal, relatively new and has a popup flash. Only thing that's annoying about a 1n is it's ATTL not ETTL or ETTL2 so I'd need to find a different flash for it. I know how to use manual flash but I would much rather TTL mode for film.
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>>4493889
Not that anon, but my first camera was a Canon 5dmkii that I bought 17 years ago. No problem going big right out of the gate if you know you're going to use it.
I learned everything about shooting photos and video on that camera. It felt worlds apart whenever I compared it to cheaper cameras.
Took it around the world with me. Still have it now even though I recently moved on.
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>>4493889
You are probably right. The only bad thing of the 6D is the 1080p video. But I guess I could sell it losing 250€ in 2-3 years or so.
The only thing I don't know is the lenses. I guess I'll lurk a bit more and watch some videos that give me an idea
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>>4493908
The 6DII’s video specs are fine unless you are a professional cowtowing to client demands. Even then, house was filmed on a 5DIII and it still looks great. Not shooting 4k 10bit to raw makes video a lot cheaper and easier and leaves more room for the creative process. Movement, moment, lighting, perspective, etc. Low lattitude sensors also write nicer looking images and require less post shit so no need for a gaming pc to turn your flat ugly log gamma tier shit (even if not shooting in a log gamma… r6ii colors are just ew even in stills) into a movie. That will be 1080p anyways.
The actual hard part about doing video with the 6dii is the need for an external mic to get around ef lens clicky noises but you should do that anyways.
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>>4493911
run and gun brah
i need 8k to crop brah
i need raw to fix white balance brah
run and gun
i need 32 bit float brah ive done 2 punk rock shows and still dont know how to do audio brah
i dont actually know what im doing but this makes money without me having to give up weed brah
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Going into even nooby-er gear, I was thinking of getting into photgraphy, for personal use. I'd probably mostly view them on my PC. I was thinking of going on ebay and getting something used, since I can get stuff under a hundred bucks for a whole camera/lens/battery/etc. Is there anything I should look out for to avoid? Most of these cheap deals seem like the cameras are relatively old, but I thought a cheap but reliable(?) starting point would be good to see if I enjoy it.
From what I read, megapixel count doesn't seem nearly as important as a good lense, and it only really comes into play if you're doing commercial stuff. But you guys would know.
I'd mostly be taking photos of close range. So indoors within the same room, or maybe outside during a family gathering or something.
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Inherited some stuff from a relative, is this camera (Fujifilm XT-3, and a standart lens I'm guessing?) and lens any good (Soviet Jupiter-21)?
I've never used or had a camera before so I have no idea, said relative was a photo enthusiast
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>>4494017
Nice, what do you generally use it for?
I've been wanting to downsize because I'm tired of heavy cameras and lenses, but the versatility that lens offers is hard to pass up. Especially because it wouldn't be an all day lens. I'd use it 1-2 hours or something and then switch back to primes. So I doubt the size and weight would be an issue for me.
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>>4494022
>Free Fuji XT-3
give him a nice gift or at least a big hug because that's a $4-600 camera
try to find a adapter for the jupiter-21 it should be a m42...look for m42 to fuji x adapter if you want to try it and other vintage lenses that have screw mount
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>>4494022
I have never used any Jupiter lenses before but as a Soviet camera enthusiast I'd say pretty much all Soviet glass is acceptable in quality. It won't perform on par with modern lenses of course, but it's usually passable. For the whopping price of "inherited" give it a go with an adaptor and make your own decisions.
Some people love "vintage" looking glass, but those people mostly stick to focal lengths of 30-60mm and also tend to be hipsters who won't shut up about how their Helios 44 was used in *insert movie here*.
tl;dr depends what you count as "good", it won't match modern lenses obviously.
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>>4494106
Because it's a delicate motorised extending lens, they'd get people damaging it either taking the filter on and off or putting something too heavy on it. That's why the filter adapter attaches to the body and not the lens. Also it means they can sell you an adapter.
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>>4494155
It's the solution to having a small pocketable camera with a large sensor and a decent lens. Unfortunately we are bound by the laws of physics and can't have a phone sized camera with the quality of a full frame interchangeable lens one.
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>>4494109
i was searching around online to see how long people in general wait for back ordered items from b&h and i see niggas saying they’ve been waiting since march for some lenses.
is this a common thing with the hebrews at b&h? this is my first time ordering from them. but if it’s going to take 10+ fucking months to receive a lens then i guess i’ll cancel?
what kind of business model is that?
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>>4494176
over $500.
all camera shops are staffed by compulsive liars and scam artists in the digital section and actual photographers in the darkroom (unless they do double duty)
trust not the digishit merchant. they exist to screw people over.
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>>4494180
It's really just up to the manufacturers, most backorders take like 4-6 weeks
Some can take several months, up to like a year
Longest I've waited for was 6ish months, but everything else has been within 6 weeks or so
t. worked at camera stores for a decade
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legend
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>>4494238
>>4494239
thx bros
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>>4493814
>Normalfag friend
>Buys a Rebel T7 for cheap (I guess she's not impressed by her iPhone)
>Ends up never using it
>2025, middle of summer
>Anon maybe you could do some product photography with this I'm not even using it
>Uuuhhh I guess
>2 weeks later
>Absorb lots of info about photography, never use it for product photography, just landscape nonsense
>She's somewhat impressed by the shit I upload on social media
>Some girl that ghosted me years ago is checking out all of my shit as I upload it for whatever reason
>Buy new camera because I hate the idea of buying stuff for a camera I don't own (though maybe my choice of camera wasn't amazing)
>Whip it out in public, in busy streets, most people don't give a shit, some even ask to take pictures of them (with their phones though...)
>Friend wants me to take the best picture I can of her pussy and print it tomorrow
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>>4494249
Yeah she wants to frame a photo of her cat, pic related (this cat is how I learned about camera flicker)
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>>4494303
You're misunderstanding. It's got nothing to do with the focussing, I don't know if the lens moves to focus or whether it's internally focussing but it's irrelevant. The lens retracts into the body to make the camera slimmer, it extends so that it can function correctly optically. You can't make it a fixed lens and also keep it as slim without making it a much shorter focal length and compromising it optically.
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>>4494291
No I mean they could just extend the front by just a bit in order to allow you to put filters on. The gear that allows you to use filters extends it by further and is more of a pain in the ass than just giving you threads.
>>4494112
I was thinking about this post for a few days and I really hope its not true. If your camera can't handle someone screwing on an ND, how the fuck are you supposed to be able to trust it to do any photography at all, even casual photography?
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>>4494344
>No I mean they could just extend the front by just a bit in order to allow you to put filters on. The gear that allows you to use filters extends it by further and is more of a pain in the ass than just giving you threads.
They could just put the filter threads on the lens and make it a tiny bit thicker, but as I said you don't really want to do that with an extending lens. That's why the adapter doesn't even touch the lens and extends further out than it.
> If your camera can't handle someone screwing on an ND, how the fuck are you supposed to be able to trust it to do any photography at all, even casual photography?
This is not something unique to the GR, there has been many a case of a point and shoot with an extending lens getting damaged from taking a knock. The lenses are designed to be as compact as possible and simply not intended to take any force especially in directions that they don't usually move. They're driven by tiny little motors with tiny little gears. If you're careful with it then sure you could probably be fine using filters on it for many years, but your average person isn't careful and you also need to consider people putting shit like ring lights on the front of the lens.
Anyway, if you really want a decent solution then just get a mag filter adapter and stick that to the front of the lens, much easier and quicker to attach and remove filters and you won't subject it to any rotational force.
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>>4494371
I guess I just don't get the point of "pocketable" point and shoots then. I understand fixed lens cameras, but if I'm going to carry a camera I should want a camera I can just use especially alongside the gear I already own with maybe a step up if I have to.
If I'm carrying a camera it'll usually be on a strap or in a cross-body and the thought of putting it in my pocket makes me uncomfortable. It just all seems gimmicky more than anything, and this isn't a hit at the b&w version specifically.
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>>4494384
>Going from 5d mkii to a r5 mkii worth it
Your sensor signal is going to be far cleaner on the R5. Idk why you'd get one over an R6 instead unless you wanted high-res specifically though. Would save you a couple grand.
Get a used R6II for like $1400 and the adapter with a control ring for $150 and you can use your EF lenses with literally zero downsizdes.
As opposed to going down a format to APS-C, down a grade to FOOJI, and needing to buy lenses all over again to... what... save a few hundred grams? Eh.
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>>4494232
Short answer: Very very good for photo. Shit for video. You can shoot almost everything with that lens.
But with the a6600, for video, 1080p is a blurry mess. 4k is jelly due to the slow sensor readout.
Furthermore, the UI is meh and the software (e.g. image edge) is absolute trash. Formated your memory card? Sorry, your photo folder numbering and video file numbering are getting reset.
And I'm sure you're familiar with the meme about the colour. I've only had experience with Panasonic Canon and Fuji and I'd say Sony is dead last.
Using a film sim from here helps... https://www.veresdenialex.com/8-free-sony-film-simulations But there is no way to easily switch different ones.
Despite all that, it's a great camera that has lots of useful functions.
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>>4494400
Camera has a setting to send to bluetooth linked smartphone. Can keep it enabled by default to send every photo you take straight to it instead of doing it manually one-by-one.
Originally I'd just upload to our Discord server from my phone, but Discord compression is absolute ass. Now I just either mSMS to individual people or make a catbox link and post to Discord.
Not the most elegant but it works for me.
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How is it even possible that my photo in 50mm crop on the Leica Q2 is sharper than that of my Snoy A7IV with the GM50mm 1.4? No matter the aperture. Less mp but overall sharper image. Is it that the Leica lens is really that good or could it be because of the missing aa-filter on the Leica sensor?
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>>4494384
Just because its the newest doesnt mean its the best. The r5ii is a downgrade from the r5 and EOS R cameras are known for shutter and circuit board issues. Canon cut build quality for mirrorless. The r6ii is at least cheaper to replace.
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>>4494466
sony cooks digital corrections into their raw files to compensate for the overly thick filter stack. on the -III models and earlier it was really obvious with a concentric colored banding effect in shadow pushes
then there’s the optional distortion correction, aka resolution destroyer
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>>4494466
>he fell for the "G-Master" meme
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I have this Canon Sure Shot 85 Zoom that looks to be in good condition but it had this little metal piece rattling around in the area the film spools into. Anyone know what it is? The camera turns on, zoom works, and I'm assuming the shutter doesn't open because there's no film loaded.
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I want to upgrade to the a6700 and 24mm f/1.4 GM from a Pentax DSLR kit (K-5 IIs, K10D, 18-35mm f/1.8, 28mm f/3.5, 50-135mm f/2.8, and 300mm f/4) but I have cold feet because it's a lot of kit. I'm interested in the a6700 because I find it hard to use autofocus on the telephoto lenses and the 18-35mm f/1.8 is heavy if I'm taking photos of an event. I dunno, sorta looking for encouragement to sell all my kit and buy an a6700. I like APS-C, I like 24mm on APS-C. It seems like good kit.
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>>4494573
I did consider that one but it has a lot of distortion relative to the GM.
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>>4494548
The best Pentax body is a Sony with a Monster Adapter
If you really like your Pentax lenses keep the ones you value the most and sell the rest. The 18-35mm and 300mm f/4 will get you a decent chunk of change. K5-II is worth like $250-400, sell and pick up a K-70/KF or a Monster Adapter for your Sony (all roughly the same amount). K10D is worthless, you can buy those <$80 all day long (I bought one off yahooauctions.jp for $20). If you sell those 2 lenses + K5 you'll easily raise $1000 if you're in USA.
That said, IMO the a6700 is false economy if you don't need the reach or video capabilities. Why not just go for a a7c/a7iii ($1000-1200) or even a a7iv/a7cii ($1500-1700, lets you run LA-EA5 for A-Mount Minolta/Sony) for a little more? FF lets you run a stop less vs APSC in terms of ISO. a6700 is a chunky camera too for what it is too honestly.
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>>4494582
>a7c
efcs
>a7iii
old camera by comparison with the a6700, although I have considered it
>a7iv
more than I want to spend on a new body
>a7cii
efcs
i also am kinda covetous of the 24mm GM, it seems perfect for me, and im more used to 24mm on APS-C than FF. afaik the 35mm GM is not as great in terms of distortion. I do wanna do macro photography too and I think the a6700's af could help a lot with the right lenses. I had a macro lens for my pentax but goddamn it was frustrating to focus it. same deal with telephoto, beautiful lens and all but useless for anything that moves.
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>>4494576
So? It will just look like this anyways
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Acceptable for a complete beginner? Also, what should I avoid if shopping for used?
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I'm ultra late to the party as always, but I just got a newly serviced 1975 Helios 44-2 for a great price. Everything works perfectly. Feels very solid and smooth to operate. You couldn't tell it was 51 years old outside of a little worn paint on the focus and aperture rings. The colours in the indicators haven't faded either.
Manual focusing is no problem on my Zf either.
What a fun little lens. Glad I finally got into looking at vintage lenses.
Next on my vintage lens list is the Nikkor 105 2,5 AiS for portrait work that I'll be getting when my next paycheck arrives.
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Nikon z5ii is only 1,200$ refurbed right now. Absolutely insane for how much camera you get.
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What do you use for home storage? Picrel for me.
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>>4494659
Yeah, I'm excited to get it. I started looking into those old Nikon lenses and found out it was the "Afghan Girl" lens. It's crazy what you get for your money with those old F mount Nikon lenses. They're so cheap! I feel like I found a hidden gem.
The 105 will be very different from my other lenses, so it will be a great addition to my kit.
I'll have two modern Nikon lenses with auto focus to "get the job done" and then the Helios and old Nikkor 105mm for some fun if there's more time during a shoot.
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>>4494676
14mm f/2.8L II USM is the widest rectilinear lens Canon has ever made. It's very quite wide, well made, and sharp.
The two downsides I can think of is that it still has a bit of barrel distortion, yet not a significant amount, and the front lens cap is shit. You can buy aftermarket lens caps that are better for not a lot of money.
There's also the RF 14-35 f/4L IS USM which is more expensive, has more distortion, only fits RF-mount, and is f/4 instead of f/2.8. But, it has killer IS, can take normal front filters, is a zoom, and is just as wide as the EF prime.
A 10mm lens on FF has no hope of being rectilinear. To get a total image plane without fisheye levels of distortion would require a huge front element and would likely have a dogshit small aperture opening.
Now as an alternative, people have adapted the EF-S 10-18mm f/4-5.6 STM to full frame with a cheap metal mount conversion (I have done this) but you normally do it for video, as you will get heavy mechanical vignetting using a FF sensor size.
I bring this up because if you just want the widest lens that phyiscally fits your camera and you don't mind using APS-C mode, then this is a cheap and effective workaround.
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>>4494711
A valid concern. You can also just not use digital corrections.
Unless you're photographing the side of a brick wall, light distortion is undetectable and mild distortion is only noticable if looking for it.
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I LOVE GARBAGE
GIVE ME THE GARBAGE
The ZX-7 I ordered for $25 had a half used roll of Kodak BW400CN but the body was dead, the mirror didn't wanna stay down. Transferred the film to a SF1x body I had and probably lost some exposures in the process. Lens was actually in great shape other than the start of some fungus thankfully on the outside of the front element that wiped right off
Kinda excited to try the 135mm f2.8 Sears and 28mm f2.8 JC Penney, I think they're both Samyangs. How bad can they be for $20 each? I have a K1ii and K200D to play with them
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>>4494714
I am also retarded. Canon makes a 1st party RF lens that reaches 10mm on FF: the RF 10-20 f/4L IS USM. So I'm just flat out wrong and should feel bad.
The kicker is I'm actually kind of right in that it has some intense distortion and forces correction as to hide this, and f/4 on a prime is kind of pathetic outside of superteles.
I'm quite against distortion correction as it destroys resolution and gets worse the heavier the correction is. But hey, 10mm rectilinear is quite impressive.
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>>4494718
>makes fisheye
>corrects fisheye in post
>we made a lens!!!
Modern canon is awful
Old canon had meh sensors, technically, but great colors to make up for 0 lattitude making editing less necessary (ala ccd raws) and great lenses.
Modern canon has meh sensors with forced NR in raws, meh colors, and scam lenses. But AF and FPS and codecs.
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Oops
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Can one get used to aspc sensor image quality? I recently had he X-E5 in hands and it's so damn tiny and light. What a joy to hold. I magine it to be perfect for travel, etc. Even the A7CII is kinda bulky compared and especially once you attach lenses (even slow ones). I'm just afraid that I don't get used to the IQ. Not even on pixel peeping level but looking through samples on flickr the fuji photos always look more flat and less detailed.
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>makes fisheye
>corrects fisheye in post
Digital and mirrorless was a mistake.
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>>4494747
I bought the x100vi with all the bells and whistles regarding accessories three months ago. I did a lot of research and thought it was the right camera for me, but I just never liked the images I got with it. It was my first aps-c camera, so I assume that was the main reason behind how the photos looked. Spent two months of daily experimentation because I thought it was user error since I had seen a lot of great photos taken with it.
Sold it and went back to full frame and immediately felt like I was at home. I'm never going to buy aps-c again. Some people can make it work, but I'm too shitty of a photographer to do it.
I loved the size, weight and built in nd filter though.
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>>4494747
You'll be fine
I've shot on x-trans for 10 years now, alongside FF and GFX
>>4494754
Can you share some of the images you didn't like?
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>>4494756
You'll probably say I'm full of shit, but I don't like posting private stuff here be it photos or videos, so I'd rather not.
But like I said, I've seen people take great photos with aps-c cameras, it just wasn't for me. I was considering holding out for the XT-6, but the x100vi put me back to full frame.
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>be me, father of newborn
>shoot mostly my Q3
>when in use 100% satisfaction, amazing photos
>don't shoot it as often as I wish because of protection, bulky, camera bag, two hands, etc.
Makes me really think wether it's a good thing to buy the GRIV as my "always with me" camera to capture all kind of memories. So basically replacing my phone camera. On the other hand it's just more of the same, same focal length but worse IQ, worse everything except portability.
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>>4494778
I haave been pretty pleased with it as an "everywhere" camera and yeah it's entirely for the form factor. It's very good image quality for the size but nowhere near a Q3. I would buy it if your planning on putting it in a pocket when you go to the grocery store. 1500$ just has to not be that expensive for you. Otherwise you'll worry about throwing it into a pocket.
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I've been thinking about the problem of lens mount ecosystems. I was planning on getting a Nikon full frame, but just now the news hit that they're pursuing legal action against third party manufacturers making Z-mount lenses. That also prompted me to look more into lenses and mount compatibility, and it turns out the Sigma lenses everyone online seems to be praising are not available for Z-mount, most likely due to Nikon not granting a license.
The scariest part is how they could disable support for third party lenses on a software level, updating the firmware in a way that disallows the usage of unlicensed glass.
In the pure software world this has long been settled with Oracle v. Google, that you can't protect rights for an API. I guess here manufacturers use the fact that it's a physical hardware interface, and that you can patent.
The most open and friendly FF mount appears to be the L-mount, but there you're stuck with one of two video-heavy Lumixes, an overpriced Leica, or a quirky Sigma.
It's all so tiresome.
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>>4494882
I'm a Sony user and have never had an issue with any of my third party lenses but I have to disagree, many of the Chinese lenses aren't licenced and aren't guaranteed to work as has been shown with the A7 V. Also for the newer bodies that can shoot bursts at like 30fps they cap them to 15fps with third party lenses, in practice it's not actually an issue for 98% of people but it's a purely software limitation with no justification.
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>>4494887
While it's not as many there are 15 different L mount bodies (stills focussed, there are a couple Blackmagics and the DJI Ronin) to choose from, and one could argue that having three different brands to pick from is better than being tied to one.
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Thoughts on Motioncam pro?
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>>4494904
Why are you so intent on adding arbitrary restrictions? The initial argument is that L mount is the most open and friendly FF mount, then you had be all like "well at least with E mount you get more bodies to choose from". I am a Sony guy and have been using their cameras since 2011 and whatever I upgrade to when that point comes will most likely be a Sony but even I don't ride their dick as much as you.
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Bought a shutter cable to use with an electronic stabilizer to make things a little bit more convenient
Turns out the a6500 won't let you use the shutter button to record video at all. What a pain in the neck this camera has been, I know it's shit for videos, but -this- shit?
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>>4495059
How affordable?
You can do low light by accepting noise and just increasing ISO, getting a more modern camera that will deal with ISO noise better, getting a faster lens, using stabilization to help you at lower shutter speeds, there's multiple methods.
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>>4495125
I might sell one of them. I bought it because I had none and it seemed to have decent reviews but honestly I'm not a fan of it (Sigma 30mm f1.4 DC DN). I have to overcorrect stuff with it and I end up using it at F2 minimum. Barrel distortion is way worse than any other lens I used. I don't know if it's a product of just being an older lens.
I have 2 viltrox air F1.7 lenses, both are really light, small and sufficient for what I want. I don't have to worry as much about having them fully open. Only problem is autofocus is ass in considerably lit "low light".
I have a meike 55mm F1.4 lens and it's fucking nuts. God I love this fucker. Not even the 1.8 pro that everyone shilled to me, it's a cheaper one.
I don't know if it would have made more sense to just buy a pricier kit lens though instead of having this collection
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I'm waiting for my first camera to arrive anons. Canon AF35ML. Crossing my fingers it's fully functional (I got it from a very old and well rated camera account on eBay, they said it's battery tested and working). Anyone ever use one? Thoughts on old, cheap point and shoots in general?