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"Fuck AI slop, embrace Photoshop slop" edition
Previous: >>25290066
/wg/ AUTHORS & FLASH FICTION: https://pastebin.com/ruwQj7xQ
RESOURCES & RECOMMENDATIONS: https://pastebin.com/nFxdiQvC
Please limit excerpts to one post.
Give advice as much as you receive it to the best of your ability.
Discuss the written works below for practice; contribute, and you shall receive.
If you have not performed a cursory proofread, do not expect to be treated kindly. Edit your work for spelling and grammar before posting.
Shitposters should be ignored and reported.
>Beginner guides on writing:
https://www.youtube.com/watch?v=pHdzv1NfZRM
https://www.youtube.com/watch?v=whPnobbck9s
https://www.youtube.com/watch?v=YAKcbvioxFk
>Intermediate guides on writing:
https://www.goodreads.com/book/show/48654.Story
https://www.goodreads.com/book/show/3097766-borges-on-writing
https://www.goodreads.com/book/show/23056.Image_Music_Text
>Advanced guide on writing:
Just do it.
Theme: https://youtu.be/P2jn_lxrrPg?si=j0eMmv0DdNr-jV0Z
Showing all 328 replies.
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>>25301215
He fellow writers. I made that sandbox thread a few days back about the pruning being the end of the world for in thread characters. Well the thread got got. 404. Gone. But the characters made it out in time. And they live on below. If you invested in creating your character there, in the prunned thread, your character awaits. Mr Changchang Zhang, your chariot awaits. If not, then don't worry. Everyone dies in the end.
>>>/qst/6416839
>>>/qst/6416839
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So a question to commercial, anons: what's the best, or at least a good one, structure for a first chapter? I've seen people say you need to start in medias res, use little exposition, and throw the reader right into the action, etc. One thing I've noticed myself is that the first chapter tends to be a taste of what the book is about, so, for example, if you're writing a crime story, then you need a detective and a body right at the start.
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>>25301358
I always just put my ending right at the beginning of the book. So then the reader is captured and they read the rest thinking that something else is going to happen but no, by the time they realize it, it’s too late. They’re already 2/3 through and they have to finish because I’m such a good writer they can’t put it down.
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Consumptive Cur is a horrendous title. It's both clunky to say and generally nonsensical.
Imagine saying to a friend, "Hey, have you read 'Consumptive Cur?'" and not having the conversation end with them losing your number.
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>>25301630
I don't like how many words you (the author and maker of that ad) like to cram into spaces meant to be carried by visuals. That ad is an ugly block of text. Why do I need to know that I can click it to learn more? I'm not a fucking retard. Is the writing in your book like this, too? Do you feel the need to cram in all the information you can into the text, overexplain, and underwhelm?
Also 4chan ads are a money sink since nobody smart enough to read is dumb enough not to use adblock on this porn website.
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Usually I draw comics in /ic/ but I decided to venture myself in making a novel. I never managed to write a novel longer than 20 pages so this will be quite a chalenge lol. I may use this as a base for a future comic like I did before btw
https://www.royalroad.com/fiction/73759/no-place-for-idealists/chapter /1331723/the-dying-empire
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>>25301758
>>25301763
Snap. Or crack. Fwip or bzz if subsonic.
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>>25301826
Thanks, I can use this later
>>25301834
It's a screenplay, so I was trying to get the sound effect right. But then I realized it doesn't really fucking matter that much.
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>>25301934
>>25301934
You can have it.
https://litter.catbox.moe/aekfrrbh9vqbcjzd.pdf
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>>25302067
Only after posting that I realized it said interiority and not inferiority.
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I keep writing myself into corners.
>have MC return to his homeland to face trial
>need him to continue his journey
>his crime is sorta low key but still significant
>decide to have him transported to a different place for "not technically prison" and then make an escape because someone decides to kill him instead of letting him escape
>now realize that MC's honour would have him go to prison anyway
>have to rewrite the trial just to have have exile be his punishment
>but that just too conveniently fits his plans anyway
>so now have to decide on something different, like getting a prison break
Having an MC with flaws and past crimes but also an incredible sense of honour sucks.
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>>25302098
Honestly, this year seems somewhat interesting in the sense that there’s a lot of anons publishing their own work in a short time span, Between Dark Triad, A Maid in Four Parts, Sinner’s Descent and Consumptive Cur, there’s been alot of known /lit/-adjacent releases this year.
Frankly, it’s nice to see some anons put their money where their mouth is and actually produce something. I’d say all of those works have more artistic merit than anything F Gardner put out, since he was just using /pol/-pandering as a mask for poor writing.
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>>25302213
Who do you think is getting published these days?
Just write the next "I walked into an alternate dimension where my childhood friend has a massive dick and was rich and abusive instead of just a nice guy."
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>>25302237
>500-5000 USD - Get something I might be happy with, people will love you for excepting your 4th revision despite the artist not really understanding what you are asking for.
>Free - Completely custom and instantaneous, people will hate you for using it.
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>>25302098
it was an even bigger deal when honor levy unveiled hers. nobody had suspected what she'd been carefully hiding all that time down her pants, but finally she must have gotten the okay from her publisher. they were like, ok, you can let it out now, girl. and bam! she just slammed that big monster onto the table like that. like, eat that, gardner. everybody was like whoa! whoa, honor! there was immediate seething, but most people were just like "wow..." "wow!" and that was the day, if you all remember, when she became our queen.
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>>25302250
>Completely custom
Except it isn't. You can only cross your fingers and hope the autocompleter follows your prompt, doesn't throw anything extra you don't want in, and successfully avoids any egregious mistakes like weird hands. The only way you're going to get "completely custom" art is to acquire a new skill.
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>>25303289
post art
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>>25301215
I feel like the way Final Fantasy VII handled its character writing was really magical and I'm trying to break down why it worked so well so I can use it for my own writing
It feels like at its core, the character writing of that game is really grounded and realistic. Now by default, if you're writing for a mass audience, the biggest risk is that you bore people. To prevent this, they have extreme and intense plot events constantly happening. This allows your characters to have those intense emotional reactions that people love without breaking verisimilitude.
A lot of stories do this. What I think separates FFVII from the rest though is something else. It's how the writers are more than happy to stereotype and exaggerate their characters for things that don't matter. Each of the characters fit into an archetype: You've got your pure innocent maiden, your badass fun-loving fighting chick, your silly mascot, your brooding loner, etc. This is constantly played for laughs and entertainment, but when things get serious (like in Gongaga), all the stereotype stuff just completely disappears in an instant, and for a brief moment everything is dead serious and realistic. This is of course not unheard of; you see it pretty often in sitcoms and kids' shows where things get briefly serious to deliver you a moral lesson. But you rarely see this used to deliver very deep, serious, realistic writing. Almost always, if a story has some very deep, serious, and realistic writing, it is played straight the whole way through. I think this actually might be totally unnecessary. Like if you have a character whose stereotype is that they're bossy and rude, you don't actually lose anything by making them super bossy and rude in a funny way when important things aren't happening. So long as you don't go over the top with it like anime does (E.g. Bossy character slaps your protagonist and forces them to scrub the entire house, repaint the walls, powerwash the driveway, and do the dishes), you're good. You can exaggerate a lot of normal dialogue and gain a lot of fun and expressiveness without actually losing anything in your writing
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>>25303438
I guarantee you I write better than you, because I filled out the entire text box writing about something I'm genuinely passionate about and love, whereas you wrote a lazy, snarky quip about how anime is bad. This is why I barely post on 4chan anymore. I have that passion in me and most of you apparently don't. I have never responded to someone just being genuine about their interests and passions and going, "HEH. Did you know that thing that inspired you is actually shit?!?" Literally what is the point. I know you're just going to go, "Heh, well THAT was a bit of an overreaction :^)" and ignore what I'm actually saying, because I've talked to countless guys like you, you're all over 4chan, and it's actually why I've moved away from posting on this site over time. I remember when this was the cool counterculture site. You're basically being a Karen right now. "Umm, final fantasy?? How cringe!!!!" What, you wanna go on about hazbin hotel next? Let's hear your list of socially approved media, because surely that's what writers need right? We need to be more close minded. We need to only expose ourselves to certain parts of the world, and only be inspired by socially approved sources. Yeah, that's so based and vril bro. Good shit
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>>25303477
See if I'm scrolling Instagram reels and I accidentally scroll into, God help us, a My Little Pony reel, why then believe you me I'm averting my eyes immediately, I might even chuck my phone across the room, screen be damned! Because if for one second, I mean if my eyes catch sight of a SINGLE DAMN PONY and I get even the faintest drop of inspiration out of this heathen media, well then by god I'm going to step outside and pick up the biggest, nearest rock to my domicile and crack open my skull if I have to. Them's the breaks. See, you can't just be inspired by MLP. It's not allowed. Don't do it. Don't do it. Don't you EVER fucking do it, I swear. It doesn't even matter if it's how the ponies are named, or how they're written, or the color palettes or anything like this. Just avert your eyes you fucking chud. Open Rumble. Watch a good ol' Nick Fuentes clip. Just do anything but expose yourself to that bullshit, because it's just not allowed, mmkay?!?
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>>25303483
>See if I'm scrolling Instagram reels and I accidentally scroll into, God help us, a My Little Pony reel, why then believe you me I'm averting my eyes immediately, I might even chuck my phone across the room, screen be damned! Because if for one second, I mean if my eyes catch sight of a SINGLE DAMN PONY and I get even the faintest drop of inspiration out of this heathen media, well then by god I'm going to step outside and pick up the biggest, nearest rock to my domicile and crack open my skull if I have to. Them's the breaks. See, you can't just be inspired by MLP. It's not allowed. Don't do it. Don't do it. Don't you EVER fucking do it, I swear. It doesn't even matter if it's how the ponies are named, or how they're written, or the color palettes or anything like this. Just avert your eyes you fucking chud. Open Rumble. Watch a good ol' Nick Fuentes clip. Just do anything but expose yourself to that bullshit, because it's just not allowed, mmkay?!?
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>>25303289
>>25303302
Getting mogged by an AI bootlicker is pretty sad
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>For decades, across the North American wilderness, there have been sightings and reports of a strange, bipedal, ape-like creature roaming around. Nobody knows for sure exactly what these mysterious beings are, some experts have weighed in, saying they are nothing more than apparitions, brought on by exhaustion and dehydration from hikers over exerting themselves, while others claim a more esoteric origin for them, suggesting that they are possibly part of some long-forgotten, unrecorded chapter of humanity’s history.
I'm going to write the great Sasquatch novel, wish me luck friends, and rate my opening.
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>>25303413
VIII is a far better game, with better characters, a better story, and a better memory/identity plotline.
and frankly the characters in games/anime like those are pretty cartoonish even during the serious moments.
with all of that being said, of course it’s a wildly popular game series and if you’re writing a commercial genre book then there’s much much worse inspiration to draw from than final fantasy.
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>have to wait months for an agent to open query
>wait anotehr month for their rejection
>if accepted, wait a few months for them to try and sell the book
>if sold the book, wait another months for editor teams to look at it
>another year for their edits and return
>then another year to edit with the publishers request
>then another few months to market
>then finally, release the book
I give up. I'm going to self publish. Speed is far more important in today's world.
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>>25304144
>>25303413
I see... Anime and video games are the influences for todays writers.
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>>25304227
>>25304279
Why you think LitRPG is so popular?
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>inspiration comes when I don't have time to write anything or am away from the computer
>inspiration fucks off the moment I sit my ass in front of the page
please tell me I'm not alone I'm fucking losing it
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Stumbled upon this book and have had no urge to write but its kinda fun to maybe write some stuff down. Fatherhood or being a man are topics I like to read and think about. Or a love story because I grew up on romcoms with my mom. I like tenderness. Im not really broken as a person or dont have a big story to tell but I dont see a point in writing if others dont read it.
How do you write knowing that someone might not ever read what you write?
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>>25304437
>How do you write knowing that someone might not ever read what you write?
By having something worth reading.
Nobody owes me their time. This does not take away the value of what I put down.
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"The light was just beginning to fade when his eyes landed on a honeybee. Taking another long drag of his cigarette before focusing on it. The bee was buzzing about the weeds around his feet before finally settling on a decent sized dandelion. Something felt off. This image didn’t sit right with him. A bee landing on a flower, it would be picture-esq if not for the hundreds of cigarettes butts littering the ground around him. Natures industrial worker carrying out its tasks surrounded by the discarded trash of man. He ashed his cig, careful not to disturb the insect. He looked carefully at it, as if he saw something of himself in it. He was a worker bee of sorts after all. On his last break. The parking lot behind him was silent, only the drone of the manufacturing plant behind him could be heard over his tinnitus. The highway was unusually dead. He hadn’t seen a car pass by since he walked out to smoke. Even the birds were absent. Only the bee disturbed the stillness of dusk."
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>>25304456
>>25304497
Going to chew on this. Thanks.
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>>25301956
first glance, and i'll peruse it, but 5 pages to start with? back story. Put that in the end for publication in this format. imho. get right to it. You can try writing to the reader directly like Stephen King does via, "dear reader". Of informally, use parenthesis. pic rel.
Your sentence structure is nice. Good flow. Decent meter. That background intro? sux. Makes it look official sure but I once submnitted a copy of my stuff for a contest, and it had a backstory like yours does. The alternate timeline thing. I got declined, of course.
I got some advice from them: Instead of telling us, this and that. Show us this and that. Character is in some different timeline. Ok. Instead of a preamble, make it a newspaper article he's reading.
One of the best advice I ever got was to use the weight of words or phrases to generate a back story. Look up 'gerund phrase'. Use it often for word effeciantcy. Write : "The crinkled mud smeared newpaper, dated 1775 read the headline: Local man discovers the gerund phrase. Instead of: The paper laying on the ground flipped to the front headline, the wind flipping it open. The type read: "Local man discovers a phrase".
More backstory per word. they actually measure that with some index thing. Fucking word nerds, you know? (anyways, that just between me and (you)). Another tip? To hone voice: This, [that], (the other thing). Once you get it proper, do it sans the voice tools. [ i hope everyone get this, including (you) ].
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>>25304615
What backstory?
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>>25304626
5 pages of what the civil war did, before the writer shows us what the civil war does, is terrible. We all know what happened IRL. What happens in your world? What? the south was upset because the north's inner city youth had a beef over some horse shoes that got stepped on by a rival horse gang. Word in the barn is that the north's horse gangs hold their meat in the pot side ways, to show they aint' tripin'.
sorry, just wanted to use tripin' in a sentence.
One last point before getting back to a scene. :
'It wouldn’t be long now.'. That sentence is worthless to the story. What won't be long now? Coffee? I think they are making fresh turkey since thanksgiving wont be long now--just 4 months. Wont be long now.
Call me a fag, get your revenge on me: check out my writing here and if you want join in. No rush. that board is perfect for long term story writing with collaboration.
>>>/qst/6416839
4chan is were you can fuck up and no one will know that you are actually a dog on the internet.
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>>25304736
Wait, you're criticizing the Author's Note without actually reading the Author's Note? That's a new one for /wg/.
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wg, the more I think about going back to my unfinished second draft the scarier it becomes. There's so many obvious things I missed that I took way too damn long to notice and now I'm in no way qualified to write it
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>>25305779
Submit your question and we’ll evaluate whether it’s worth answering.
Also holy shit this is the single worst edition of /wg/ in all of /lit/ history. Who are these fags arguing about which MLP character they like most?
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>>25305785
ok, evaluate this:
why come it's common to say "busy [verb+ing]" when neither present participles nor gerunds can be used as complements of predicative adjectives? it would only make sense if busy was an adverb but i don't see any dictionaries listing it as such; it's only listed as a verb that's used with reflexive pronouns.
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>>25305822
idly is an adverb, lil bro. go back 2 skool.
https://www.collinsdictionary.com/dictionary/english/busy
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>>25305800
>I’m busy working.
Busy is still an adjective in that sentence because it’s describing I, not describing the kind of work I’m doing. If anything, working is a participle or gerund describing what kind of busy I am (am I busy shitting, busy working, busy scrolling my phone?). You can basically think of that sentence as
>I am busy with work.
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>>25305905
If you can't even come up with a story to write, how the fuck are you going to come up with sentences to explain your story?
>i want write but no story
>i am write but no idea
>how continue story
>writer block bad guys how
I've never once had "writer's block".
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>>25305923
>Busy is still an adjective in that sentence
i'm not saying it isn't though. i'm saying that gerunds/participles can't modify adjectives. it's fine doe; i've already found out that type of structure's called an integrated participle clause.
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>>25305761
No. I love melodrama and write it deliberately. It’s probably one of the most transgressive things you can do stylistically speaking these days since most modern writers have a fetish for naturalism.
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I’ve decided to write a fantasy adventure about a a prophesied hero combatting an evil tyrant except the hero is actually a woman, a black lesbian, and she had two mothers and the tyrant is an orange pedophile who is stupid and childish but rules with an iron fist
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>>25306411
>>25306413
Or you could try not being misogynist.
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>>25306411
>>25306413
Something else is that women do not take responsibility for anything as long as they can avoid it. Just an observation. Write it this way: some trouble happen and the woman finds a way to make it not her fault. Don't make it too obvious though, make it seem likes she might even be right though she absolutely isn't. Also, make she think she's smarter than everybody else. I read a great fem MC story once where she thought she was playing everybody for fools just be revealed at the end that people were on to her for a long time. These are two great flaws to make your female characters feel real and put won't be able to tell why.
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>>25305830
no, but idlly is. and i never went to no school, that's for faggots and homos. and i'm neither. i was too busy busily busying.
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>>25301215
I have been in a funk writing unpostable stuff for a bit but I liked this one.
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>>25307073
AAAAAHHHHHHH GOD DAMN IT FUCK NONONONONONONONONOOOOOOOO AAAAAAAAHHHHHHHHHHHH NOOOOOOOOOOOOOOOO
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>>25301358
Writers often frontload their first chapter with external conflict, aka action scenes or a dramatic scenario or whatever; but if it isn't strongly tied to a protagonist's internal conflict, aka it doesn't directly challenge their ideals or perception of the world, it's hard to believe it matters much to the character and the audience by extension.
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>>25301710
I want to first thank you for trying to write a book. I've been wanting to write one myself for over a decade now, but I've never had the motivation to commit to finishing it or even getting halfway there. I analyze storytelling and acting as a lifelong hobby, so here's my opinion on your first 1 1/2 chapters:
>"'It's over! It's over! The war has finally ended!'"
It's never easy to write an opening line, but it's easy to notice when it comes off as generic. To me, at least, the first image that comes to mind is WWI and WWII; I can see inspirations of both when you mention trenches, dueling superpowers, and the suicide of a national leader. The real problem for the reader is this: "how does this subvert my expectations/challenge my assumptions?" Because so far, I only know the world is different because the names are different. The real world can be different from my current knowledge of it, but the broad strokes I've read so far is nothing new.
If I can find a new or nuanced reason why the war ended, then my expectations/assumptions can be subverted/challenged. Let me offer a tool to do so. Starting from the first line, assume the character/reader who is hearing it. What statement(s)/question(s) could they feel compelled to respond with? Perhaps:
>"What does that mean for us?"
>"I don't believe you."
>"When did this happen?"
>"How did you hear about this?"
And then figure out logical replies:
>"My son's coming home."
>"Everyone's outside. They're dancing. They're dancing!"
>"We've been free for over an hour now."
>"The victory bells are ringing. We've won."
Now that you have this exchange, you can cut out the first two lines and simply leave the third one. Not only does this exercise allow the reader to know what the character cares about, but it gives them the mystery to hypothesize what made them say it. People naturally predict questions that come up when they say things, and preemptively answer them just like this. Instead of waiting for the question to pop up, if it ever does. It turns into: "It's over! It's over! The war has finally ended! My son's coming home," etc.
Keep up the good work!
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>>25302119
If he cares about honor more than his journey, then his journey is probably shit from an ass and not worth caring about. Furthermore, he should be allowed to think honor can be restored in extenuating circumstance
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>>25301710
/wng/ is over there
>>25302431
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>>25307925
It's not, because contrary to the graphomanic masturbators in this thread, people who actually read prefer things that are easy on the eyes.
Nobody wants to read schizophreniac-esque "prose" that's "very deep" and "totally unique".
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A while ago I read about a grammatical rule that says to omit the article in lists. For example, if you have three jobs and told them to someone, you'd say
>I'm a cook, barber, and bartender.
And not
>I'm a cook, a barber, and a bartender.
Which would imply you're masquerading as three different people.
But now that I wanted to check it again, I no longer find that story anywhere, or any reference to such a rule. Did I just fucking hallucinate the whole thing, or what?
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should I, an adult man, even bother trying to write a supernatural thriller about teenage witches?
do publishers want books like that written by men or do they think only women should write those types of things?
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>>25308732
>*points to the chart*
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>>25309102
Did 1100 yesterday, I need to do 1600 today.
As is the life of
>>25308824
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>>25309091
KDP
20th percentile - 10 books sold
50th percentile - 75 books sold
90th percentile - 30,000 books sold
It is about 5-10 times more effective to self publish than use Penguin Random House, especially at the midrange. 99th percentile sales are about the same.
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>>25309138
I guess there's really no point to trad pub these days. $5k advance won't change anyone's life, and if you bomb after getting that deal you're back to the agent mines anyway. Might as well save the headache and self-publish.
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>>25309291
>excuses
Amazon is not getting anything from me, lmao.
>b-b-b-but the money!
Oh no not the $20 I would get in a year!
I'm fine with my $20 off Patreon. I don't need to coerce anyone with stubs or twist anybody's arm, or sign a deal with the literal devil.
As soon as a non-shit publishing site appears that gives people better deals, OR, at least acts as a PUBLISHER and MARKETS for them, it will eat Amazon's lunch.
It would be extremely fucking hilarious if Valve decided to take a big chomp out of the literature business.
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>>25309304
Why not just assoom the simplest option that I hate Bezos and his shit corpo?
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>>25309376
Doubt it
Takes all of 2 minutes to research a kdp alternative and you never bothered. Just assooomed everything was as awful as Amazon with 0 research
But all of these publishers with great contracts are shit for selling books because they have no audience.
No one will ever eat Amazon's lunch because Amazon has the audience. Only a monopoly breakup could save the day and that simply will not happen
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>>25309387
>As soon as a non-shit publishing site appears that gives people better deals, OR, at least acts as a PUBLISHER and MARKETS for them, it will eat Amazon's lunch.
Where did you make that point then, retarded monkey?
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>>25309412
Why the fuck would a video game distributor bring a massive audience of readers that could break up Amazon's monopoly? Are you actually dented in the head?
It needs to be significant enough to forego Amazon's exclusivity which is 90% of most author's earnings.
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>>25309436
I sometimes wonder how people like you even breathe
Valve doesn't have readers dipshit. They are a gaming distributor. They have gamers, and a total user base a fraction of a fraction of Amazon's. They would bring a reading audience 0.01% the size of Amazon's
You are truly, hopelessly retarded if you think thats a potential monopoly buster
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>>25301712
I don't particularly feel the 'maniac' part. Is this from his perspective or hers?
Either way you should show more of his emotions as he talks, and again in particular in his laughter. Show her response too, to really sell it - a good way of doing it is to show her being visibly unsettled by his behaviour but he doesn't care and keeps going anyway. Maybe she shifts uncomfortably, shoots him a dubious look before looking away again.
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i got broken up with and possibly hexed maybe circa late february. i want nothing more than to get back to writing daily but my eating and sleeping have been fucked. hardly written in the time since then, and frankly since december. i miss writing hundreds and thousands of words a day. i don't know if i'm as sharp as i used to be and i struggle to have the same level of focus that i did.
i need something like cocaine but that isn't illegal. coffee doesn't do it for me. what i really need is to get over her.
i have one piece at about 400 pages that i left to hang dry circa december and i'd like to finish that by doing a hundred-or-so more pages. i have the plot outline, but i fear the possibly disparity between my prose from then and now being too jarring. i have another piece i've been slowly plucking away at at about 60 pages.
sorry for the blogpost, i just don't know what to do. i love you guys
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>>25309625
It's nice, paints a scene pretty well. I think it needs a few changes and clarifications in some places, though.
In the first paragraph, is the guy actually waking up and opening his eyes? I would mention that if so. If not, I would instead rephrase to have the daylight mentioned before the eyes to imply that it is what's affecting a change, and not the other way around.
>"The daylight greets my eyes..."
The last sentence "I begin rolling the blankets..." is phrased like two fragments. It either needs to be split or it needs something connecting them. i.e.
>"I begin rolling the blankets, and one by one...".
In the second paragraph, the first/second sentence have the inverse problem. These are two fragments, phrased like they're connected. You should either connect them properly, or split them properly.
>"I close my eyes and beg for forgiveness..."
>"I close my eyes. I beg for forgiveness..."
In the last paragraph, it jumps from place to place a bit. You go from the idea of shelter from the sun, to a cordial greeting, then back to the sun. You should either
>re-arrange it to have the MC start talking to the driver on a new paragraph after finishing up with his observations about the sun
>or segue back into writing about the sun with an action of some sort. i.e. checking the horizon with hand shielding his eyes, then looking up into the sun.
In either case the speech should go in its own paragraph.
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>>25309920
2/3
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>>25309922
3/3
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Someone releases a book that bombs and doesnt sell at all. Theyre considerably dejected to the point of withdrawing for society altogether.
Is "crestfallen" too weak for this?
Google says too weak but this being in a fantasy world I like the unique flavor of the word. Its a one off line, the author is never mentioned again
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>>25309719
Sure
>https://warosu.org/lit/thread/25187571#p25189197
Instead of
>"Tom opened the door."
Try
>"Thomas' hands shook as he grasped the brass handle. Cold from the winter air the metal bit into his flesh. "I knew I should have brought those leather gloves" he murmured under his breath. Quietly, quickly he depressed the latch and made his way in, closing the heavy maplewood door behind him. Hoping, praying that she wouldn't hear the latch close."
There I turned 4 words into sixty.
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>>25310189
one of the best demonstrations i've seen in these threads, thanks for contributing. i have trouble with this immensely and only just recently started to be able to expand my dry directing into better prose.
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File: kneeling_pepe.png (1.9 MB)
>>25310189
>post is from /wng/
I kneel
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>>25309920
>>25309922
>>25309925
Screenplay / 10
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>>25310415
Unless she's up for a quickie after a while sometimes it can be
>spend a couple of hours making it happen, doing it, and not jumping up again to not be a dick
or
>just whip one off and get on with your day
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>>25310391
Anon was a simple man because he, unlike the rest of humanity had figured out how to live. In Anon's estimation, life was nothing more than a series of consecutive choices, and happiness was derived from always making the correct choice. Unfortunately, if he tried to explain his philosophy to his family, friends or girlfriend, they would make vague references to autism, neuroticism and medication, but he ignored them. They only said these things to him because they couldn't prove him wrong.
Currently, a choice somewhere between the simple and monumental faced Anon. Not one that he could exactly take lightly, but neither was it so consequential that it required exacting deliberation. That choice was whether to go to Krispy Kreme, or Dunkin' for breakfast.
You see, Anon's favorite meal to break his fast after he rose from his bed was the humble chocolate donut. The choice of "what" to eat had already been made, and had a long precedential history. All that mattered now was deciding "where" and it was on this exact question that he vacillated.
He struggled for a few minutes, tossing his car keys from one hand to the other as he pondered. On one hand, Krispy Kreme had the better chocolate donut. There was no question about it. On the other hand, he did prefer the coffee at Dunkin' and during the preceding evening, he had stayed awake late into the night to watch his favorite vtuber's stream.
Concluding his deliberations, Anon made two choices. First, he decided that he should do whatever gave him the most pleasure. Second, he decided that he would derive more pleasure from a mediocre Dunkin' donut and good coffee than he would from a good Krispy Kreme donut and poor coffee. As ever, Anon was a devoted Epicurean, though he was unaware who Epicurus was (and if you asked him he would have called you a faggot!). A self-satifsfied grin broke out on his face as he left his apartment and sped off in his 1999 Honda Civic hatchback. He had done it again, he knew. This was the correct choice.
The drive over to the local Dunkin' was uneventful and once inside, Anon stood in the line at the till to place his order. However, something was wrong, but what? It wasn't the clientele, which was standard for a chain donut shop at this time of day. Nor was it the décor, which was safe in it's corporate blandness as always. Though the issue was literally staring Anon straight in the face, he didn't realize it until he reached the front of the queue.
"Welcome to Dunkin' saar, may I please take your order?"
A wave of despair overtook Anon as he beheld the Dravidian creature in front of him and realized the enormity of his error. There were no chocolate donuts to be found here, only ones contaminated by the stench of the Ganges.
Anon had chosen wrong.
(I apologize for getting so far removed from the prompt, I would have gotten there eventually , but I hit the character limit. Also, I read the Camp of the Saints recently, can you tell? lmao).
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Question (it's actually more of a comment): is it a bad idea to write about something you haven't experienced?
I've been thinking about writing about X topic or a character that does Y when I haven't done either, but I thought it was a bad decision. For example, the difference between the works of John Le Carre or Ian Flemming and those of Mike Herron is day and night. It boils down to the fact that the former two had experience as spies while the latter was an office worker. And I guess there are settings or genres that one doesn't directly experience, like fantasy, but even then writers still pull it off because they learn about topics that help them develop their settings. In this case a example of the difference between experience and no experience would be the works of Tolkien or Le Guin against literally any fantasy writer from the last forty years.
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>>25310575
No one has ever written like that not even AI so you can’t be reading it now.
>>25310579
There’s a reason “write what you know” is common advice because everyone will be able to tell you’re full of shit otherwise and appropriately dismiss your unconvincing drivel. This is why the general only produces whiny bitchfests by incels.
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>>25310575
Yes
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>>25310605
I think that you can get away with fantastical elements or making up your own systems by keeping it coherent and filling gaps in others departments, like how a character develops or how characters interact with themselves and their world.
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>>25310189
>There I turned 4 words into sixty.
To say that Tom opened the door?
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>>25310600
I don't think I'll write a sequel, unfortunately. Although I have a new short novel manuscript that's finished and I'm in the process of editing. Might try a small indie press, but if no one bites i'll self pub again.
Did you like CZ?
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>>25310843
You have to strike a balance.
a whole book written like "Tom opened the door, and went inside. He hope that she didn't hear the latch close" is fucking boring. You have to add a little detail, don't be afraid to purple up your prose a tad. I think the rewritten example took it too far however
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>>25310189
>>25310890
>>25310893
Well in the first example I learn:
>A character Tom, opens a door.
In the second example I learn:
>Thomas' hands are shaky.
>That it is winter time and the cold is why his hands are shaking.
>That he premeditated entry into this structure, and that he made a mistake in his planning.
>That there is a female that he is trying to not alert. Could be a wife, daughter, or dog. More importantly that his hands might be shaking due to nerves and not cold.
>"Quietly, quickly he depressed the latch and made his way in, closing the heavy maplewood door behind him."
This doesn't really add anything and is fluff. That's the only line I'd remove.
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>>25310921
>"Quietly, quickly he depressed the latch and made his way in, closing the heavy maplewood door behind him."
nah I'd say that it shows that the door is heavy and will make a loud sound so its harder to close quietly
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>>25310981
Not me, mine's officially long enough that it's no longer a novella.Too bad it'll never be published cuz I'm a garbage writer
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>>25311039
That's the fun thing about creating art: you can use whatever process you want! Sure, there will be lots of people out there saying you have to do it one way, and others saying to do it another... but you should try them all and see which works best for you.
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>>25311048
oh my god
i get it now
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>>25311110
Relevant knowledge is power. Having an autistic knowledge of WWII history won't help you flip a burger.
>>25311124
People find entertainment in things that matter to them, in some shape or form. Imagine that before Thomas enters, the author decided to describe the entire evolutionary biology of maplewood. The audience will ask, "what's the point?" because they probably won't see why it matters.
The only reason you find this excerpt acceptable is because it's an except with no context. You assume it all matters because it's the only information you have. You stupid chungus reddit chud.
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>>25311124
>>25311153
Thomas grabbed the handle of the door.
Long ago, the opponents of the Federal Reserve Act boarded on a fateful journey. It was a long trip, but it was also to be a pleasant one - aboard a cruise ship, of course. First class, as any gentleman would have it. Unfortunately there were some dregs on board as well, but that is a story for another time. Much of the journey was uneventful, though it was very pleasant; fine wine, fine music, fine ladies - all that's good in life.
Benjamin knew that something was wrong, but he could not quite tell what. The weather was getting colder. Of course it was - it was April!
"We won't let them enslave the good, honest, hard-working men, Ben." John said, cigar in hand, as he joined Benjamin by the starboard. He took a puff.
"Good, honest, hard-working men? Is that what you're concerned about, John?" Ben asked with a little smirk. Both laughed, then looked at the distant shapes in the water.
"What's good for me is good for them, Ben. Chains of metal or chains of reserve notes..." John interrupted his remark with his cigar glowing like the last piece of wood in a fireplace that just refuses to die, "What's the difference?" He asked with a shrug, smoke billowing out from beneath his mustache like from a manufactory.
Benjamin simply nodded. The two were far removed from the threat of these chains, yet both felt the manacles already gnawing at their wrists and ankles.
"It just ain't right," John stubbed the ash into the cold waters. "I thought we already sorted out the question whether or not God intended we put people in chains."
Benjamin knew that John Jacob Astor loved money, but the deeply troubled and intensely pensive look on the man's face suggested that maybe he loved something higher than money. He didn't dare to ask.
"A few more days, John." Benjamin sighed out, "That bastard Morgan isn't going to get his way..." He added, shivering a little as he turned back for the way inside the lounge.
"...How's your wife? Is she alright now?" Benjamin peeked over his shoulder.
"Sick. Resting." John simply shrugged.
Benjamin nodded, and the two parted for the night. As the Titanic was doomed to sink, the Federal Reserve Act ultimately passed, but I digress.
Anyhow, Thomas opened the door, got on the floor, everybody walked the dinosaur.
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There is nowhere to go. The moons blanket the desert in a shelterless glow that mocks the thought of escape. Yet you run.
His unceasing presence taunts you. What you have hopelessly prayed to be simple apparition appears again, closer, a half-mile-and-some away. Close enough to see that he’s traveling unarmored. Light. Light means fast. Fast enough to trail you for two days, smart enough to navigate uncharted sand alone.
The tyrant star has robbed your body of energy long before the cool moons rose. Through miles of desert, your feet strike the sand without pause. You remain numb to the thumping of your own failing heart, no longer conscious enough to heed its final warning. Your body refuses your commands, sending you and your cargo falling down a dune. Grains of sand pour into your tunic, rubbing your sun-blistered flesh bloody as you roll.
He stands now at the crest of the slope you just tumbled down, overlooking the valley of sand you lie in, effortlessly having closed the half-mile gap you labored to make. Yet, he keeps enough distance to tell you that he is faster than you.
He is wrapped in snow-white rags, face obscured by a wide-brimmed straw hat, and wearing a small leather pack. A four-legged beast loyally sits in wait at his feet. A sharp glint of moonlight flickers above his shoulders. Metal. Not from the mountains. It’s kept too well for that, mirror-polished just like yours.
Silence. He is letting you catch your breath.
As you lie, you reach for the hollowed gourd that tumbled to your side. He waits to allow you a drink. You choke on the bitterness and the grit of the spirit. It burns your throat and numbs your aching limbs. The pain is gone. You can no longer feel your body screaming for the water you ran out of hours ago.
He breaks the silence to shout something unintelligible. The beast barks in response and departs his side at once, galloping away with purpose.
The man drops his shoulders. His pack falls in front of him. He produces a rod and pulls. Sparks scrape for a moment, then-
Boom.
A pillar of fire blooms, sending a streak of blinding light above, coalescing into a star moments before shattering across the sky in a thunderous roar. He is not the only one after you.
You don’t have a choice. You’re out of time. Get up.
Your calloused hands wrap themselves around the long, wooden grip of your blade.
Your sandals shovel up sand as you bear into the ground once more.
Tonight, two Ironbearers will bask in the privilege of dancing with each other under the moons.
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>>25311448
Iron. Not the kind your weapon is made of, but the kind you smell in the air, the kind you taste on your lips. The kind that comes from the blood pooling at your feet. The dance is finished, you are the victor. You bask in the horrifying glory of his severed hand, the limb hanging from a tendon, unzipped skin exposing the bare muscle of the dead man who opposed you. But your clansmen will only know that you danced, and you lived, and not of the nightmares that will forever follow.
A light rises. The tyrant sun will not let this deed go unpunished.
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>>25309632
I was forsook.
>>25309633
These are excellent suggestions, I will try to use this lens when I look at the later scenes. It also brings to attention the problem of how is the light reaching him in the cart not prompting his thought about the robes before he sees the straw hat. And the I soup is pretty off-putting even as I posted it, I *just* stopped myself from joking about it in my initial post.
>>25309666
Thank you, I struggle with atmosphere and background so I wanted to try and focus in on it with this character
>>25309671
I can't disagree, since I knew it was coming it's my own fault for not pruning it. First draft slop, I admit.
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>>25311843
>>25311744
I didn't actually know this was a thing. Why do people hate present-tense?
I sucked at writing characters in 3rd past, so I decided to try writing a few inside their heads to flesh them out. I accidentally wrote all the way to a short novel in it.
>t. zero literary knowledge fag