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Greatest man who ever was or will be - Chopin edition.
https://www.youtube.com/watch?v=Y44JnN-tJgY
This thread is for the discussion of music in the Western (European) classical tradition, as well as classical instrument-playing.
>How do I get into classical?
This link has resources including audio courses, textbooks and selections of recordings to help you start to understand and appreciate classical music:
https://rentry.org/classicalgen
Previous: >>129267310
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While Chopin indeed possessed of a knack for indisputably magical-sounding right-handed tinkling, and while he did indeed compose a number of tolerable (and possibly even beautiful) works, Chopin’s ultra-Romantic sound is almost nauseating under the right (or would they be wrong?) conditions. The bulk of his compositions were made either as teaching devices (he had a number of young, and usually female, pupils) or as salon accompaniments meant to serve as admittedly fitting background to hedonistic bourgeois prancing, dancing and flirting; the small part of Chopin’s catalogue which is preferable to these former pieces still have yet to live this fact down. His works are best suited for those of the male species who enjoy “stopping to smell the flowers,” and for little girls who play MASH all day and incessantly draw pictures of how they think their future weddings will appear.
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>>129281162
>salon accompaniments
Not to be an elitist, but being part of Parisian salons puts Chopin above all else. He's the composer of the high aristocratic upper class, the Rothschilds, and can be fully grasped only by the highest functioning minds. No other mind is capable of discerninv the individualistic sophisticated genius of Frédéric. "Music" as it is is plebian. But Chopin is reserved for the highbrow.
https://www.youtube.com/watch?v=Y5bKJCeInYw
The modern school "Chopin" was dumbed down for the masses, as you can hear.
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>>129281104
This is unfair. How can a mere human like me deserve to be able to hear "such" an extraordinary creation. Humanity does not deserve Chopin, his music is too complicated and orphic for us inferior peasants to comprehend. We should all fucking kill ourselves for doing basically nothing in front of the great achievements of Chopin. Yes. Everyone on this planet including me should be sterilized cause we are utterly inferior compared to The Great Chopin.
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>>129281162
Cannons buried in flowers
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Decided to get in on this opera business due to recent happenings in this general. Do they usually end with an appeal to become a stoic?
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>>129281422
If I could only have one set, I'd go with the Ciccolini one. But you should also try Bavouzet and Michelangeli
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Clementi, on the preferred instrument.
https://www.youtube.com/watch?v=ADVxr6wz5HI&list=PLQlBzP26eyTuoc6zUIMv d5Yae2c_q7Sb-&index=65
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>>129281422
>>129281602
try Kocsis
https://youtu.be/XnKsbXW72-8?si=58nAi9W6HOjXwsiV
https://youtu.be/MSFup1i5BCk?si=yr-uYNTmhpm0XApn
https://youtu.be/QKQKUE3vD1I?si=jKZAiv5AEtodjjyF
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Bach
https://www.youtube.com/watch?v=SRe8zKg_SAU&list=OLAK5uy_mrYsDK-iimr7z cba1CeKLmwAgVl241vLc&index=2
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Can someone explain the difference between these guys and that dude in the Mighty Mighty Bosstones who dances the whole time?
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now playing
start of Mendelssohn: Symphony No. 3 in A Minor, Op. 56, MWV N 18 "Scottish"
https://www.youtube.com/watch?v=MhQaOWXg-1E&list=OLAK5uy_nsssqQaY08dPx K3RoLU3e8TaJ59CXVGjs&index=25
start of Mendelssohn: Symphony No. 4 In A Major, Op. 90, MWV N 16 - "Italian"
https://www.youtube.com/watch?v=c4kGEoQN9YI&list=OLAK5uy_nsssqQaY08dPx K3RoLU3e8TaJ59CXVGjs&index=29
start of Mendelssohn: Symphony No. 5 in D minor, Op. 107, MWV N15 - "Reformation"
https://www.youtube.com/watch?v=BOW1gSoMAVs&list=OLAK5uy_nsssqQaY08dPx K3RoLU3e8TaJ59CXVGjs&index=32
https://www.youtube.com/playlist?list=OLAK5uy_nsssqQaY08dPxK3RoLU3e8Ta J59CXVGjs
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>A Quiet Place is a 1983 American opera with music by Leonard Bernstein and a libretto by Stephen Wadsworth. It is a sequel to Bernstein's 1951 opera Trouble in Tahiti.
>In its original form, A Quiet Place was in one act. Bernstein spoke of it as having a Mahlerian four-section structure.[1]
>Underlying it all is an orchestral fabric in a wide variety of styles that is of truly symphonic density – the opposite of Trouble in Tahiti. Bernstein compared the four-part shape of the opera to a Mahler symphony in an interview with a Houston critic last week. "The opening scene is huge and explosive. The second is elegiac. The third is a playful scherzo", he said. And the last scene is "one of those adagios", referring to the grave and noble slow movements that conclude works like the Mahler Third and Ninth symphonies. "If the opera is saying anything", he said, "it is saying that anything in life is hard to achieve." Then he added, "including this opera".
>After being panned by critics – "to call the result a pretentious failure is putting it kindly"[2] – Bernstein and Wadsworth withdrew the opera and revised it.
kek. anyone listen to Bernstein's operas?
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For tonight's opera performance, we listen to Cherubini's Medea conducted by Lamberto Gardelli.
sinfonia intro
https://www.youtube.com/watch?v=CdZ_zssQKcI&list=OLAK5uy_lu0JHagQLMGAP ub5P6XmqVAMzPr_YIsQE&index=2
random vocal movement
https://www.youtube.com/watch?v=pHvyIqKs3a0&list=OLAK5uy_lu0JHagQLMGAP ub5P6XmqVAMzPr_YIsQE&index=3
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violin concerto rankings
brahms > tchaikovsky > beethoven > elgar > mendelssohn > dvorak > berg > prokofiev > stravinsky > shostakovich > bartok > britten > sibelius > khachaturian > bruch > barber > schumann > glazunov > saint-saens
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>>129284005
And that's why Brahms should never have written it, because Brahms can't compose pleasantly uneventful music. You just know he threw himself into 'studying' pleasant pastoral music before composing it and it shows.
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>>129284771
>Roberto Abbado
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>These qualities contribute to a compelling account of the second symphony. Despite Brahms’s November 1877 note to his publisher describing the work as ‘so melancholic that you will not be able to bear it. I have never written anything so sad and dark-toned…’ most conductors, Gardner included, interpret it as the sunniest, most pastoral of the four symphonies.
hehe brahms btfo
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>>129284873
Also not a fan. The engineering on those recordings sounds pretty awful too, emphasizing the strings and horns way too much while diminishing everything else.
>>129284908
>what do you think of Bruno Walter's (Columbia Symphony) recording?
I like his earlier NY recording in mono. His later stereo one is not as good, but also not bad either. It's just a little too relaxed, like all of Walter's recordings after he had his heart attack.
>also Jochum?
Both his mono and stereo ones are pretty good.
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Renaissance polyphony was nothing but a gateway for Palestrina, who was nothing but a gateway for Bach, who was nothing but a gateway for Haydn, who was nothing but a gateway for Beethoven, who was nothing but a gateway for Liszt, who was nothing but a gateway for Wagner.
It all led to Wagner.
W.
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>>129285084
>Beethoven, who was nothing but a gateway for Liszt,
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>>129285084
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>>129284182
thanks for your mindbogglingly imbecilic inputs metalslopper
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>>129285598
now blaying Bardog's zegond biano gonjerdo:
https://www.youtube.com/watch?v=7IV0889PenQ
:-DDD
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>>129281104
here's a photo of him in his later years
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>>129285619
lisztening to dante sonada :DDD
https://www.youtube.com/watch?v=l60pVPNG3X0
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So I read the libretto of the first Act of Parsifal before I fell asleep last night while listening to it, and I gotta say, I know this probably sounds stupid and uninformed -- because it is and I am -- but the poetry is a lot better than I thought it'd be.
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>>129285246
The usual recommendations here for that (at least for starting out) is
if you want fast, Szell/Fleisher or Szell/Serkin
if you want middleground, Gilels/Jochum
if you want slow, Arrau/Giulini
https://www.youtube.com/watch?v=X3AhaMRXuV4
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Godowsky's sonata from a literally who. Technique isn't as smooth as Hamelin (obviously), but also the tempo taken for the last movement is awful, way too fast, reminds me of how Hamelin rushes Alkan's march. Overall not worth listening to.
https://www.youtube.com/watch?v=72rJR45KhHE
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I asked my kitty who's her favorite pianist and she replied,
>ARRAUW
https://www.youtube.com/watch?v=tY4wEBbn2Bk
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>>129286284
Oh, you misunderstand me. I genuinely meant I can fall asleep listening to whatever. Bach's Goldberg Variations, Chopin's Nocturnes, Bruckner's symphonies, Handel's Messiah, the operas of Wagner and Debussy. I just meant my falling asleep has no bearing on how exciting or dull the music is (though the temperament of Parsifal is a bonus).
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>>129285699
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>>129286253
I'd use Alkan and Midtner for sleep but I'm afraid I wouldn't wake up again.
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>>129286402
indeed. refer to: >>129286313
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>>129286303
>Although Debussy was in no doubt of Wagner's stature, he was only briefly influenced by him in his compositions, after La damoiselle élue and the Cinq poèmes de Baudelaire (both begun in 1887). According to Pierre Louÿs, Debussy "did not see 'what anyone can do beyond Tristan'," although he admitted that it was sometimes difficult to avoid "the ghost of old Klingsor, alias Richard Wagner, appearing at the turning of a bar".
Debussy found Wagner’s influence so magnetic that he made an active conscious attempt to avoid it. That’s more than can be said for any composer regarding Brahms.
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>Peter Griiiiimes... Peter Griiiimes... Peter Griiiiimes....
https://www.youtube.com/watch?v=wSGC7Q3nkqs&list=OLAK5uy_npRGJuzoqTTcq 81cBtM42ud_dvqXgsgjc&index=3
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now playing
Schumann: Phantasie in C Major, Op. 131
https://www.youtube.com/watch?v=iEsuPFZw4OU&list=OLAK5uy_nkwSOcYzKUQbw YzTgjJd90nN3aoZiATo0&index=2
start of Mendelssohn: Violinkonzert e-Moll, Op. 64, MWV O14
https://www.youtube.com/watch?v=7QIgPwLTKrg&list=OLAK5uy_nkwSOcYzKUQbw YzTgjJd90nN3aoZiATo0&index=3
start of Schumann: Violin Concerto in D Minor, WoO 23
https://www.youtube.com/watch?v=agVua5YJ1hM&list=OLAK5uy_nkwSOcYzKUQbw YzTgjJd90nN3aoZiATo0&index=5
https://www.youtube.com/playlist?list=OLAK5uy_nkwSOcYzKUQbwYzTgjJd90nN 3aoZiATo0
Tetzlaff and Paavo Jarvi? Can't go wrong.
>One of Schumanns last significant compositions, the long-lost Violin Concerto saw its première performance only in 1937, and was hailed by Yehudi Menuhin as the historically missing link of the violin literature.
huh, I didn't know that about the piece
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>>129286641
I guess my point is for it to be an established, distinct thing, there must be tons and tons of compositions, no? Like opera or masses. Yet there seems to only be a handful from the standard repertoire composers. Is there ballet that isn't classical, is that why? Surely they aren't just performing the same ten works over and over, ya feel?
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>>129286640
>bomb
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I freakin love classical music so much!
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>>129286655
>>129286675
Is this the one known as “trannypopper”?
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Bored so I'm gonna finally listen through Gielen's Mahler cycle.
1st
https://www.youtube.com/watch?v=VNhZTUmiRgA&list=OLAK5uy_miIlfEs62Mofr DITB25I-DSKTFl2ybyNM&index=2
2nd
https://www.youtube.com/watch?v=w_U6JOpi6_k&list=OLAK5uy_miIlfEs62Mofr DITB25I-DSKTFl2ybyNM&index=6
3rd
https://www.youtube.com/watch?v=MhW_gAS550A&list=OLAK5uy_miIlfEs62Mofr DITB25I-DSKTFl2ybyNM&index=10
I still have Inbal's cycle to try too, which I'm surprised I've never done given how extraordinary his 10th is.
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>tfw no Vilde Frang gf
why live
https://www.youtube.com/watch?v=bIDjbFhvF5Y
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let's get HIP
https://www.youtube.com/watch?v=b4iSmbYhYbY&list=OLAK5uy_lGfS0Xe4QVjoh 9PaUzIxkz7fOFnipyGzY&index=1
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>>129286303
>>129286402
Wagner and Liszt *literally* owe everything to Chopin (harmony, expression) and Berlioz (orchestration, programmatic music). And Debussy specifically is the direct continuation of Chopin's harmony.
It's better to remain silent when you have no idea what you're talking about.
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>>129286710
>>129286663
>>129286655
>>129286318
return to >>>/metal/
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>>129286946
I've heard it's actually quite good.
>Gardiner’s electrifying account of Missa Solemnis is an intensely dramatic experience which will probably leave you drained. His reading is full of revolutionary zeal, a characteristic that often informs his recordings of the Beethoven symphonies. It seems to me that Suzuki doesn’t seek to offer quite such an intense vision. Perhaps he aims to emphasise the humanity in the music rather more than the quasi-operatic drama. He most certainly doesn’t downplay the fervour and drama in Beethoven’s visionary, uncompromising score but his conducting operates at a slightly lower temperature. Some may well find Gardiner’s way with the music just a bit too intense in which case Suzuki may be a preferable option. I think it would be impertinent to suggest – or even imply – that one version is in some way better than the other. I responded very positively to Gardiner’s recording when I first heard it and revisiting it now for these comparisons I’ve found my appetite undiminished. However, I’ve come to admire the Suzuki version very much as I’ve come to know it and I can well imagine that on some days, depending on my mood, I’ll prefer to be stirred by it rather than shaken and stirred by Gardiner. Both are terrific versions of this challenging masterpiece.
I was going to try Suzuki's considering how wonderful his Brahms Requiem is, but then coming across this paragraph in a review made me think I ought to try Gardiner's first.
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>>129286219
>>129286350
>>129286427
>>129286662
time to go back to >>>/metal/ insanely imbecilic metalslopper
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>>129286956
>>129286965
guys, c'mon, can we not
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>>129286973
its all the falseflag schizo samefagging chopin hating metalslopper, he even pretends to make pro chopin posts >>129286942 to mock me in his imbecilic musically illiterate posts. he doesn't read harmony like me, he doesn't listen to cortot, he doesn't even know about horizontal music. garbage poster.
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This is what classical music would sound like in 2026.
https://youtu.be/U1sffNdzjPU
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>>129286992
>>129287011
return to >>>/metal/ subhuman
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>>129287025
>>129287023
>>129286996
thanks for self-flagging your posts /metal/ imbecile
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For today's opera performance, we listen to Britten's Peter Grimes conducted by Bernard Haitink.
random vocal movement
https://www.youtube.com/watch?v=9wj9bFIX3Fk&list=OLAK5uy_mcNLH7cTaBpcs a5e_9grn1WvUw3tiMrXM&index=22
one of the famous orchestral interludes
https://www.youtube.com/watch?v=vLDMTZeO-1c&list=OLAK5uy_mcNLH7cTaBpcs a5e_9grn1WvUw3tiMrXM&index=30
>"This is an inspired performance in a superbly lifelike recording. Haitink uncovers the raw nerve-ends of the music, its astonishing and ongoing vigour shading into violence, while giving full measure to its lyrical poetry."
>The coast of Benjamin Britten's native Suffolk was close to his heart, and he chose a narrative poem by the Aldeburgh-born George Crabbe as the basis for his first major opera, Peter Grimes, premiered in 1945. Grimes, a fisherman and an outsider in his community, is first seen at the inquest for his apprentice, who died during a storm at sea. The action consistently pits the suspicious local people against Grimes, and one of his few allies is the schoolmistress Ellen Orford. She hopes to marry Grimes and give him a happier life, but when she discovers a bruise on his new apprentice's neck, he strikes her. The boy then dies in an accident, driving the villagers to a frenzy and tipping Grimes over into madness. He takes his boat out to sea and sinks with it. Among the score's many powerful moments are: Peter's visionary monologue `Now the Great Bear and the Pleiades'; his surprisingly tender "In dreams I've built some kindlier home' and his bleak mad scene, accompanied only by the baying offstage chorus and the sound of a foghorn; Ellen's lovely, but foreboding `Embroidery' aria, and the atmospheric orchestral interludes, well known as a separate orchestral suite.
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>>129287094
thank you samefagging metalslopper schizo
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"Democritus Laughing" opens with a four-measure that accelerates by gaining an extra note each measure in a horizontal 4:5:6:7 ratio, for a total of 22 notes. The 22 pitches played by the opening guitar were generated aleatorically by rolling a 24-sided die; the three other guitars play serial transformations of that pitch material. When the drums enter, the tempo ratio becomes vertical and the four guitars trade tempos in that 4:5:6:7 ratio every time the opening theme recurs.
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>>129287179
>>129287177
time to go back to >>>/metal/ insanely imbecilic metalslopper
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No, your "western canon" composers are not "objectively" supreme. Yes, we Chopincels know that.
If anything, Scriabin is the top sonata composer, he's just from a different universe entirely:
https://www.youtube.com/watch?v=RCzvc3Cl6xE
Beethoven could never compose work of this level, not even Bach's entire lineage could. Stop being a mindless sheep and become an individual (I guess that's impossible, you were born an NPC).
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>Alkan is a genius!
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Chopin stands above all and Liszt is trash. Yes, we Chopincels know that.
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The truth is somewhere in the middle, as always. Some retard(who is in the room with us) will shit his pants at smallest details, some other will slop up the first youtube result.
I guess I meant to say that it doesn't matter between Ashkenazy and Muti, they are both good. We should be discussing music more than recordings. Like, have you tried analyzing form? It doesn't have to be lengthy and tedious, but it would be more interesting than "whose performance is better".
Yes, we Chopincels know that.
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I don't know much about classical music but I am trying to write something with Spitfire's Symphony VST. Just piecing together some ideas and trying to avoid block chords for now. I am curious as to how this sounds so far to your trained ears?
https://voca.ro/1dcqNsIleAdX
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Wagner has become my only relief in this world. His music speaks to me in ways that I can't even describe. I feel soothed and sated, all my agony and disturbance is emptied in a blank canvas that Wagner created, like a man doing something as simple and reassuring as putting a coat around a young boy's shoulders to let him know that the world hadn't ended.
https://youtu.be/gcfxxtl4KLw?si=rCiBFCBupRbmLKUj&t=396
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Do you ever listen to piece and enjoy it, but at the same time you think "When is this going to end?"?
Because I have this problem with Nielsen's symphonies. For example, in his 4th symphony, three out of four movements last around nine to ten minutes or a bit more and I can't help but think that one could cut those in half and not miss a lot for the overall piece.
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Digging around through Milne's catelog, now listening to his Busoni Fantasia contrappuntistica.
https://www.youtube.com/watch?v=IFWKi0WRCTY&list=OLAK5uy_llUS_G0lmSsr0 ul3ZpXUmqfHWvQKB-KFM&index=5
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>>129287502
Anon nice
From the first section I get kind of a batman vibe, in a good way its brooding
I would say the basses could take over the focus/melody more often, you will find that it will create opportunists for a sensation of re-entry of upper voices which will drive things along effectively
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Did insomnia also make you listen to old shitty recordings?
Yes, we Chopincels know that.
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>>129287951
In order of how much I like them:
8 > 2 = 4 (pretend theres a really tiny arrow here) 3 > 6 = 7 > 5 > 1
I have complicated feelings on 9, I like it overall but I cant really fit it with any of the other ones. I like everything Mahler wrote, though.
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>>129281104
I like this and the Rubinstein Nocturnes. Am I a pleb?
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>>129288091
We do not troll, mock, or act in bad faith here. Gould is a legend that we all deeply respect on a non-ironic scale. His articulation is second to none, and his insights into the reality of the recording era are self-evidently true. Beyond all that, he was also a manic on the road, and we appreciate speed here as Futurism is our guiding philosophy.
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>>129288048
What manner of ridiculous faggot tries to act like a serious mastermind by trying to steal a music master's work and sell it as their own genius? What type of deceitful swine does this? Write your own stuff usurper.
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>>129281462
Moravec and Samson Francois, of course you can't go wrong with Gens and Richter
>>129281403
No it got better, Beethoven made shit piano music for the most part.
Debussy and Late Liszt are only good ones on that list as Chopin and Schumann are neurotics
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>>129285084
Franco-Flemish bros, our response?
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>>129286303
I kneel, Even Debussy knew Wagner was too great of a figure to follow. This is why the French genius was compatible with the Wagnerian ideal, they sought to carve out already trodden paths, but look beyond and rise above the shadow that is Wagner.
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>>129288131
>a music master's work
>deceitful swine
>usurper.
Bit strange to attempt an aristocratic larp right after you dropped "ridiculous faggot", lass.
IQ and Gould appreciation follow each other 1-to-1 in which more appreciation is linked to higher intelligence. They are even contemplating getting rid of the SAT and replacing it with a device that tracks your dopamine levels while his GBV is played on speakers.
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>>129288157
>>129288177
Thank you neurotics, I hope you didn't have an existential panic from the 9-5's this week did we? Chopin will you help you dilate your emotions and I would also recommend a Mozart butt plug to help get ready for the next week.
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Has there been a more perfect cover showing what the piece is all about?
https://open.spotify.com/album/3lNs2UnRog90lU3dusjkWK
>>129281104
Is Chopinposter a new addition to this general shizo department?
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>>129287200
Scriabins 48 is the greatest 48 since Bach's and is better than Chopin's 24 and I'm tired of pretending its not.
1. Bach 48x2
2. Scriabin's 48
3. Debussy's 24
4. Scarlatti's 555
5. Ravel/Chabrier
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>>129288244
>Is Chopinposter a new addition to this general shizo department?
No, thats just norseposter also known as "rachanon", aka the guy spamming the general with copy paste replies about "metalslopper". He came here from /metal/ in late 2024 and spent the majority of his time also having spam wars with the sisterposter who used to call him indian child.
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>>129288363
Scriabin's preludes Op. 2 to 17
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Igor Levit 's Beethoven cycle, starting off with Waldstein and Appassionata. Just off the small amount I've listened to the recording quality its a bit reverb-y, some of the highs are shrill, the low end is bretty clear (the reverb isn't bad in that regard), and honestly in some ways the reverb can sound more natural than without.
https://www.youtube.com/watch?v=tHaVVx-DyX0&list=PL1IXBSY4jc2tE5w8zZ_P wf10vO3a5zuCT&index=69
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>>129289055
I'm calculating and ranking keyboard composers by their best works, with Bach's WTC being the best, Scriabin's preludes being his best and tied with his sonatas. Scarlatti was only a sonata composer which is why I used the 555, and Ravel/Chabrier wrote French miniatures and suites so I couldn't just use one type of musical form to summarize their oeuvre.
I'm retarded and schizophrenic so bear with me
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>>129288270
Thank you, that was a very throughout explanation.
By the way, here's how (and why) to listen to Steve Reich: Music for 18 Musicians. First listen to it a few times so you are familiar with the structure. It seems simple and it is - it kind of shows you what melody is composed of. The slow process of creation. After you think you're done, listen to it alongside some other piece. Music for 18 Musicians is very stable and feels like a separate line regardless of anything else. As you listen focus on trying to switch between focusing on one or another or both.
I'm listening to Stravinsky Violin Concerto this way right now. Which is the best Violin Concerto ever written >>129283548
After a while switching between either becomes if not natural, than quite achievable. Finally you can move to listening a more complex melody as a second one developing an ear differentiating groups of sounds. Another way to do it is to try to focus on one instrument within an orchestra. Try listening to violins only or just the bassline, etc.
https://www.youtube.com/watch?v=Wn6K53W_Nu0
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>>129289382
>listen to Steve Reich
Post immediately hidden and left unread.
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What do we think of this distinguished young gentleman? His piano quartet is pretty good so far and his b-flat symphony is great French homage to Wagnerian chromaticism
https://www.youtube.com/watch?v=RsnUIIS64ls&list=RDRsnUIIS64ls&start_r adio=1
https://www.youtube.com/watch?v=gsrypUDnlcw&list=RDgsrypUDnlcw&start_r adio=1
https://www.youtube.com/watch?v=mLb8AYsZ5_I&list=RDmLb8AYsZ5_I&start_r adio=1
https://www.youtube.com/watch?v=J6D8go8M2X8&list=RDJ6D8go8M2X8&start_r adio=1
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>>129289999
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Some niggaz packing Colt 45's, but me? I pack a Bach 48.
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>>129285246
I only really have strong opinions on 2, and my favorites are:
Richter/Rowicki (live, on INA)
https://www.youtube.com/watch?v=26ivLHGPTqM&list=OLAK5uy_kOFtb9JoLTKug 7Wv327Ek5gmJh5Oe33Sg&index=8
Fischer/Furtwangler
Zhukov/Rozzy
If you're a fan of Richter's Chicago performance, that live one really needs to be heard. It makes his Chicago one sound very tame by comparison.
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>>129290328
Then why is that you have this exact same pattern of spam and using the same keywords like "imbecilic" on /metal/?
https://desuarchive.org/mu/thread/122425389/#122428418
Looks sort of like you have a problem with spamming threads.
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>>129285246
>>129290343
Zimerman/Bernstein and Chailly/Freire are pretty good for 2nd. But Richter is the best.
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>>129287547
Thanks for the tips. I've only put the celli to work so far. I am also working on this strange piece called 'Hiram's Last Waltz'. I am trying to incorporate some gay freemason symbolism too: https://vocaroo.com/1AWKhbBL0VRP
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>>129290422
Thank you my fellow metal enthusiast
https://desuarchive.org/mu/thread/124746898/#q124750222
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>>129290503
Lol nice find. I have no idea why Norseposter decided to die on the hill of calling someone else a /metal/ browser. Guy has no forethought at all, as he doesn't have a literal endless embarrassing history of posts to pull from.
I didn't even realize how hard he was spamming Scriabin here because of me until I looked at the archives and saw this:
https://desuarchive.org/mu/thread/124786759/#q124795857
Basically a retarded ESL half rate version of my own posts at the time, lmao.
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>Listening to comfy BABIAA approved music
>German Baroque like Schutz, Buxtehude, and Bach, La belle epoque Franco/Russian music like Chabrier, Chausson, Scriabin, and Borodin
>sunny day in the worst state of the USA, but could be worse
>Enjoying Europhile games like Expedition 33 and Lies of P
>gonna get some wine later while I go for a walk
The Meds know how to do it classicalbros, what you guys got going on today?
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>>129290503
>>129290554
time to go back to /metal/
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https://www.youtube.com/watch?v=TV9DOcoqD0g&pp=ygUgZGF2ZSBtdXN0YWluZSB zeW1waG9ueSBvcmNoZXN0cmE%3D
Metal is modern classical whether you nerds like it or nor.
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>>129290589
Chopin got a good 27, but its nothing compared to Scriabin's 48 and that's a fact
Also show boi bussy
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>Liszt is working on his late piano pieces, which push the boundaries of tonality and only arouse Wagner's disconcertment. “Late in the evening, when we are alone,” Cosima reports in her diary on November 28, "R. discusses my father's latest compositions; he must find them quite pointless and expresses this in detail and sharply. I ask him to speak to my father about it in order to lead him back from the wrong path; but I do not believe that R. will do so." (CT II, 1059)
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>>129290848
Scriabin's early period actually had some masculinity to it, probably as a by-product of being Russian, his mid period even more so because of his fascination with Fagner at that time, while his late works have nothing to do with Chopin anymore in the slightest.
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>>129291058
Its a different kind of femininity to late Scriabin, its not outwardly pretty in the kind of way Chopin is, or even regular impressionist music can be. Its certainly lost a lot of masculine character to it compared to the drive in his middle period, but its not "let me put my lipstick on and I'll be right out" like Chopin can be.
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>>129291147
I find Chopin's music to be very sensitive and sickly but not necessarily gay. actual gay composers like Bernstein have a recognizable sound that is both flamboyant and tasteless.
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Bruckner
https://www.youtube.com/watch?v=FbwHuB5UDKA&list=OLAK5uy_nQJwyQWhfTqua _zgzIbaNl_XtN7EXs7x0&index=2
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>>129292410
>>129292387
Incorrect.
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>>129293315
>great composer
Okay you got a chuckle out of me
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We should all kill ourselves as we will never experience anything as great as Mahler's 9th and 10th ever again. Humanity reached its peak and it's all over for us.
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just realized neither of my two favorite Mahler 10s use Cooke. one is Barshai and the other is pic related
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>>129293712
i am a big fan of both the phrasing and tempos used by Lopes-Coboz in the recording I posted, and for Barshai I really love the textures. it's right competition, both of the recordings you mentioned are also great.
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