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Antonin Dvorak edition
https://www.youtube.com/watch?v=2IVT-3MM3qw
This thread is for the discussion of music in the Western (European) classical tradition, as well as classical instrument-playing.
>How do I get into classical?
This link has resources including audio courses, textbooks and selections of recordings to help you start to understand and appreciate classical music:
https://rentry.org/classicalgen
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Dvorak composed ten operas? Damn, when I thought he couldn't be any more prolific! Anyone a fan of them? Seems Rusalka is the one that has endured the test of time, and is still performed today.
https://bachtrack.com/playlist-top-ten-antonin-dvorak-may-2024
Also I love images from modern productions of operas like this. So beautiful and alluring, makes you wanna listen to the work immediately.
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>>129318492
>ACT 1
>The water nymph Rusalka has fallen in love with a human—the Prince—when he came to swim in her lake. Now she wants to become human herself and live on land to be with him. Rusalka’s father, the Water Sprite, is horrified and tells her that humans are evil and full of sin. When Rusalka insists, claiming they are full of love, he says she will have to get help from the witch Ježibaba. Rusalka calls on the moon to tell the Prince of her love. Ježibaba arrives and agrees to turn Rusalka into a human—but warns her that if she doesn’t find love she will be damned and the man she loves will die. Also, by becoming mortal, she will lose her power of speech. Convinced that her feelings for the Prince can overcome all spells, Rusalka agrees and Ježibaba gives her a potion to drink. As dawn breaks, the Prince appears with a hunting party and finds Rusalka by the lake. Even though she won’t speak to him, he is captivated by her beauty and leads her away to his castle. From the lake, the voices of the Water Sprite and the other water nymphs are heard, mourning the loss of Rusalka.
Interesting. Eternal themes of art and the human condition, which I suppose is redundant.
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>>129318507
It's the romantic, non-opera trinity, though Schumann and Chopin might have some objections. Then again, one could argue you must have symphonies, aka compose in many forms, to quality for the trinity.
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From a review of a reissue of Keilberth's Wagner Der Ring des Nibelungen,
>For me, the Solti cycle, more readily available at more advantageous price points than anything Testament can offer, is still the best place to start exploring this wonderful creation, as it was for me as a callow, teenage youth many years ago; it’s just that I now believe that the sum of the parts of this 1955 Testament Cycle is indisputably greater than the Decca ‘Recording of the Century’. So, ultimately I am left agreeing with the learned friend of Ralph Moore, quoted at the end of his survey of Wagner Ring Cycles, who sagely opines: “Solti/Decca for beginners, Keilberth/Testament for connoisseurs, with Krauss ̓53 as the pick of the bunch.”
true?
https://musicwebinternational.com/2025/11/wagner-der-ring-des-nibelung en-testament/
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Wagner
https://www.youtube.com/watch?v=C5c5W8m9bvc&list=OLAK5uy_ka-amjZ2ihgn0 61Iv8qx3UGfiTrQvC4r0&index=2
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>>129318562
No matter your stance on opera or Wagner's other music, everyone loves Siegfried Idyll. You'd have to be inhuman to not. Plus Ivan Fischer is a fantastic conductor, which is what initially and primarily drew me to the recording.
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>>129318527
>>129318507
>non-opera trinity
>No Bruckner
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>>129318581
I finished listening to Karajan's cycle, so I wanna start on a new one, and I either wanna go real old school (so Knappertsbusch or Kleiberth or Krauss [the original KKK of composers!]) or new school (so Mark Elder or Zweden, maybe someone else if I find one). I'm still reading reviews and trying to decide though. You say the audio has problems on the Kleiberth one? I guess that shouldn't be a surprise.
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>>129318560
>https://www.youtube.com/watch?v=C5c5W8m9bvc
literally slop to put on in the background while telling stories to your children. In the trash it goes!
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>>129318598
The Keilberth is fantastic and one of my favourites. It's absolutely perfect and a must-listen, except they forgot to move the brass section around when they put the microphone in there so it's extremely loud and I just hate it but some people can tolerate the brass.
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>>129318602
I have loved the Janacek operas I've tried (I might try Katya Kabanova today). I also loved Smetana's The Bartered Bride.
>Dvorak derivative of someone else's style to start
Sounds like his standard process! Just didn't know he was into Wagner like that, but I guess he couldn't copy Brahms for opera.
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>>129318616
Is this the right set?
https://www.youtube.com/watch?v=n7-xPrWWDoM&list=OLAK5uy_nnuSbJ3XBEigW 1Qa6KlumBLPu-dFei58g&index=14
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>>129318619
Young Dvorak was an obsessed Wagnerian, then he became a convert to the Brahmsian religion, and then Brahms excommunicated him from the Holy Church of Conservative Music for being too adventurous and then Dvorak started getting back into Wagner and settled down as a modest Wagner-worshipper while not being an obsessed Wagnerian.
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>>129318677
Schönberg is an honorary German.
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Any one else fed up with dumb women in classical comment sections? They always write the most retarded bs unrelated to the music
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now playing
start of Mozart: Symphony No. 39 in E-Flat Major, K. 543
https://www.youtube.com/watch?v=4aAmowjJfA8&list=OLAK5uy_kK6IH9J_UjnmW 7cdy5NDCwdIsD9Cyjoa4&index=2
start of Mozart: Symphony No. 40 in G Minor, K. 550
https://www.youtube.com/watch?v=j5iVnSBOz6w&list=OLAK5uy_kK6IH9J_UjnmW 7cdy5NDCwdIsD9Cyjoa4&index=6
start of Mozart: Symphony No. 41 in C Major, K. 551 "Jupiter"
https://www.youtube.com/watch?v=Xv1-RctSxVQ&list=OLAK5uy_kK6IH9J_UjnmW 7cdy5NDCwdIsD9Cyjoa4&index=9
https://www.youtube.com/playlist?list=OLAK5uy_kK6IH9J_UjnmW7cdy5NDCwdI sD9Cyjoa4
>On THE LAST SYMPHONIES, Nikolaus Harnoncourt explores his fascinating new interpretation of the composer's last three symphonies; that they are one whole work which he calls Mozart's 'Instrumental Oratorium.' Harnoncourt argues that, in terms of structure, the first movement of Symphony No. 39 is the Prelude of the 'Instrumental Oratorium,' while the last movement of Symphony No. 41 is the Finale. THE LAST SYMPHONIES: MOZART'S INSTRUMENTAL ORATORIUM was recorded for the first time with Harnoncourt's own ensemble Concentus Musicus Wien, which he founded in 1953.
Interesting. A symphonic triumvirate. Been forever since I last listened to these. Usually I'd stay away from HIP and HIP-adjacent performances of Mozart's symphonies, or any symphonies for that matter -- usually only crossing the threshold for choral and the occasional chamber recording -- but I've come to like Harnoncourt more over the years, for he does a nice job of bringing the music to life even when trying to respect historical authenticity. And of course, as usual, I wanted to try something new and different. Hopefully I don't regret it!
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>>129318712
That's a good question, actually, and one I've asked myself in this general on occasion. For me at least, classical isn't the best daydreaming music. I prefer Rock and Pop for that. Classical is for when I want to, y'know, actually focus on the music as music.
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>>129318681
Ah okay, so the Testament recording has better sound than the one I posted, that's a relief to hear, haha. I think I'm just gonna go for the Zweden cycle for now, then maybe Barenboim next time, and then, once I have a solid grounding in the work, I'll go for the historical classics like Krauss and Keilberth.
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>>129318578
NTA but besides a nice tune at the start its really not that interesting.
https://www.youtube.com/watch?v=6a0Ncogisws
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>>129318767
If you must on piano, try
https://www.youtube.com/watch?v=lyyZFDSZsq0
Glenn Gould actually has a famous piano recording of it, using his own arrangement!
https://www.youtube.com/watch?v=_104zS6pDoQ
and hey, here's a dope Piano+String Quintet (so Piano Sextet?) arrangement I just found
https://www.youtube.com/watch?v=06rwMD21fQo
I don't know man, sorry, I simply don't understand not enjoying it, it's one of the most sublime pieces of music ever created by man. It blows me away every time I hear it. It makes the world disappear, leaving only the music and the fierce whirlpool of emotions inside me effected by the music.
Fuck that Gould performance is so good. Listening to it now while writing this post and it might be one of the best things Gould ever recorded. I don't know, I guess all I can say is I hope you come around to it someday.
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Oh, here's a piano Siegfried Idyll by Lang Lang and arranged by one Howard Shore. Careful though, in typical Lang Lang fashion, the playing is super affected, but hey, maybe it works, for Lang Lang is pretty good when the performance comes together for him.
https://www.youtube.com/watch?v=7wc7Za5OEzA
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>>129318834
Already knew Gould's transcription, I intentionally didn't post it to avoid any "ehrm this just sucks because its Gould" comments.
Its just not that good, like most Fagner pieces it has some great melodies or a great theme, probably a great climax or build up, but the rest is just meandering boring moments that seem to just be padded filler for run time. He disguises this a lot better with orchestration (same reason Ravel's Bolero works), but for pure music its unworthy of the piano test.
Personally I think Rossini summed up Fagner perfectly.
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>>129318772
No, not at all. Admittedly the quality of singers in 70s and 80s and later recordings probably does preclude them from being considered accurate to Wagner's wishes, because the golden age of opera really did have so many more resources at hand, including conductors and even stage designers, but I still think there's plenty of later Rings worth listening to for their unique interpretation. Wagner was rarely happy with his own performances and just had to accept them being good enough, so I don't think he would have much to complain about something like the Bohm Ring.
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>>129318905
another try
https://www.youtube.com/watch?v=ZxCI3mSVnt4
>>129318910
I think it sounds fantastic on piano, easily passing your personal piano test. Thanks for giving it a try I guess, that's all I can ask. Like I said, it blows me away. If I listened to it in public, I'd probably end up getting hit by a bus because I'd be standing there, transfixed by the music!
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>>129318930
The availability of resources in the golden age of opera is a great point I hadn't considered before, and certainly not one I'd heard brought up by folks who are the type I brought up before. Glad to see you enjoy a wide array of recordings of his music, thanks for the replies and information. Hopefully this Zweden cycle holds up, so far so good on the singing and orchestral playing.
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>>129318934
>I think it sounds fantastic on piano
Yes, well, you also thought that Mahler on piano sounds great despite it being self evident that neither Mahler nor Wagner's pieces would have ever survived history on piano, while Beethoven and Mozart's symphonies would do so with ease.
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>>129318986
Sviatoslav Richter said he learnt how to play the piano by playing Wagner operas on it at an early age and would continue to host Wagner-listening parties throughout his life where he would just play through a complete Wagner opera. Iirc Debussy earned money playing whole Wagner operas in concert as well.
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>>129319003
Haha I'm still quite the novice, no one should be listening to my opinion on opera recordings. All I know is what I like, and so far, it sounds glorious,
https://www.youtube.com/watch?v=Wq0yb7BvlD4&list=OLAK5uy_mnsm4T-64P2la U9NVxDL0MmK4qbDNAywE&index=5
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>>129318546
Keilberth's '55 cycle is still worth hearing thanks to the wonderful singing, but as has been mentioned many times here before, the acoustic is captured in a very ugly manner and some sections are practically unlistenable unless you like a wall of wobbly brass. Ironically even though the Krauss '53 cycle is limited to 10khz and is in mono, it is overall easier on the ears since the acoustic resolves itself better. But Windgassen also makes a ton of mistakes in the Krauss Siegfried by comparison to the Keilberth one. Alas.
>>129318616
What they should have done is miked it from the ceiling and not directly in the pit.
>>129318964
>so far so good on the singing
no comment
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>>129319010
>the Siegfried Idyll on piano is better
Than the Mahler Adagio? Probably.
>>129319016
The only reason people played Fagner on piano then is because you couldn't just open up a CD and put on an Opera like you can now, last thread Witt boasted about seeing an opera 30 times, your average fan of a piece now listens to it hundreds of times. And its self-evident by the fact no one bothers with piano Fagner anymore, because its not worthy of being listened to.
Fagner is great at orcestration, has some cool moments, but he is a meandering time waster focused on length and scale over concise and pointed structure.
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If Bach could timetravel to hear Gould's renditions of his keyboard works he'd likely want to kill himself seeing his clinical style that strips away the Baroque soul and emotional depth inherent in pieces like the Goldberg Variations
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>>129319144
>meandering time waster focused on length and scale over concise and pointed structure.
You could take any random moment from Parsifal and it would probably have more concision and pointedness of structure than 99% of classical music.
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>>129319254
Incorrect. We enjoy Gould's harpsicord-like playing and fantastic articulation here.
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>Sebastian Bach, as a rule, does not indicate tempo at all, which in a truly musical sense is perhaps best. He may have said to himself: whoever does not understand my themes and figures, and does not feel their character and expression, will not be much the wiser for an Italian indication of tempo.
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>>129319280
>He may have said to himself
Fagner bingo consists of projecting random thoughts into other people, making incoherent statements, contradicting himself in the same paragraph, or creating wold salad that says nothing at all.
The hilarious part is that his waffling is so low quality and so numerous that it can only be comparable to his own musical words which are of the same nature. Lol.
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>>129319273
https://www.youtube.com/watch?v=VMe8lY6oziU
https://www.youtube.com/watch?v=GJ_Dj0_sR5Q
https://www.youtube.com/watch?v=tsBX_uR-FL4
https://www.youtube.com/watch?v=Vh35AJUZzkk
https://www.youtube.com/watch?v=p2V91O8F7Ik
https://www.youtube.com/watch?v=2n9KhIzGIeQ
And so on, with the symphonies and piano sonatas and other piano works.
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>>129319310
>Richard Wagner once said of Johann Sebastian Bach’s music: “That made me what I am. My unending melody is predestined in it.” In Die Meistersinger von Nürnberg, Wagner demonstrated to post-Tristan sceptics his mastery of traditional musical forms. Sonorous chorales, a fugally-inspired toccata, an unforgettable quintet and counterpoint worthy of Bach all feature in this magnificent score celebrating the marriage of inspiration and tradition.
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>>129319144
>time waster focused on length and scale
It's actually the opposite. The inflated size of Wagner's mature operas is due to him protracting the smallest details out with an abnormal degree of musical invention. So much so that Tchaikovsky complained about Wagner's harmonic complexity wearying him. As Nietzsche said, Wagner is above all a great miniaturist. The whole is just an excuse for the minutiae.
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>>129319348
>>129319353
Thank you delusional wagnersisters.
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>>129319319
As one of the biggest Karajan fans here and an opera and Wagner noob, I enjoyed his Ring but I didn't love it, and I enjoyed a couple others I tried more for each of the operas. I still need to try his recordings of the other operas. And who knows, maybe I'll end up returning to Karajan's once I'm familiar with a bunch of others and the work more intimately, and realize just how superb and superior it is, wouldn't be the first time that's happened.
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>>129319331
Harpsichord sounds infinitely better. Gould sounds like a badly tuned MIDI with added autistic humming
Style of playing aside he made horrible interpretation decisions as well. BTW he was a Stokowski worshipper so they're two peas in a pod of shit
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>>129319377
>Harpsichord sounds infinitely better.
Goalpost shifting, bad faith actor.
Also Gould would appreciate Stokowski because he promoted making large differences in interpretations for any works. Its clear they are total opposite in actual interpretation.
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>>129319387
>Famously, in his published writing Nietzsche sets up Bizet against Wagner, declares Carmen to be the greatest of all operas, and compares its music favourably with Wagner's in a certain amount of detail. But he does not believe this either. Privately, in a letter to a friend he writes: 'What I say about Bizet, you should not take seriously the way I am, Bizet does not matter at all to me. But as an ironic antithesis to Wagner, it has a strong effect' (27 December 1888).
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>>129319445
>I was merely pretending to be retarded
Nietzche got made fun of for promoting Bizet and backtracked on it because he's a weakling that couldn't even survive living without sex, so he paid for a whore and got an STD that killed him for it.
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>>129319487
>>129319436
/pol/cel delusion.
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>>129319406
They aren't really. They both applied a wholly idiosyncratic approach that betrayed the text of the music they were performing. They were egotistical wannabe composers that piggy backed off of far more brilliant men.
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now playing
start of JS Bach: Piano Concerto No. 1 in D Minor, BWV 1052
https://www.youtube.com/watch?v=WjBDDmJmj00&list=OLAK5uy_lUxf6YdBkywgS LP7yaDu5ec9yI-eqtJZc&index=2
start of JS Bach: Piano Concerto No. 4 in A Major, BWV 1055
https://www.youtube.com/watch?v=K5Y9E11kxYc&list=OLAK5uy_lUxf6YdBkywgS LP7yaDu5ec9yI-eqtJZc&index=5
start of JS Bach: Piano Concerto No. 5 in F Minor, BWV 1056
https://www.youtube.com/watch?v=CxPSZXWwLA0&list=OLAK5uy_lUxf6YdBkywgS LP7yaDu5ec9yI-eqtJZc&index=8
start of JS Bach: Piano Concerto No. 7 in G Minor, BWV 1058
https://www.youtube.com/watch?v=sYGRdnaRZIE&list=OLAK5uy_lUxf6YdBkywgS LP7yaDu5ec9yI-eqtJZc&index=10
https://www.youtube.com/playlist?list=OLAK5uy_lUxf6YdBkywgSLP7yaDu5ec9 yI-eqtJZc
Highly recommended.
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>>129319558
>...you sound like someone who couldn't have sex and had to cope you were "strong" because of it
Never insult Nietzche's entire pseudo-"philosophy" like that again.
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>>129319567
Well, like I said, I'm a novice so I have no expectation of what certain roles ought to sound like, so all I can judge on is what sounds good to my ears in any given moment, and I do know I really like Michelle DeYoung.
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speaking of Hamelin and 20th century solo piano music, did you all listen to it yet?
https://www.youtube.com/watch?v=8FNPsnCZQj0
>During the 1970s, the inspiring pianist Ursula Oppens commissioned Rzewski to write a set of variations that she would perform at Carnegie Hall together with Beethoven's Diabelli Variations. The result was a masterpiece of 20th century Romanticism, continuing the clear line from Beethoven through Brahms that faltered with the deaths of McDowell, Medtner, and Rachmaninov in the first half of the 20th century. Rzewski takes a catchy tune, a Chilean protest song, and pulls it apart in a multitude of ways, each subset of variations teasing the listener with increasingly remote references to the original melody. From time to time the effect verges on noise, only to be relieved by a lyrical or passionate return to harmony and tunefulness. As a set of variations, this piece deserves to be classed with the Diabelli Variations and Mendelssohn's equally outstanding Variations Serieuses.
While Oppens's performance of [the work] was a justifiably famous landmark, doing full justice to the formidable challenge of bringing coherence to a work of such complexity, Marc Andre Hamelin offers something very special in this recording --- a transcendental technique in the original sense of Liszt's term, namely the ability to play difficult passages with such limpid clarity and evenness that the listener's attention is not diverted from the music by an awareness of effort.
The combination of Rzewski and Hamelin is irresistible and results in one of the most intense and rewarding listening experiences the piano aficionado can hope for. Hamelin's genius is that his technical virtuosity is never employed for empty display, always to thoughtfully package an insightful interpretation. Intellectually, he is as profound as Brendel, while physically having far greater resources at his disposal. He is a truly remarkable pianist, here playing a truly remarkable work
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Classical is gay. This is the only one I liked so far
https://youtu.be/mmCnQDUSO4I
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>>129319578
Just say "I like Gould's flavor of idiosyncrasy" instead of making an appeal to authenticity. Gould's interpretations varied widely over the years and are virtually different from just about every single historically informed performer that actually inherit the "playing methods" of the baroque period.
This is a stile antico fugue, intended to be played in a vocal idiom
https://www.youtube.com/watch?v=l151xQT9pcA
Gould plays it like it were a dance:
https://www.youtube.com/watch?v=ahBpNI96gWI
This is one of the few pieces where Bach prescribed a tempo to make sure performers didn't misinterpret it: Largo.
https://www.youtube.com/watch?v=nXahSdFOq6c
Gould plays it like a lively Gigue:
https://www.youtube.com/watch?v=lYvf9vybTnE
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>>129319748
Whoops mean to reply to >>129319307
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>>129319120
>>129319144
thanks for the room temperature IQ posts charlatan
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>>129319729
>prescribed a tempo
You can argue he interpreted some pieces in a "wrong" tempo (yet I bet you wouldn't cry about people doing it for Beethoven constantly), but what people really have issue with is his staccato playing, which is closer to harpsicord standards than anything else. Nor do I think playing things as a dance is really wrong either, almost all of the Baroque period was dance-like in some manner, that or in a dour church manner I suppose. And the WTC was just teaching material, I highly doubt it was suppose to be presented in a holy serious manner.
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>>129319796
>yet I bet you wouldn't cry about people doing it for Beethoven constantly
I do.
>but what people really have issue with is his staccato playing
I mean it got worse as he got older and I find it unpianistically dry. It doesn't really suit the instrument as a wholesale approach imo. That being said I simply do not agree with him interpretively most of the time. He was better in the early 60s and 50s, I enjoy his Bach from that period.
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>>129319821
>>129319824
>>129319831
>>129319832
>>129319836
>>129319842
Great posts sister, thanks for spamming this general with non-classical related posts
Anyway, beethoven. We love that slop here
https://www.youtube.com/watch?v=zpMdr9nBJc0
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>>129319847
You ought to know the schizophrenic spammer is the /metal/tourist aka "hector" pic related. he's making the general unusable.
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>>129319883
>>129319887
No one here has any idea who that is Norseposter, and neither would you if you weren't from there, or are you dropping the larp and just admitting it now?
People were talking about music before you decided to spam and have another meltdown.
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>>129319909
>the general is evidently unusable until you leave
Seemed pretty usable before you decided to have another spam spergout, our dear metal listening Chopindian. Now of course no one is talking about music.
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>>129319909
Also you were even replying to who you think you were btw. Then again, in the furious mind of the Chopindian, he cares not who he is replying to, or what flavour of imaginary /metal/ boogieman has captured his mind. Just another Norsetourist seethe-a-thon I'm afraid.
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>>129319883
He's also a self-admitted idiot.
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>>129319933
I think >>129319708 got him bubblin again. Talk about a fragile "male", no wonder chopincels are all turning transgender.
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>>129319965
Consider taking schizo-spam over at /metal/.
>>129319968
LOL
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>>129319965
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"Democritus Laughing" opens with a four-measure riff that accelerates by gaining an extra note each measure in a horizontal 4:5:6:7 ratio, for a total of 22 notes. The 22 pitches played by the opening guitar were generated aleatorically by rolling a 24-sided die; the three other guitars play serial transformations of that pitch material. When the drums enter, the tempo ratio becomes vertical and the four guitars trade tempos in that 4:5:6:7 ratio every time the opening theme recurs.
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Finally, some good music.
https://www.youtube.com/watch?v=Z5NoQg8LdDk
https://www.youtube.com/watch?v=Z5NoQg8LdDk
https://www.youtube.com/watch?v=Z5NoQg8LdDk
https://www.youtube.com/watch?v=Z5NoQg8LdDk
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>>129319873
you would think that after being hated on by everyone and seeing a post by an obvious lunatic who saves and posts images of mutilated corpses and claims an honest desire to track you down and kill you (even if he lacks the capacity do actually do so), you would maybe think "perhaps I am being a little too annoying" and stop talking
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>>129319983
>Jute Gyte
Loved, worshipped, respected here
>>129319999
Based neo classical posting
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>>129320000
>who saves and posts images of mutilated corpses
Oh no!
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>>129319999
Checked and correct.
>>129320000
Checked and incorrect.
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>>129319999
Omg is that phil tougas on the left? That guy reigns supreme
https://www.youtube.com/watch?v=4GBY28LTR6k
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Yep, just another norseposter thread I'm afraid, holy schizophrenic spam. Chopin and /metal/ is one hell of a drug.
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>>129320043
I know a thing or two about First Fragment. Bassist is called Dominic Forest Lapointe. The band is clearly /classical/ approved, if you dont believe me hear this: https://www.youtube.com/watch?v=Gi5g7gJbwxQ
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>>129320009
the point is to realize one is clearly severely disliked by the very people he talks to, so that people aren't simply bothered by you but that they actively hate you. i don't know why someone would see they are hated by everyone and still choose to interact with them anyway.
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>>129320072
>i don't know why someone would see they are hated by everyone and still choose to interact with them anyway.
He has no choice if he wants to interact with people, he has always been instantly hated by everyone wherever he goes.
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>>129320090
Of course, I got you bro.
https://www.youtube.com/watch?v=ZnYaV5ueJjY
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>>129320101
>Phil Tougas mogs Beethoven into the dirt, fuck the 9th, I need In'el instead.
MEGA BASED.
Phil Tougas reigns supreme, his fretboard alchemy transcending mortal coils to forge symphonies of unyielding brilliance! Shithoven could never.
https://www.youtube.com/watch?v=jhr2HVRt0G0
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>>129320117
Utterlly baldcore.
>>129320128
Shining hair of brilliant length and density.
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>>129320209
If ever a musician needed a poet, it is Berlioz, and it is his misfortune that he always adapts his poet to his own musical whim, arranging now Shakespeare, now Goethe, to suit his own purpose. He needs a poet to fill him through and through, a poet who is driven by ecstasy to violate him, and who is to him what man is to woman.
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>>129320346
If you want the actual truth its that norseposter (the guy obsessed with spamming the thread about "/metal/slopper charlatan" and constantly getting banned for it) went over to /metal/ and made them raid us >>129319827. And he did this because of a single joke aimed at Chopin >>129319708, yes, he is this schizophrenic and fragile.
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Phil Tougas about the early flamenco metal scene in Montreal, Quebec (direct quotation):
>Turns out that, pretty much everybody were so-called "wankers", they were pro-shred, they were Bach fans, we cultivated this rich ensemble of influences
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>>129320763
I've seen a couple smaller ones posted. I'd recommend these two copypastas I often post:
>>129311803
>>129311951
and this post
>>128927112
And then of course the TC Top lists as a resource
https://www.talkclassical.com/threads/compilation-of-the-tc-top-recomm ended-lists.17996/
Between these, it's enough to get you some solid grounding in addition to help you find your own way in figuring out how to discover popular recordings and find new ones.
And of course, for any particular work, you can always ask here about favorite recordings. All that said, maybe one day when I'm feeling especially full of energy I'll help make a new chart.
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>>129320839
>>129321057
inb4 flame war because of disagreements over which recordings to include
>you're an idiot if you like Karajan's Beethoven
>Chailly's? LOL
>excuse me, no did Beethoven good after Leibowitz
>fuck off hissfag, Blomstedt's is the best
>I think Barenboim would be a nice choice for the chart if not Karajan
>t. noob ^
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>>129321103
I was thinking about disagreement with Karajan's Beethoven before you even posted that
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>>129320839
I don't really get the recommendation sheet thats just a load of romantic symphonies. Personally I would recommend different eras, and use shorter forms.
>hey guize I'm nu
>>ok nufag heres 20 different hour long symphonies you'll think all sond the same and provide you no way to learn forms
>t-thanks
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Flowcharts aren't needed because literally all you have to do is go onto Amazon, filter by CD & Vinyl, search the work you're interested in, and pick one of the popular results. It's that easy.
Let's try with searching "beethoven symphonies", we get on the first page of results:
>Karajan
>Dorati
>Barenboim
>Szell
>Blomstedt/Gewandhaus
>Kleiber 5th + 7th
>Bernstein/Vienna
>Gunter Wand
>Herreweghe (okay, sometimes you get questionable choices primarily because they're newer and the algorithm wants to promote it, but you can tell by the only 10 reviews, it's not the one to choose if you're a newbie anyway)
>Haitink/LSO
>Scherchen
>Vanska
>Paul Kletzki
Plenty of great places to start, lots of solid options to compare between.
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>>129321256
Smells like a post from stinky /metal/shitter tourist, but I'll bite.
No, none of these symphonies sound the same, I could tell Tchaikovsky's and Bruckner's symphonies from just an 2 second excerpt when I was getting into classical. Some of us genuinely enjoy this music, maybe start listening to some music yourself anon?
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>>129321256
...only the first line is for symphonies, wat. You're talking about that first copypasta, right?
And true it's romantic focused but only because statistically, that's the best place to start for trying to get someone into classical. If they're not into that, they can always come back and ask for what they want.
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>>129321310
While I'll grant Walter's set isn't a bad place to start, I'm not suggesting one should go with those first page results and then never ever look for another recording again, it's only a starting place. And those are all better starting places than the three you named, which are more the kind that someone comes looking for once they've been introduced to the music and want something from that time period/older in the tradition.
>>129321329
-_-
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>>129321295
>when I was getting into classical
You mean last year when you came from /metal/? Remember that time you came over to /classical/ asked for a rec, and then the same day you spammed it on /metal/ talking about how your taste was so superior? LOL!
Ask others for schumann reccomendations:
https://desuarchive.org/mu/thread/122525378/#q122559879
Then go on /metal/ acting superior and posting the violin sonata 2 you were told to listen to
https://desuarchive.org/mu/thread/122560249/#q122563518
Loving Every Laugh.
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Is it just me or did anyone else only listen to like 4 Beethoven sets and that's it?
The symphonies are long enough already, listening to more set seems like torture to me. Individual symphonies sure, but sets turn me off.
I can't even reasonably compare sets unless I go symphony by symphony, or even movement by movement.
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>>129321399
I just skip over the 1st, 2nd, and 4th if that's what you're asking. The rest of the symphonies are always worth listening to again, so what's the issue?
>oh no I have to listen to Beethoven's masterpiece 6th :(((
?
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On that note, Schumann's Carnaval Op. 9 is so fuckin' good.
https://www.youtube.com/watch?v=VELPD6FVylA
or newer
https://www.youtube.com/watch?v=H_KszUWZ3Ac
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>>129321309
>You're talking about that first copypasta, right?
Yeah but most are just going to go top down.
Personally I would suggest smaller forms like classical rondo, arias, tenary romantic preludes, themes and variations, baroque passacaglia. That sort of thing, its easy to digest and gives you a glimpse into each composers style and the era they are from without having some monster hour long multi movement piece shat onto them.
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>>129321256
The ideal way is to just start with Bach and/or Mozart. Bach's cantatas are filled with lovely, instantly captivating melodies
https://youtu.be/R4oPkiOwq28
https://youtu.be/Q4XsbWWsJbw
https://youtu.be/4yZBAIkHiyg
https://www.youtube.com/watch?v=q4fKfMowGIk
If someone hears Zion hört die Wächter singen and does not enjoy it, I cannot really imagine them liking any other kind of classical music.
Same thing with Mozart, his piano concertos are also great works to get someone listening to classical music.
https://youtu.be/4EiP_FW7_AE
Same as with Bach, if they do not enjoy the D Minor concerto, it's hard to imagine them liking other kinds of classical music.
>>129321309
>And true it's romantic focused but only because statistically, that's the best place to start for trying to get someone into classical.
I disagree tremendously. I love romantic music but Bruckner would absolutely be too much for someone who is just starting out. Most of /mu/ struggles with listening to albums longer than 39 minutes, you really think that they are gonna be able to sit down and listen to an hour and 20 minutes of music with no program to latch onto?
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>>129321451
It's just a handy starting place, not homework, they can't confined to it. Plus, let's be real, most people when first getting into classical are gonna be most interested in symphonies.
>Yeah but most are just going to go top down.
That's your reply? It's obviously sorted by form, lol.
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>>129321463
I've considered dropping Bruckner from it but last time I asked someone replied and said not to. It's really just something I wrote in the spur-of-the-moment. If you wanna write a better one, feel free. And nothing says they have to like each work or even listen to every one. But yes, I do get your point on Bruckner.
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>>129321472
>It's obviously sorted by form, lol.
Non-classical music doesn't have forms, they have albums and songs. If you don't know anything why wouldn't you just start listening to whatever is at the top of the list? Your list is like a list made for someone already into the genre IMO.
That being said, I myself would never make a newfag helping list, nor do I bother helping them at all because imo its a waste of time. So naturally I consneed that I'm just bitching about something I don't even really care about.
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>>129321560
it's just one /metal/tourist who recently arrived and is causing a ruckus. he will now tell you otherwise, because he's a genuine schizophrenic and a sociopath. ignore any and all posts containing alkan, medtner, fortepiano and pseudo-intellectualism, and you're fine.
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>>129321589
>it's just one /metal/tourist who recently arrived and is causing a ruckus.
True, you did indeed just sail in during late 2024 and embarassed yourself on /metal/ much before that >>129321387
Still one of your best moments, cracks me the fuck up.
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>>129321633
no, i barely even come here because his schizo-spamming is unbearable. he's constantly replying to himself and writing long ignorant essays about things he does not understand. an extreme case of dunninf-kruger combined with sociopathy and schizophrenia.
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>>129321678
Why did you change your grammar for this post again, Iass? Over here you captalize >>129321295. Do you like pretending to be different characters to samefag more?
>i barely even come here
Pretty sure you've subjected us to your spam each and every single day for the past month now. I mean have you even missed one day, or been gone longer than 16 hours straight?
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>>129321696
would work, if everyone did so. unfortunately this general is literally equivalent of a used toiled paper as long as the shit lingers on.
>>129321705
>>129321662
excellent schizo-spam it's time to return >>>/metal/
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>>129321696
Asking an Chopindian to not spam a thread in an asshurt fit of curry rage is simply an impossible request I'm afraid.
>>129321716
>I'm saving da general by spamming it1!!!1!11
The Indian mind being guided by black metal listening sure is a curious one. Maybe all that shireking is why you're angry all the time.
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>>129321910
>>129321928
sociopathic samefagging from one charlatan, take it to >>>/metal/
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>>129322074
Yeah I see that, I kind of dig the sleazeball alcoholic pianist look though, like the drunken master
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>>129322034
>>129322059
Not a race fellas
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>not listening to napcore
couldnt be me
https://www.youtube.com/watch?v=IXcGORjWte8
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Any pieces that end on a diminished 9th?
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>>129322576
>how about we learn to compose instead
I no longer have the motivation for that. Even though I have a lot of free time, I don't do anything anymore. I'm ashamed of it, but it's as if I don't even care about not being productive anymore.
>>129322603
Pretty much the same.
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>>129322872
lol. "Mozart sonata"
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if only
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Any Gorecki enjoyers? 3rd symphony is so eerie and pretty, wow
https://www.youtube.com/watch?v=8MkjkoNo92I
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I've now listened to four Mozart operas and the only arias that have stood out to me are Der Vogelfänger and the Queen of the Night aria, and that's mainly because I already knew those. Are his operas overrated? I mean it's nice music, but I was kind of expecting something more.
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>>129323139
>When the Polish composer Henryk Górecki's Third Symphony, his "Symphony of Sorrowful Songs", was played for the very first time at a festival in France, it went down terribly. Appallingly, in fact. The senior French musician sitting next to Górecki, probably the composer and conductor Pierre Boulez, the doyen of the international avant-garde, shouted: "Merde!" The critics called it "decadent trash" and "endless". Why? Because Górecki's repetitions of simple melodies and harmonies, and his setting of movingly "sorrowful" texts about motherhood and loss for solo soprano were heard as a sentimental, slushy sellout.
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These threads are unbearable now, another filled with spam in 8 hours.
Saluting the Satie posts.
>>129322090
>>129322366
One day I will make a Satie thread for us.
>>129309546
https://www.youtube.com/watch?v=KzxPQrP3dzo&list=OLAK5uy_kTi0sucUy2Sfl bM62KF-ZGuNkeoXd_VfQ&index=15
Gotta love the Sarabandes, will have to listen to the whole album.
>>129257887
https://www.youtube.com/watch?v=jQu7lGGhoeg
Despite the cool name, The Dreamy Fish isn't a memorable piece for me. It's supposedly trying to imitate Debussy, which I'm not hearing at all, probably any other Satie piece sounds more like Debussy. Or maybe I haven't listened to the right Debussy, or I only listened to the right Debussy. Sounds more like his conservatoire work, disjointed and protracted, with a bit of ragtime influence.
>what does Fazil Say from a million threads ago
Quite a basic bitch album, with just the Gymnopédies and Gnossiennes, with some Debussy, which wasn't bad, but nothing special.
>Frederic "Federico Mompou" Mompou Dencausse
https://www.youtube.com/watch?v=Zjy5TjR3D1c
Probably the most similar composer to Satie. Still doesn't quite get it right, sometimes too dry, other times too much, but worth a listen
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>Emanuel Bach, Haydn and Mozart had established the structural laws of sonata form for all time. It was the outcome of a compromise which the spirit of German music reached with that of Italian music. It acquired its external character from the way it was used: the pianist used the sonata to present himself to the public in order to delight them with his dexterity and to entertain them agreeably as a musician. We are no longer speaking of Sebastian Bach assembling his congregation in front of the organ in church, or summoning a connoisseur or colleague to a competition; a wide gap separated the wonderful master of fugue from those who cultivated the sonata. They learned the art of fugue as a means of consolidating their musical studies but applied it to the sonata only as a learned device. The raw consequences of pure counterpoint gave place to pleasure in stable eurhythmics: only the completion of its pattern in the sense of Italian euphony appeared to meet the demands of the music.
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>>129323066
;_;
>>129323159
There's some mindblowing stuff in Figaro and Magic Flute.
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>>129323180
>The senior French musician sitting next to Górecki, probably the composer and conductor Pierre Boulez, the doyen of the international avant-garde, shouted: "Merde!"
The image of this just made me laugh so hard.
>Górecki's repetitions of simple melodies and harmonies, and his setting of movingly "sorrowful" texts about motherhood and loss for solo soprano were heard as a sentimental, slushy sellout.
"wtf this sounds good, i hate it!"
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For tonight's opera performance, we listen to Gershwin's Porgy and Bess conducted by Simon Rattle (almost went with the Maazel recording but I haven't quite liked his opera conducting much so maybe next time).
opening
https://www.youtube.com/watch?v=VfzEYOcpnSI&list=OLAK5uy_kmTrZMj72eDbO UPHbaKp_o34o7mD5ECkY&index=2
vocal movement
https://www.youtube.com/watch?v=L17cqw53TDo&list=OLAK5uy_kmTrZMj72eDbO UPHbaKp_o34o7mD5ECkY&index=4
also, kinda nuts how the second movement, this one, has 4.1m plays on YouTube/YouTube Music (compared to ~1.5k-3k for the rest), must be from a movie or something
https://www.youtube.com/watch?v=XXXtmNiauC4&list=OLAK5uy_kmTrZMj72eDbO UPHbaKp_o34o7mD5ECkY&index=3
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>>129323446
I can't agree with that anon. Sure a lot of classical enjoyment outside is more artificial than here, and its a good hobby but it's still not nearly as a good job as actually practicing my instrument.
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>>129323509
Peter! You cannot buy your peace.
You'll never stop the gossips' talk
With all the fish from out the sea.
We were mistaken to have dreamed...
Peter! We've failed. We've failed...
I listened to the Gardner Peter Grimes recording last night before bed and I loved it so much.
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>>129323243
Whoops meant to reply to >>129323211
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>>129322576
I have zero inclination to compose nor perform music in any capacity. I do, however, wish I spent more time writing and reading literature than I do listening to music currently and browsing here, which go hand-in-hand, as browsing here is often merely a byproduct of listening to music. I should cutback on this artform. I'm hooked. Severely.
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